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GALLERY: Show Us Your Gear - Pedalboards IV

See even more pedalboards from Premier Guitar readers

"Cronin shared his self-professed ""humble board."" The pedalboard is a Boss BCB-60 with a Boss DD-3, '80s Ibanez Phaser, Cam-Pressor, Line 6 M9, M-Audio Expression Pedal, Ibanez TS-7, Fulltone Fulldrive 2, and Boss SD-1. He says, ""For me, it's about how much I was able to squeeze into such a small footprint. I'm toying with the idea of removing one of the stompboxes and replacing it with at least two micro boxes by Lovepedal or JHS."" "

Check out part I, II, and III!

Keith Urban’s first instrument was a ukulele at age 4. When he started learning guitar two years later, he complained that it made his fingers hurt. Eventually, he came around. As did the world.

Throughout his over-30-year career, Keith Urban has been known more as a songwriter than a guitarist. Here, he shares about his new release, High, and sheds light on all that went into the path that led him to becoming one of today’s most celebrated country artists.

There are superstars of country and rock, chart-toppers, and guitar heroes. Then there’s Keith Urban. His two dozen No. 1 singles and boatloads of awards may not eclipse George Strait or Garth Brooks, but he’s steadily transcending the notion of what it means to be a country star.

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The SDE-3 fuses the vintage digital character of the legendary Roland SDE-3000 rackmount delay into a pedalboard-friendly stompbox with a host of modern features.

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English singer-songwriter Robyn Hitchcock is as recognizable by tone, lyrics, and his vibrantly hued clothing choices as the sound of Miles Davis’ horn.

Photo by Tim Bugbee/tinnitus photography

The English guitarist expands his extensive discography with 1967: Vacations in the Past, an album paired with a separate book release, both dedicated to the year 1967 and the 14-year-old version of himself that still lives in him today.

English singer-songwriter Robyn Hitchcock is one of those people who, in his art as well as in his every expression, presents himself fully, without scrim. I don’t know if that’s because he intends to, exactly, or if it’s just that he doesn’t know how to be anyone but himself. And it’s that genuine quality that privileges you or I, as the listener, to recognize him in tone or lyrics alone, the same way one knows the sound of Miles Davis’ horn within an instant of hearing it—or the same way one could tell Hitchcock apart in a crowd by his vibrantly hued, often loudly patterned fashion choices.

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The legendary bass amp used by Geddy Lee and Glenn Hughes has been redesigned and revamped.

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