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NY Amp Show '10 - East Amplification Studio 2 Demo

PG's Shawn Hammond is On Location for the 2010 New York Amp Show where he visits the East Amplification room. In this segment, we get to check out East Amplification's Studio 2. The Studio 2 is a full-featured 2-watt head with a matching 1x10 extension cabinet. The Studio 2 features controls for Gain, Volume, Treble, Middle, Bass, Presence and Master Volume. Bober says that the amp's features give it a versatile tone that can go from clean to near-metal, hitting Pete Townshend and Larry Carlton-style sounds in between. The amp has a 5U4 rectifier, three 12AX7s and two 12AT7s in a push/pull configuration, making it "sound huge at 2 watts." The amps are hand built to order. The Studio 2 also features an internal load with variable line out. This allows the amp to be run sans speaker and connected via the line out directly to the effects loop return or front end of a higher powered amp, enabling the amp to reproduce its signature tone at increased volume levels.



PG's Shawn Hammond is On Location for the 2010 New York Amp Show where he visits the East Amplification room. In this segment, we get to check out East Amplification's Studio 2. The Studio 2 is a full-featured 2-watt head with a matching 1x10 extension cabinet. The Studio 2 features controls for Gain, Volume, Treble, Middle, Bass, Presence and Master Volume. Bober says that the amp's features give it a versatile tone that can go from clean to near-metal, hitting Pete Townshend and Larry Carlton-style sounds in between. The amp has a 5U4 rectifier, three 12AX7s and two 12AT7s in a push/pull configuration, making it "sound huge at 2 watts." The amps are hand built to order.

The Studio 2 also features an internal load with variable line out. This allows the amp to be run sans speaker and connected via the line out directly to the effects loop return or front end of a higher powered amp, enabling the amp to reproduce its signature tone at increased volume levels.
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The Return of Johnny Cash—John Carter Cash Interview on Johnny’s New Songwriter Album

The Man in Black returns with the unreleased Songwriter album. John Carter Cash tells us the story.

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A technicolor swirl of distortion, drive, boost, and ferocious fuzz.

Summons a wealth of engaging, and often unique, boost, drive, distortion, and fuzz tones that deviate from common templates. Interactive controls.

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$199

Danelectro Nichols 1966
danelectro.com

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The Danelectro Nichols 1966, in spite of its simplicity, feels and sounds like a stompbox people will use in about a million different ways. Its creator, Steve Ridinger, who built the first version as an industrious Angeleno teen in 1966, modestly calls the China-made Nichols 1966 a cross between a fuzz and a distortion. And, at many settings, it is most certainly that.

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Blackstar's Class A, single-ended, 1x12 tube combo that pays homage to classic American amplifiers.

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