For nearly two decades, jazz-fusion collective Snarky Puppy and Audio-Technica have shared a relationship built on trust, innovation and the pursuit of uncompromising sound. That connection is vividly realized on the group’s latest album, Somni, a project that captures Snarky Puppy’s daring compositions and world-class musicianship while pushing technical boundaries in both stereo and immersive formats.
Following the approach of their 2022 LP Empire Central, Somni was recorded in front of a live audience to capture the energy and spontaneity that define the band’s sound. Recorded over three nights in January 2025 in Utrecht, the Netherlands, the sessions united Snarky Puppy with the renowned Metropole Orkest and conductor Jules Buckley. Bandleader Michael League and his ensemble performed the album start to finish as fans surrounded the musicians in the room.
“The idea is that the audience provides energy for the band,” says engineer and longtime collaborator Nic Hard. “That excitement translates into the recordings, keeping the performances fresh and alive.”
To achieve this hybrid recording environment, Hard and his team transformed a nightclub-style venue into a professional studio. The space was fully carpeted, draped, and acoustically treated, with truss-mounted fabric controlling reflections. More than 200 audio channels fed four synchronized Pro Tools systems running at 96 kHz. Because there was no PA system, all 300 audience members monitored the session through Audio-Technica headphones paired with wireless RF packs delivering a custom live mix from front-of-house engineer Michael Harrison.
Audio-Technica products have been integral to Snarky Puppy’s sound for 18 years. For Somni, the band used ATH-M50x Limited Edition Ice Blue headphones for the musicians, ATH-M50x White headphones for the Metropole Orkest, and ATH-M20x Black headphones for the audience. The microphone arsenal included the new ATM355VF compact clip-on cardioid condenser for violinist Zach Brock; AT4081 bidirectional ribbons on horns; AE6100 hypercardioid handhelds for talkback; AT5047 large-diaphragm condensers on vocals and woodwinds; AT5045 instrument condensers for percussion; AT4033a condensers for Hammond organ; and PRO35 condensers across the string section.
“It was absolutely breathtaking to walk into that room,” recalls Roxanne Ricks, Audio-Technica Artist Relations Manager. “Over 300 people seated among the orchestra, every single person wearing A-T headphones with their own personal mix. It was overwhelming in the best possible way. You weren’t just watching a recording session; you were immersed in an incredible experience and part of history.”
Hard notes that mic choice and isolation were crucial in capturing dozens of instruments, four drum kits, violins, and percussion, all sharing the same room. “We relied heavily on AT4050s in the percussion setup, about 20 mics covering 50 to 60 instruments, constantly changing polar patterns between cardioid, omni, and figure-eight depending on the song. For horns, I paired AT4081 ribbons with other condensers, using both for redundancy and to compare bleed. The ribbons sounded fantastic; in the mix I kept about a 50/50 blend of the two.”
The newly introduced Audio-Technica ATM355VF was used on violinist Zach Brock, capturing his acoustic tone alongside a direct signal from his pedalboard. “The acoustic mic added a beautiful detail that the DI alone couldn’t provide,” Hard explains. Ricks adds, “Snarky Puppy has trusted A-T mics for every album project they’ve recorded over the last 18 years, from their earliest tours to Sylva in 2014, and now Somni. Our products have been part of their journey every step of the way.”
Dirk Overeem, staff sound engineer for the Metropole Orkest, served as technical producer and monitor engineer. “Nic and I made a general patch list with all the lines and microphones, and I was glad Audio-Technica once again joined the project,” he recalls. “We needed over 400 headphones for the audience, orchestra, and band. Since then, we’ve used them on every gig. I even mix in them now, since I know them so well.” Overeem praises the ATM355VF’s performance: “For me, its tone was noticeably richer and fuller compared to the PRO35. The mounting system is simple, effective, and very stable, and it allows the player to move freely without affecting tone or introducing unwanted noise.”
After the sessions wrapped, Hard mixed Somni entirely in-the-box at his home studio in Spain, managing more than 200 tracks per song before creating a Dolby Atmos® mix that placed instruments dynamically around the listener. “I wanted to make it as fun as possible without being distracting,” he says. “The four-drummer trading section moves seamlessly around the listener, it’s completely immersive.”
From their earliest collaborations to the ambitious production of Somni, Audio-Technica and Snarky Puppy continue to evolve together. “Audio-Technica provided us with the flexibility and reliability we needed to make such a complex production work,” says Overeem. “From microphones to monitoring headphones, everything delivered.” Ricks concludes, “This project brought together Snarky Puppy, the Metropole Orkest, and an audience of hundreds into one immersive space. Audio-Technica was there not just as a sponsor, but as a partner helping to shape the entire experience. To be in that room, surrounded by sound and energy, was something I’ll never forget.”
With Somni, Snarky Puppy once again demonstrates why they remain one of the most forward-thinking ensembles in music today, and Audio-Technica is proud to continue playing a role in bringing that vision to life.
For nearly two decades, jazz-fusion collective Snarky Puppy and Audio-Technica have shared a relationship built on trust, innovation and the pursuit of uncompromising sound. That connection is vividly realized on the group’s latest album, Somni, a project that captures Snarky Puppy’s daring compositions and world-class musicianship while pushing technical boundaries in both stereo and immersive formats.
Following the approach of their 2022 LP Empire Central, Somni was recorded in front of a live audience to capture the energy and spontaneity that define the band’s sound. Recorded over three nights in January 2025 in Utrecht, the Netherlands, the sessions united Snarky Puppy with the renowned Metropole Orkest and conductor Jules Buckley. Bandleader Michael League and his ensemble performed the album start to finish as fans surrounded the musicians in the room.
“The idea is that the audience provides energy for the band,” says engineer and longtime collaborator Nic Hard. “That excitement translates into the recordings, keeping the performances fresh and alive.”
To achieve this hybrid recording environment, Hard and his team transformed a nightclub-style venue into a professional studio. The space was fully carpeted, draped, and acoustically treated, with truss-mounted fabric controlling reflections. More than 200 audio channels fed four synchronized Pro Tools systems running at 96 kHz. Because there was no PA system, all 300 audience members monitored the session through Audio-Technica headphones paired with wireless RF packs delivering a custom live mix from front-of-house engineer Michael Harrison.
Audio-Technica products have been integral to Snarky Puppy’s sound for 18 years. For Somni, the band used ATH-M50x Limited Edition Ice Blue headphones for the musicians, ATH-M50x White headphones for the Metropole Orkest, and ATH-M20x Black headphones for the audience. The microphone arsenal included the new ATM355VF compact clip-on cardioid condenser for violinist Zach Brock; AT4081 bidirectional ribbons on horns; AE6100 hypercardioid handhelds for talkback; AT5047 large-diaphragm condensers on vocals and woodwinds; AT5045 instrument condensers for percussion; AT4033a condensers for Hammond organ; and PRO35 condensers across the string section.
“It was absolutely breathtaking to walk into that room,” recalls Roxanne Ricks, Audio-Technica Artist Relations Manager. “Over 300 people seated among the orchestra, every single person wearing A-T headphones with their own personal mix. It was overwhelming in the best possible way. You weren’t just watching a recording session; you were immersed in an incredible experience and part of history.”
Hard notes that mic choice and isolation were crucial in capturing dozens of instruments, four drum kits, violins, and percussion, all sharing the same room. “We relied heavily on AT4050s in the percussion setup, about 20 mics covering 50 to 60 instruments, constantly changing polar patterns between cardioid, omni, and figure-eight depending on the song. For horns, I paired AT4081 ribbons with other condensers, using both for redundancy and to compare bleed. The ribbons sounded fantastic; in the mix I kept about a 50/50 blend of the two.”
The newly introduced Audio-Technica ATM355VF was used on violinist Zach Brock, capturing his acoustic tone alongside a direct signal from his pedalboard. “The acoustic mic added a beautiful detail that the DI alone couldn’t provide,” Hard explains. Ricks adds, “Snarky Puppy has trusted A-T mics for every album project they’ve recorded over the last 18 years, from their earliest tours to Sylva in 2014, and now Somni. Our products have been part of their journey every step of the way.”
Dirk Overeem, staff sound engineer for the Metropole Orkest, served as technical producer and monitor engineer. “Nic and I made a general patch list with all the lines and microphones, and I was glad Audio-Technica once again joined the project,” he recalls. “We needed over 400 headphones for the audience, orchestra, and band. Since then, we’ve used them on every gig. I even mix in them now, since I know them so well.” Overeem praises the ATM355VF’s performance: “For me, its tone was noticeably richer and fuller compared to the PRO35. The mounting system is simple, effective, and very stable, and it allows the player to move freely without affecting tone or introducing unwanted noise.”
After the sessions wrapped, Hard mixed Somni entirely in-the-box at his home studio in Spain, managing more than 200 tracks per song before creating a Dolby Atmos® mix that placed instruments dynamically around the listener. “I wanted to make it as fun as possible without being distracting,” he says. “The four-drummer trading section moves seamlessly around the listener, it’s completely immersive.”
From their earliest collaborations to the ambitious production of Somni, Audio-Technica and Snarky Puppy continue to evolve together. “Audio-Technica provided us with the flexibility and reliability we needed to make such a complex production work,” says Overeem. “From microphones to monitoring headphones, everything delivered.” Ricks concludes, “This project brought together Snarky Puppy, the Metropole Orkest, and an audience of hundreds into one immersive space. Audio-Technica was there not just as a sponsor, but as a partner helping to shape the entire experience. To be in that room, surrounded by sound and energy, was something I’ll never forget.”
With Somni, Snarky Puppy once again demonstrates why they remain one of the most forward-thinking ensembles in music today, and Audio-Technica is proud to continue playing a role in bringing that vision to life.
Monger Pedals has introduced the Snake Wine Fuzz Germanium, a versatile hybrid germanium fuzz pedal.
The pedal represents a dramatic restructuring of Monger’s original Snake Wine Fuzz: the new germanium Snake Wine Fuzz Germanium uses NOS 1T313 germanium transistors in two clipping stages, with a fuzz circuit that is completely redesigned to have deliver improved mid-range presence and a warmer tone. It also cleans up better with your guitar’s volume knob and has more headroom than the original. The new pedal also features a redesigned parallel clean blend and gain that allows you to combine clean and fuzz signals with more precision and clarity.
The Snake Wine Fuzz Germanium features include:
New old stock Russian germanium transistors
Controls for: Volume, Tone, Fuzz, Blend & Gain
Fully parallel Clean Blend & Clean Gain
Focus on a less mid scooped tone stack
Soft switch latching relay true bypass, 9-volt standard DC input, top mounted I/O
The Snake Wine Fuzz Germanium carries a street price of $199 and can be purchased directly from the Monger Pedals online store at www.MongerPedals.com.
When it comes to rockin’ ’n’ rollin’, it doesn’t get more classic than Aerosmith. Guitarists Joe Perry and Brad Whitford have spent decades bouncing their riffs off each other, and these days they’re still at it with the Joe Perry Project.
For this episode, we called up JPP bassist Robert DeLeo—best known as a Stone Temple Pilot—to talk about his longstanding relationship with Aerosmith, what it’s like to be on stage with 3/5th of Aerosmith, and learned why he calls Perry and Steven Tyler his uncles.
Sit down with Dan Murphy for a crash course tutorial with tips and tricks on how to use the POG3 polyphonic octave generator pedal with the EHXport app.
![Rig Rundown: AFI [2025]](https://www.premierguitar.com/media-library/youtube.jpg?id=62064741&width=1245&height=700&quality=70&coordinates=0%2C0%2C0%2C0)
