Farmingdale, NY (June 5, 2017) -- D’Addario Accessories is excited to announce an alternative pick innovation to their line of accessories – the Acrylux series.
The new Acrylux guitar picks are available in two different blends, Reso and Nitra, which offer two distinct tones while providing the grip and output that is famous of acrylic picks. The Reso version comes in transparent red, made of pure acrylic for a brighter tone, while the Nitra is black pearl, made from an acrylic and nitrate blend for a warmer tone.
Available in standard and jazz shapes in 3-packs ($15.00 / $9.95 MAP) and 25-pick bulk packs ($90.00) for “per pick” sales. Available July 1.
D’Addario Accessories is excited to launch their new premium woven and leather straps, taking their accessory line of guitar strap quality to the next level.
D’Addario Premium Woven Straps have the perfect balance of elegance and durability. Available in three color options, each strap comes built with brushed die-cast zinc hardware, strong “seat belt” material, and reinforced garment leather ends that will outlast the toughest performances. $61.75 MSRP / $39.95
The D’Addario Reversible Leather Straps give players two strap styles in one. Sold in four color combinations, each strap is 3-ply garment leather with precision accent stitching. Adjustable from 41” – 60”, the straps are $ 109.95 MSRP/ $65.00 MAP
The D’Addario Hybrid Leather Strap combines the strength and quality of a leather strap with the adjustability of a woven strap. Featuring an Eco-Leather top and matching strap end made of repurposed leather, this strap is backed with “Super Suede” (synthetic suede) and a polypropylene woven end with a brushed die- cast zinc adjuster. Adjustable from 44”- 56”, these straps are $49.50 MSRP / $32.95 MAP.
With various materials, styles, and color options, D’Addario Accessories’ new premium straps are perfect for every instrument you own. Available July 1.
For more information:
D’Addario
EBS BassIQ Blue Label Triple Envelope Filter Pedal
The EBS BassIQ produces sounds ranging from classic auto-wah effects to spaced-out "Funkadelic" and synth-bass sounds. It is for everyone looking for a fun, fat-sounding, and responsive envelope filter that reacts to how you play in a musical way.
Reverend Vernon Reid Totem Series Electric Guitar - Shaman
Silos features six presets, tap tempo, one full second of delay time, and three voices—two of which are styled after bucket-brigade and tape-delay sounds. In the $150 price category, it’s not unusual for a digital delay to leave some number of those functions out. And spending the same money on a true-analog alternative usually means warm, enveloping sounds but limited functionality and delay time. Silos, improbably perhaps, offers a very elegant solution to this can’t-have-it-all dilemma in a U.S.-made effect.
A More Complete Cobbling Together
Silos’ utility is bolstered by a very unintimidating control set, which is streamlined and approachable. Three of those controls are dedicated to the same mix, time, and repeats controls you see on any delay. But saving a preset to one of the six spots on the rotary preset dial is as easy as holding the green/red illuminated button just below the mix and preset knobs. And you certainly won’t get lost in the weeds if you move to the 3-position toggle, which switches between a clear “digital” voice, darker “analog” voice, and a “tape” voice which is darker still.
“The three voices offer discernibly different response to gain devices.”
One might suspect that a tone control for the repeats offers similar functionality as the voice toggle switch. But while it’s true that the most obvious audible differences between digital, BBD, and tape delays are apparent in the relative fidelity and darkness of their echoes, the Silos’ three voices behave differently in ways that are more complex than lighter or duskier tonality. For instance, the digital voice will never exhibit runaway oscillation, even at maximum mix and repeat settings. Instead, repeats fade out after about six seconds (at the fastest time settings) or create sleepy layers of slow-decaying repeats that enhance detail in complex, sprawling, loop-like melodic phrases. The analog voice and tape voice, on the other hand, will happily feed back to psychotic extremes. Both also offer satisfying sensitivity to real-time, on-the-fly adjustments. For example, I was tickled with how I could generate Apocalypse Now helicopter-chop effects and fade them in and out of prominence as if they were approaching or receding in proximity—an effect made easier still if you assign an expression pedal to the mix control. This kind of interactivity is what makes analog machines like the Echoplex, Space Echo, and Memory Man transcend mere delay status, and the sensitivity and just-right resistance make the process of manipulating repeats endlessly engaging.
Doesn't Flinch at Filth
EarthQuaker makes a point of highlighting the Silos’ affinity for dirty and distorted sounds. I did not notice that it behaved light-years better than other delays in this regard. But the three voices most definitely offer discernibly different responses to gain devices. The super-clear first repeat in the digital mode lends clarity and melodic focus, even to hectic, unpredictable, fractured fuzzes. The analog voice, which EQD says is inspired by the tone makeup of a 1980s-vintage, Japan-made KMD bucket brigade echo, handles fuzz forgivingly inasmuch as its repeats fade warmly and evenly, but the strong midrange also keeps many overtones present as the echoes fade. The tape voice, which uses aMaestro Echoplex as its sonic inspiration, is distinctly dirtier and creates more nebulous undercurrents in the repeats. If you want to retain clarity in more melodic settings, it will create a warm glow around repeats at conservative levels. Push it, and it will summon thick, sometimes droning haze that makes a great backdrop for slower, simpler, and hooky psychedelic riffs.
In clean applications, this decay and tone profile lend the tape setting a spooky, foggy aura that suggests the cold vastness of outer space. The analog voice often displays an authentic BBD clickiness in clean repeats that’s sweet for underscoring rhythmic patterns, while the digital voice’s pronounced regularity adds a clockwork quality that supports more up-tempo, driving, electronic rhythms.
The Verdict
Silos’ combination of features seems like a very obvious and appealing one. But bringing it all together at just less than 150 bucks represents a smart, adept threading of the cost/feature needle.
EarthQuaker Devices Silos Multi-generational Time Reflection Delay Pedal
