McLeod’s small-but-versatile pedalboard begins at the Vox V847 Wah, and then the signal goes into a Boss BD-2 Blues Driver that he uses for speaker-eating distortion. The next stomp is a Fulltone OCD that he only uses when he runs into venues that have decibel limitations and then a Boss DD-5 Digital Delay, which he prefers because of the crystal-clear repeats. The last noisemaker is an Electro-Harmonix Freeze, which before this tour, has never left his bedroom because he generally just messes around with it during morning jams with coffee. For tuning purposes he has a Boss TU-2 Tuner and giving everything life is a Voodoo Lab Pedal Power 2 Plus.