Amptweaker unveiled its new BigRock Pro at NAMM 2014. It's essentially a FatRock and TightRock in one—but with heavy tones also on tap—and features dual boost controls, universal and boost effects loops, a SideTrack loop, pre- and post-distortion noise gates, and a 3-band EQ. It streets for $299.
Hot news from Snark! Taking the company’s ultra-popular product line to a whole new level, Snark has introduced a trio of high-precision clip-on tuners: the Snark ST-1X HPT, ST-2 HPT and ST-8 HPT. These models feature all-new software with ultra-tight “in tune” windows for pinpoint accuracy with a broad range of instruments.
Adding to the best-in-class performance: a patented anechoic sound shield on the back of each tuner helps block room noise. This unique shielding allows each of the new high-precision Snarks to deliver faster and more precise tuning in any environment. The Snark ST-1X HPT, ST-2 HPT and ST-8 HPT all feature super bright LCD screens for easy viewing in the brightest sunlight or on low light stages.
All three models are rechargeable (no batteries needed!) and come with a USB cable/adapter for quick, easy charging. Each tuner’s screen includes a prominent battery gauge, so you can feel confident that your tuner has plenty of battery power available. No matter what you play – stringed instruments such as guitar, bass, and ukulele, or brass and woodwind instruments – you’ll find one of the new Snarks that’s perfect for you. All three tuners offer adjustable pitch calibration. Also, the ST-2 HTP provides a switchable option for selecting Mic mode or Vibration mode. Choose Vibration mode for regular clip-on use; switch to Mic mode and clip the ST-2 HTP to your music stand. Snark’s new high-precision ST-1X HPT, ST-2 HPT and ST-8 HPT rechargeable tuners have MRSPs of $24.99, $26.99 and $26.99 respectively.
Lollar Pickups has announced the release of a new line of single-coil pickups called the sB (single blade), based on the design of their popular dB (dual blade) humbucker. The first two offerings in the lineup are intended as drop-in replacements for Jaguar and Bass VI style instruments.
Featuring a large blade-style pole piece and modified coil design, the sB single-coils offer hotter, fuller, and fatter output as compared with the original standard Jaguar type of pickups often used in these instruments. The blade also provides improved overall consistency – in terms of both frequency response and string-to-string balance – thanks to its added inductance and unique physical properties. This is benefit particularly useful for the Bass VI, since some players feel that the conventional Jaguar pickup design can lack the fullness in low-end frequencies needed for more modern playing styles. This makes the sB a great choice for players seeking a more versatile pickup option for their instruments and those looking to play heavier styles of music.
The sB pickups for Jaguar and Bass VI are available for order now at www.LollarGuitars.com/sB-pickups and Lollar Pickups authorized dealers. They are offered in two-piece sets for Jaguar and three-piece sets for Bass VI, in parchment, white, black, and cream.
Co-designed with low-end professor and tone connoisseur Ian Martin Allison, the MXR Bass Synth will turn your bass into a filthy funk machine, delivering a range of monophonic synth tones that call back to hits from Stevie Wonder, Michael Jackson, Parliament Funkadelic, and more. This pedal is ready made for intergalactic grooves, capturing vintage analog-style vibes with killer tracking and sustain to serve up thunderous sub-octave, expressive envelope, and lush modulation effects with the flexibility and control that modern players demand.
A full, player-friendly suite of controls allows you to shape not just the aforementioned effects but every other detail of your bass synth tone: blend dry and wet signals, sculpt filter sweeps from rubber-band bounce to syrupy slow-motion, adjust filter cutoff and resonance for extra punch, switch between triangle, sawtooth, or square waveforms, and add harmonically rich oscillators for more complex textures.
Or you can skip straight to the groove with eight presets that Ian crafted, inspired by iconic tracks from Michael Jackson, Herbie Hancock, Peter Gabriel, and more. And for tone chasers who love to dive deep, the Bass Synth offers advanced parameters, stereo capability, and flexible rig integration to take your sound anywhere you want it to go.
Whether you’re replicating pop hits in a cover band, holding down the low end at church, or touring the world, this pedal gives you instant synth bass magic. Get down on the one with the MXR Bass Synth.
“Over the years, I have tended to make synth sounds either with individual pedals or with blocks in a multi-FX unit, and while those sounds can be super cool and get close to legit synth sounds, the MXR Bass Synth gets closer and, in some cases, even totally indistinguishable from an incredible keys rig,” Ian says. “We worked tirelessly to make this thing as perfect as we possibly could—to tweak every single parameter, to get every aspect of how the knobs turned and what effects they controlled just right—and especially the latency and tracking. I wouldn’t relent until we got it perfect. This is perfect.”
MXR Bass Synth highlights:
Intergalactic grooves and vintage analog-style vibes reminiscent of your favorite funk hits
Designed in collaboration with Ian Martin Allison
Thunderous sub-octave, expressive envelope, and lush modulation effects
Killer tracking and sustain
Eight different presets to plug you straight into the groove
Three different waveforms, additional oscillators, tap and expression control, and more
Availability
The MXR Bass Synth is available now at $269.99 street from your favorite retailer.
The Limited Edition Mark Speer Stratocaster® features DiMarzio® Pro Track™ pickups, while the Laura Lee Jazz Bass® Boasts Dimarzio Ultra Noiseless Jazz Bass Pickups and Vintage-style Chrome Covers
Today, Fender Musical Instruments Corporation (FMIC) is proud to announce the Limited Edition Mark Speer Stratocaster® and Limited Edition Laura Lee Jazz Bass® from the iconic band, Khruangbin. For the first time in its nearly 80-year history, Fender is introducing a signature bass and signature guitar for the same band, released simultaneously.
Known for their psychedelic melodies and a genre-blending sound that draws from funk, rock, and soul, Khruangbin has carved out a distinct musical identity. The breakthrough trio—bassist Laura Lee, guitarist Mark Speer, and drummer Donald “DJ” Johnson Jr.—is celebrating their 10th anniversary of the band's debut album, The Universe Smiles Upon You; to mark the milestone, the band is teaming up with Fender for something truly special. Fender® guitars have been a core part of the band’s sound since its inception, shaping the tones that define their music. Designed to capture the essence of a decade’s worth of tone, style, and innovation, these guitars invite musicians to carve out sonic paths while channeling the sound that helped define a generation.
Khruangbin | Fender Signature Sessions | Fender
“Khruangbin is a band that has made a huge mark on modern music—they blend cultures, genres, and eras into something entirely their own,” said Justin Norvell, EVP of Product at Fender. “Mark and Laura had built their trademark sound with some unique specs and features on their primary instruments and with these signature models, we wanted to be able to share that with the universe of musicians and fans.”
Drawing from a wide palette of worldly influences, Mark Speer’s innovative guitar playing with Khruangbin has established him as one of the most original and distinctive guitarists of his generation. The music is a stunning mix of psychedelia, soul, rock, and country with all of Mark’s smooth, reverb-drenched riffs and melodies played on a single guitar: the same original Fender® Stratocaster® he’s played since the band's inception.
The guitar looks as good as it sounds, with an Aged Natural finish over a custom contoured ash body, and distinctive all-white hardware. DiMarzio® Pro Track™ pickups in the neck and bridge deliver vintage humbucker tones, while the 70’s Fender® Stratocaster® middle pickup gives the guitar an even wider range of tonal options. The Custom “C”-shape neck with a 7.25” radius and 21 jumbo frets offers a comfortable feel, while the vintage-style synchronized tremolo provides classic Strat® vibrato action. Finally, Graph Tech® saddles and string trees increase harmonic content and improve tuning stability.
“This guitar is the easiest way for me to get the musical idea from my head, out into the world,” said Mark Speer. “I know this thing inside and out, the sounds it can make, and the textures I can achieve. It’s like becoming really familiar with your paintbrush.”
Laura Lee’s warm and inventive basslines have propelled Khruangbin albums into the Top 40 in the U.S. and even higher around the world. Armed with a Jazz Bass®, her unique playing style mixes classic-era basslines with funk, soul, country, and surf rock to create something completely distinctive and raw.
Finished in classic Vintage White, with stunning chrome appointments, this bass is an eye-catching instrument tailored to meet Laura Lee’s aesthetic and tonal design choices. DiMarzio® Ultra Jazz™ pickups provide deep lows, percussive highs, and rich harmonic overtones that help define Laura Lee’s sound. Vintage-style concentric volume/tone knobs for each pickup allow complete control over your sound. The Custom “U”-shape neck is topped with a rosewood fingerboard with a 9.5” radius and 21 jumbo frets, providing a comfortable, unique feel just like Laura’s original bass.
“A lot of the features on my bass look vintage, but they function in a modern way. We've been trying to cultivate our music to feel classic and timeless, really. To me, the look and feel of this instrument is the same — it just sounds better the more you play it,” said Laura Lee.
The Limited Edition Mark Speer Stratocaster® and Limited Edition Laura Lee Jazz Bass® each carry a $1,499.99 street price. For mor information visit fender.com.
Limited Edition Mark Speer Stratocaster®
($1,499.99 USD, €1,599 EUR, £1,349 GBP, $2,499.00 AUD,¥220,000 JPY) Drawing from a wide palette of worldly influences, Mark Speer’s innovative guitar playing with Khruangbin has established him as one of the most original and distinctive guitarists of his generation. The music is a stunning mix of psychedelia, soul, rock, and country with all of Mark’s smooth, reverb-drenched riffs and melodies played on a single guitar: his original Fender Stratocaster®.
Finished in a beautiful natural ash and furnished with upscale features, this guitar looks as good as it sounds. DiMarzio® Pro Track™ pickups in the neck and bridge deliver vintage humbucker tones, while the 70’s Fender® Stratocaster® middle pickup gives the guitar an even wider range of tonal options. The Custom “C”-shape neck with a 7.25” radius and 21 jumbo frets offers a comfortable feel, while the vintage-style synchronized tremolo provides classic Strat® vibrato action. Finally, Graph Tech® saddles and string trees increase harmonic content and improve tuning stability. Whether you’re aiming to capture Mark Speer’s signature sound or seeking a Stratocaster® with custom upgrades, the Mark Speer Stratocaster® is sure to thrill any guitar enthusiast.
Limited Edition Laura Lee Jazz Bass®
($1,499.99 USD, €1.699,00 EUR, £1,399 GBP, $2,499.00 AUD, ¥253,000 JPY) Laura Lee’s warm, pulsing, and inventive basslines have propelled Khruangbin albums into the Top 40 in the U.S. and even higher around the world. Armed with a Jazz Bass®, her unique playing style mixes classic-era basslines with funk, soul, country, and surf rock to create something completely distinctive and raw.
Finished in a classic vintage white with stunning chrome appointments, this bass is an eye-catching instrument tailored to meet Laura Lee’s aesthetic design choices. Loaded with DiMarzio® Ultra Jazz™ pickups, this bass has deep lows, percussive highs, and rich harmonic overtones that help define Laura Lee’s sound. Vintage-style concentric volume/tone knobs for each pickup allow complete control over your sound. The Custom “U”-shape neck is topped with a rosewood fingerboard with a 9.5” radius and 21 jumbo frets, providing a comfortable, unique feel just like Laura’s bass. With its classic Jazz Bass® controls, chrome hardware, and upgraded DiMarzio pickups, this bass will help you stand out on any stage.
The Irish post-punk band’s three guitarists go for Fairlane, Fenders, and a fake on their spring American tour.
We caught up with guitarists Carlos O’Connell and Conor Curley from red-hot Dublin indie rock outfit Fontaines D.C. for a Rig Rundown in 2023, but we felt bad missing bassist Conor “Deego” Deegan III, so we’ve been waiting for the lads to make their way back.
This time, riding the success of their fourth LP, 2024’s Romance, we caught up with all three of them at Nashville’s Marathon Music Works ahead of their April 30 gig to see what they brought across the pond.
Curley’s go-to is this Fairlane Zephyr, loaded with Monty’s P-90s and a Mastery bridge. It mostly stays in standard tuning and, like his other axes, has Ernie Ball Burly Slinky strings.
Blue Boy
Fender sent Curley this Jazzmaster a couple of years ago, and since then, he’s turned to it for heavier, more driven sounds. It’s tuned to E flat, but Curley also tunes it to a unique shoegaze-y tuning for their tune “Sundowner.”
You can also catch Curley playing a Fender Johnny Marr Jaguar.
Twin Win
Fender Twin Reverbs are where Conor Curley feels most comfortable, so they’re his go-to backline. The amps are EQ’d fairly flat to operate as pedal platforms.
Conor Curley’s Pedalboard
Curley’s pedalboard for this tour includes a TC Electronic PolyTune3 Noir, Strymon Timeline, Boss RV-6, Boss PN-2, Boss BF-3, Keeley Loomer, Death by Audio Echo Dream, Fairfield Circuitry Hors d'Ouevre?, Strymon Sunset, Strymon Deco, DigiTech Hardwire RV-7, Electro-Harmonix Nano POG, and Lehle Little Dual.
Fake Out
Connor Deegan didn’t own a bass when Fontaines D.C. began, and his first purchase was the black Fender Jazz bass (right)—or so he thought. He later discovered it was a total knock-off, with a China-made body, Mexico-made neck, and a serial number that belongs to a Jaguar. But he fell in love with it, and its sound—nasal on the high strings, with cheap high-output pickups—is all over the band’s first record, Dogrel. Deego plays with orange Dunlop .60 mm picks, and uses Rotosound Swing Bass 66 strings.
Deegan picked up the Squier Bass VI (left) for its “surfy vibes,” and upgraded the pickups and bridge.
Also in his arsenal is this 1972 Fender P-bass (middle). (He’s a bit nervous to check the serial number.)
V-4 You Go
Deego plays through an Ampeg V-4B head into a Fender 6x10 cabinet.
Conor Deegan’s Pedalboard
Deegan’s board includes a Boss TU-3, Electro-Harmonix Hum Debugger, Boss TR-2, modded Ibanez Analog Delay, Death by Audio Reverberation Machine, Boss CE-2w, Tech 21 SansAmp Bass Driver DI, Darkglass Electronics Alpha Omega Ultra, and Dunlop Volume (X) Mini pedal. A GigRig QuarterMaster helps him switch sounds.
Mustang Muscle
Carlos O’Connell favors this 1964 Fender Mustang, which has been upgraded with a Seymour Duncan Hot Rails pickup since Romance. It’s set up so that the single-coil pickup is always on, and he’ll add in the Hot Rails signal for particular moments.
Ghost of Gallagher
Mustang Muscle
After getting to play a number of Rory Gallagher’s guitars thanks to a private invitation from the guitarist’s estate, O’Connell picked up this Fender Custom Shop Rory Gallagher Signature Stratocaster. The jangly, direct tone of this one is all over tunes like “Boys in the Better Land.”
More Fender Friends
O’Connell runs his guitars, including a vintage Martin acoustic which he picked up in Nashville, through a Fender Twin Reverb and Deluxe Reverb.
Carlos O’Connell’s Pedalboard
The gem of O’Connell’s board is this Soundgas 636p, an imitation of the infamous Grampian 636 mic preamp’s breakup. Alongside it are a TC Electronic PolyTune, Ceriatone Centura, Strymon Volante, Eventide H9, Orchid Electronics Audio 1:1 Isolator, Vein-Tap Murder One, MXR Micro Amp, Moog MF Flange, MXR Smart Gate, and Freqscene Koldwave Analog Chorus. A Radial BigShot ABY navigates between the Twin and Deluxe Reverb.
MXR Bass Synth Serves Up Intergalactic Grooves & Vintage Analog-Style Vibes
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Mustang Muscle
