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GALLERY: People of NAMM, Part 2

We put faces to the names of all those gear personalities you’ve heard about.

Larry Fishman of Fishman Amplification

If someone mentions the names Leo Fender or Les Paul, there’s a good chance that an image of them will pop into your head. But there are many other “names” in the guitar world that you know but you probably couldn’t pick the individuals out in a crowd. These are people whose guitars, amps, or pedals you might use on a regular basis or, at least, plan to buy as soon as that big lottery win comes your way.

Who? People like Reinhold Bogner, Andy Fuchs, or Dave Friedman (amps). Joe Knaggs, Dennis Fano, or Tom Anderson (guitars). Brian Wampler, Robert Keeley, or Harri Koski of Mad Professor (effects pedals). How about Seymour Duncan? Floyd Rose? Jim Dunlop? Did you know that there is a Rick Shubb behind all of those Shubb capos you see on the wall of your local guitar shop?

These personalities, and more, were at Winter NAMM in January and were nice enough to allow their pictures to be taken.

Here’s how 21 killer players from the past year of Rig Rundowns—including Justin Chancellor, Zakk Wylde, MonoNeon, Carmen Vandenberg, Sturgill Simpson, Jason Isbell, and Grace Bowers—use stomps to take their sounds outside the box.


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- YouTube

Watch the official video documenting the sold-out event at House of Blues in Anaheim. Join Paul Reed Smith and special guests as they toast to quality and excellence in guitar craftsmanship.

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Be sure to locate your sample library where it can be quickly referenced on your DAW.

Improve your recordings using your own samples. Bryan Clark, house producer at Nashville’s Blackbird Studio, tells you how to take the final steps in building your own sample library.

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Stretching the boundaries of reverb’s realm through dynamic and pitch control.

Nice core reverb sounds. Invites cool compositional and arrangement directions. High quality.

If you lack patience, it will be hard to unlock its coolest secrets.

$329

Gamechanger Audio Auto Reverb
gamechangeraudio.com

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When the first Moog synthesizer appeared, it freaked out a lot of musicians—not least for the way it blurred the divisions between instruments and their roles. Was it percussion? A keyboard? A reed instrument? Many effects makers build from this philosophical foundation. The Latvian company Gamechanger often seems to revel in it—an attitude that’s manifest in the company’s Auto Series pedals, which includes the Auto Reverb.

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