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GALLERY: Musikmesse 2014 - Guitars & Basses

Check out the most interesting and unusual guitars and basses from Musikmesse 2014.

Teye Guitars of Austin, Texas, specializes in ultra-high-end instruments bedecked with exquisitely etched metal work. Their new Coyote model boasts a mahogany neck and body, custom-wound DiMarzio humbuckers, a nitro finish, and an ingenious “mood” knob that fades between single- and double-coil tones.

Musikmesse isn’t what it used to be, show veterans say. Attendance is far from peak. There are fewer full exhibition halls. High participation costs (and the ability to announce and publicize products digitally) have prompted numerous companies to bypass the once-essential event.

But you know what? Messe is still huge.

NAMM’s European equivalent, held each year in Frankfurt, Germany, is substantially larger than its Anaheim counterpart. Far louder, too: As at NAMM, “sound police” armed with decibel meters patrol the floor, but they’re slackers. Messe is deafening.

But, hey, what’s a little tinnitus when you get to spend four days ogling so many cool new music products? From March 12th through 16th we roamed the vast halls, marveling at superbly crafted boutique instruments, solid working-player tools, and some remarkable budget-gear bargains.

The show highlights? For North American players like us, it’s probably the chance to fondle the phenomenal creations of small-production European shops whose instruments tend to be scarce in the States. The phrase “Old World craftsmanship” may be a cliché, but Messe schools you on how it became one. You can hardly turn around without being dumbstruck by a ravishing instrument that blends the engineering chops of Stuttgart or Turin with the design elegance of Milan or Barcelona.

But our report isn’t just some glamour-gear buyers’ guide for investment bankers and lottery winners indulging in a European grand tour. Quality work and compelling style were equally evident in mid-priced gear for working stiffs and in some remarkable entry-level bargains.

It’s hard to summarize such a vast event with a simple tag—but if pressed, I’d go with “retro fun.” Per usual, vintage-inspired designs reigned supreme. But we saw more manufactures playing with vintage aesthetics, recombining old-school elements in winning new ways. By and large, manufacturers seem to be having fun. We certainly were—and it’s not just the beer and schnitzel talking!

Rafiq Bhatia’s guitar is a Flip Scipio Flippercaster with vintage Teisco and DeArmond pickups and has a strikingly original voice, even without effects or processing.

Photo by shamrockraver

The Son Lux guitarist—and David Lynch aficionado—says an experimental musician needs creative uncertainty, that an artist must be curious, and should ask questions in the process of creating sound. With the release of his new EP, Each Dream, A Melting Door, he breaks down the methods and philosophies he practices in his own work.

“It feels like a lifetime ago, but yes,” experimental guitarist/composer Rafiq Bhatia says when I bring up that he studied neuroscience and economics in college. Today, Bhatia is far more defined by his musical career—primarily with his band Son Lux, which also composed the Oscar-nominated score for 2022’s Everything Everywhere All at Once. However, he shares that there is an intersection between these seemingly disparate fields.

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The series features three distinct models—The Bell,The Dread, and The Parlor—each built to deliver rich, resonant acoustic sound with effortless amplification.

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Mooer Prime Minimax M2 Intelligent Pedal boasts 194 effects models, 80 preset slots, MNRS and third-party sample file compatibility, an 80-minute looping module, internal drum machine, high-precision tuner, Bluetooth support, and a rechargeable lithium battery.

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With Is, My Morning Jacket turned to an outside producer, Brendan O’Brien, who has worked with Pearl Jam, Stone Temple Pilots, and many others.

Evolutionary, rocking, anthemic, psychedelic, and free—the band’s guitarists share the story of the making of MMJ’s visceral, widescreen new album.

“Time is such a fun thing to think about, how elastic it is and how strange it is,” muses My Morning Jacket singer and guitarist Jim James. For a band that’s weathered more than a quarter-century together, that elasticity and strangeness feel particularly poignant. After a period of uncertainty and creative fatigue that left fans, and the members themselves, questioning the group’s future, My Morning Jacket has over the past several years emerged reinvigorated.

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