Situated in the heart of downtown Atlanta, this three-day festival included acts like the Kills, My Morning Jacket, Eagles of Death Metal, Deftones, At the Drive-In, Explosions in the Sky, and more.

Shown here is Shaky Knee’s Peachtree Stage inside Atlanta’s Centennial Park—also where the 1996 Summer Olympics were held.

Kemper Profiler Stage, Nueral DSP Quad Cortex & Line 6 HX Stomp (clockwise from top)

A deep dive into faux amps, futuristic setups, and how to use modern technology’s powers for good.

The jump between analog and digital gear has never been more manageable. It no longer takes a rack full of outboard gear with a six-figure price tag to help realize not only the tone you have in your head, but the expansive workflows that started to pop up in the early ’80s. We’re now about a decade into the modern era of digital modelers and profilers and it seems like the technology has finally come into its own. “This is really the first time in a while where you can have bar bands playing the exactsame gear as stadium acts,” says Cooper Carter, a Fractal Audio Systems production consultant who has done sound design and rig building for Neal Schon, James Valentine, John Petrucci, and others.

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Master builder Dennis Galuszka recreates the legendary "Chicago" guitarist's legacy with a collectible, limited run guitar.

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