Legendary Rush guitarist Alex Lifeson and Epiphone present the new Alex Lifeson Epiphone Les Paul Standard Axcess electric guitar. Created by Alex Lifeson and the luthiers at Epiphone in Nashville, TN, the Alex Lifeson Epiphone Les Paul Standard Axcess is now available worldwide on: www.epiphone.com.
Through an extensive collaboration between Alex and Gibson, Epiphone pushed the boundaries of the classic Les Paul to create the exclusive Alex Lifeson Les Paul Standard Axcess. The guitar includes a pair of powerful Epiphone pickups - the Pro Bucker 3 bridge pickup and the Ceramic Pro neck pickup. It also includes coil-splitting options via the push-pull volume controls and a Graph Tech Ghost Floyd Rose system. Together these features give the player access to both traditional magnetic humbucker tones as well as the Ghost's realistic acoustic tones. For added flexibility, you can blend acoustic and magnetic voices to create a rich layered sound and then route them through either a traditional mono jack or use two cables to access the individual magnetic and piezo outputs.
Video Featuring Two New Song Snippets
"The introduction of the Epiphone Alex Lifeson Axcess model based on my Gibson Les Paul Axcess model has all the same attributes and characteristics that I desired so much when we originally designed it," says Alex Lifeson, Rush guitarist. "The look, the sound, the playability and the utility--it's all there for the player-at any level. I'm very proud of this guitar."
"We have been honored to have Alex as part of our family for decades," says Elizabeth Heidt, Vice President of Cultural Influence. "He is an incredible, iconic artist, innovator, philanthropist, and an inspiration to so many. We are excited to partner with him on the Epiphone Axcess and to celebrate this collaboration with his fans around the world."
The Alex Lifeson Les Paul Standard Axcess
To mark the occasion of his collaboration with Epiphone and the release of the new Alex Lifeson Epiphone Les Paul Standard Axcess guitar, Lifeson is proud to debut two brand new songs titled "Kabul Blues" and "Spy House." Fans can get a first listen to "Kabul Blues" and "Spy House" in the new interview with Alex Lifeson, Here, and listen to the songs in their entirety exclusively via AlexLifeson.com. These two instrumental songs mark the first new music from Alex Lifeson in close to a decade.
More on the Epiphone Alex Lifeson Les Paul Axcess
In his work with Rush, Alex Lifeson has redefined the boundaries of progressive rock guitar, with playing that soars beyond the drama and the bluster to reveal truly stunning virtuosity that has been praised and admired by fans—and players—of all stripes. Created through extensive work with Alex Lifeson and Gibson™, Epiphone's Alex Lifeson Les Paul Axcess Standard similarly redefines the boundaries of the classic Les Paul™ in an accessible package. This guitar carries all of the traditional tones that have made the Les Paul legendary, along with unprecedented levels of sonic and performance versatility. The Alex Lifeson Les Paul Axcess Standard carries powerful Epiphone Ceramic Pro neck and ProBucker 3 bridge pickups with coil-splitting options via their push-pull volume controls and a Graph Tech Ghost Floyd Rose system that not only provides the world's most efficient vibrato but is also loaded with Ghost piezo bridge saddles. Access traditional magnetic humbucker tones, mix it up with coil-split options, tap the Ghost's realistic acoustic tones, or blend acoustic and magnetic voices — the sky's the limit from this sonic chameleon, whose sound-shifting depths are virtually limitless. You can route it all through a traditional mono jack or use two cables for individual magnetic and piezo outputs. All this and the Alex Lifeson Les Paul Axcess Standard still presents that timeless Les Paul look that has remained a classic for more than 60 years. An EpiLite™ case is also included.
Price: $899
epiphone.com
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Tom Bedell in the Relic Music acoustic room, holding a custom Seed to Song Parlor with a stunning ocean sinker redwood top and milagro Brazilian rosewood back and sides.
A born storyteller, Bedell doesn’t keep his passion to himself. On Friday, May 12, at New Jersey boutique guitar outpost Relic Music, Bedell shared some of the stories he’s collected during his life and travels as part of a three-city clinic trip. At Relic—and stops at Crossroads Guitar and Art in Gilbertsville, Pennsylvania, and Chuck Levin’s Washington Music Center in Wheaton, Maryland—he discussed his guitars and what makes them so special, why sustainability is such an important cause, and how he’s putting it into practice.
Before his talk, we sat in Relic’s cozy, plush acoustic room, surrounded by a host of high-end instruments. We took a look at a few of the store’s house-spec’d Bedell parlors while we chatted.
“The story of this guitar is the story of the world,” Bedell explained to me, holding a Seed to Song Parlor. He painted a picture of a milagro tree growing on a hillside in northeastern Brazil some 500 years ago, deprived of water and growing in stressful conditions during its early life. That tree was eventually harvested, and in the 1950s, it was shipped to Spain by a company that specialized in church ornaments. They recognized this unique specimen and set it aside until it was imported to the U.S. and reached Oregon. Now, it makes the back and sides of this unique guitar.
A Bedell Fireside Parlor with a buckskin redwood top and cocobolo back and sides.
As for the ocean sinker redwood top, “I’m gonna make up the story,” Bedell said, as he approximated the life cycle of the tree, which floated in the ocean, soaking up minerals for years and years, and washed ashore on northern Oregon’s Manzanita Beach. The two woods were paired and built into a small run of exquisitely outfitted guitars using the Bedell/Breedlove Sound Optimization process—in which the building team fine-tunes each instrument’s voice by hand-shaping individual braces to target resonant frequencies using acoustic analysis—and Bedell and his team fell in love.
Playing it while we spoke, I was smitten by this guitar’s warm, responsive tone and even articulation and attack across the fretboard; it strikes a perfect tonal balance between a tight low-end and bright top, with a wide dynamic range that made it sympathetic to anything I offered. And as I swapped guitars, whether picking up a Fireside Parlor with a buckskin redwood top and cocobolo back and sides or one with an Adirondack spruce top and Brazilian rosewood back and sides, the character and the elements of each instrument changed, but that perfect balance remained. Each of these acoustics—and of any Bedell I’ve had the pleasure to play—delivers their own experiential thumbprint.
Rosette and inlay detail on an Adirondack spruce top.
Ultimately, that’s what brought Bedell out to the East Coast on this short tour. “We have a totally different philosophy about how we approach guitar-building,” Bedell effused. “There are a lot of individuals who build maybe 12 guitars a year, who do some of the things that we do, but there’s nobody on a production level.” And he wants to spread that gospel.
“We want to reach people who really want something special,” he continued, pointing out that for the Bedell line, the company specifically wants to work with shops like Relic and the other stores he’s visited, “who have a clientele that says I want the best guitar I can possibly have, and they carry enough variety that we can give them that.”
A Fireside Parlor with a Western red cedar top and Brazilian rosewood back and sides.
