Crow Hill Guitars: La Paloma

A look at one of Erik Smith''s La Paloma, a natural beauty from Crow Hill Guitars

Crow Hill Guitars are lovingly crafted one at a time by luthier Erik Smith. The wood is hand selected for grain, figure, color and tone, in order to develop a stable and beautiful instrument that sounds great over a range of playing styles, which can be further refined through electronics. No two Crow Hill guitars are alike.

The La Paloma guitar is a semi-hollowbody, made of Nicaraguan cocobolo on top of African wenge, African mahogany, and Nicaraguan cocobola with curly maple veneer accents. The seven-piece through-neck and heel are arduously carved from African wenge, Brazilian macacauba and purpleheart with curly maple and wenge veneer accents and an Indian rosewood fingerboard. The inlays are black Mother-Of-Pearl, white Mother-Of-Pearl, and abalone. The neck and heel are carved asymmetrically to fit the curvature of the hand, and each instrument is shaped by hand to ensure maximum balance and comfort, whether the player is sitting or standing. Controls are intuitive and accessible while playing.

A faithful recreation of the Germanium Mosrite Fuzzrite with a modern twist.

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The all-new HT series offers "heat treated" pickup technology along with the Cutlas HT, StringRay HT, and Sabre HT guitars.

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Presets extend the flexibility of an already expansive and easy-to-use reverb.

Intuitive. Great range in all controls. Well-built.

Some digital artifacts at long decay times.


Walrus Audio Slötvå


Walrus Audio is a prolific builder, but, as the five reverb pedals in their lineup suggest, they have a real affinity for manipulating time and space. The beauty of the Slötvå reverb (which is derived from the company’s very similar Spin FV-1 chip-based Slö reverb) is how satisfying and simple it makes dramatic shifts between time/space textures.

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