This sleek clip-on makes easy work of precise strobe tuning for any stringed instrument.

It goes without saying that Peterson knows a thing or two about tuners. Using the word “pioneering” to describe the company would hardly be an overstatement. And sure, you can find a clip-on tuner for 10 bucks or even a serviceable smart-phone tuner for free—and they will help you tune your guitar, to a degree—but that’s not an apples-to-apples comparison with Peterson’s StroboClip HD. This tuner is whole-’nother-level stuff.

First, the StroboClip HD is made of plastic, like most in its class, but this tuner is solid. The clamp jaw, padding, 3-point swivel mechanism, buttons, and screen feel as precise as the 0.1 cents tuning accuracy it delivers. Speaking of the high-def screen, it’s wide, crystal clear, and void of blinking lights or multiple colors—just clean and intuitive. So for anyone who has steered clear of strobe tuners in the past because they seemed confusing, no need to stress here.

Inside, the StroboClip HD boasts over 50 proprietary “Sweetened” tunings, which are, in a nutshell, presets and options specific to the type of instrument you’re tuning. For instance, I moved from tuning a 6-string parlor guitar in DADGAD to an electric bass and then to a uke as quickly as I changed instruments—all of which had their own Sweetened setting. The StroboClip HD also even has settings for drop tuning by up to six steps, plus five steps of capo-up tuning. It’s a versatile, precision machine that’s well made and easy to use, and its price definitely reflects that. The question is: What price do you put on being in tune?

Test gear: Larrivée P-01, Dell’Arte Dark Eyes, Les Stansell tenor uke, Fender Precision



Wide, no-nonsense display, precise tuning, extremely versatile Sweeteners, firmware updates available via USB port.

It costs more than other tuners in its class. And Porsches cost more than Fords, grasshopper.


Peterson StroboClip HD

Ease of Use:



Rig Rundown: Adam Shoenfeld

Whether in the studio or on his solo gigs, the Nashville session-guitar star holds a lotta cards, with guitars and amps for everything he’s dealt.

Adam Shoenfeld has helped shape the tone of modern country guitar. How? Well, the Nashville-based session star, producer, and frontman has played on hundreds of albums and 45 No. 1 country hits, starting with Jason Aldean’s “Hicktown,” since 2005. Plus, he’s found time for several bands of his own as well as the first studio album under his own name, All the Birds Sing, which drops January 28.

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Diatonic sequences are powerful tools. Here’s how to use them wisely.



• Understand how to map out the neck in seven positions.
• Learn to combine legato and picking to create long phrases.
• Develop a smooth attack—even at high speeds.

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Knowing how to function in different keys is crucial to improvising in any context. One path to fretboard mastery is learning how to move through positions across the neck. Even something as simple as a three-note-per-string major scale can offer loads of options when it’s time to step up and rip. I’m going to outline seven technical sequences, each one focusing on a position of a diatonic major scale. This should provide a fun workout for the fingers and hopefully inspire a few licks of your own.
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