This dynamic art-rock duo uses a classy combo of vintage Hofners, Gretsches, Selmers, and a few secret weapons to create a mesmerizing original sound.
Guitarist Jamie Hince, one half of the Kills, details the gear he and foil Alison Mosshart are touring with for their upcoming album, Ash & Ice. Hince changed his rig a bit since the last album (more amps and Bigsbys on everything), both for practical reasons—a hand injury which affected his playing style—and also because he was going for a cleaner tone.
Hince has a large collection of Hofner 176 and Galaxie guitars, but this sunburst 176 is his No. 1. He swapped out the stock pickups and put in three single-coil “sharkfin” or “blade” pickups from a similar Galaxie model. “They’re just the greatest pickups I’ve ever heard,” says Hince. “I like a really clear, clean sound that’s just loud—kind of distorting because it’s so loud.” Hince now puts Bigsbys on all of his guitars to help with hand dexterity after an accident impaired the middle finger of his fretting hand. Hince uses the bridge and neck pickups mostly, as well as the Treble-O-Bass, which is a tremolo bass knob for overall tone and adding low end. He keeps several Hofner 176 axes on hand in different tunings, including standard, drop D, and C#.
Hince’s Gretsch Silver Duke is dated 1966, the only year of production for this model. About 100 of these guitars were made. It has TV Jones Duo-Tron pickups and Hince believes this model was heavily influenced by Grestch’s Corvette model released in 1961 out of Brooklyn. “I like my guitars beaten up like this,” he adds.
“I have so many Hofners,” says Hince. “They’re not made that well, but they sound fantastic, if you can battle away with them.” He added his secret weapon, the Hofner “sharkfin” pickups, to this T-Style. He uses .010–.052 gauge strings with high action to complement his percussive attack.
This Supro Ozark 1560S is the same model as Jimi Hendrix’s first guitar. Hince wrote the track “Siberian Nights” from Ash & Ice based on the sound of this guitar.
Hince has increased his previous two-amp setup to four amp combinations, all on, for a blended tone. He uses a Divided by 13 FTR 37 for a bright reverby sound, a Selmer Zodiac for cleans, a Selmer head with Divided by 13 cab for a wooly low end, and a 1950s Magnatone 280. “I can’t get the sound I want out of one amp, that’s why I use all these,” explains Hince. “It’s not for volume.”
Hince has been collecting Selmers since 1995, when he found three heads for 90 quids, or about $120. He now has about 10 Selmer heads. “They’ve got really beautiful British tone, loads of low end, and you can blend all that in.”
For dynamics, Hince’s pedalboard employs two first-generation Electro-Harmonix POGs for boost and octave shift. “I’m kind of over the POG now, it served me good for a couple records but I always like changing the sound. This album was about using different tone amps. The one I can’t live without is the Boss DD-3.” He uses two DD-3s for slapback delay sounds and a Fulltone Supa-Trem ST-1 for a nice variation in tremolo. Rounding out the board are a Radial BigShot ABY True Bypass Switcher, Boss TU-3 Chromatic Tuner, and several effects by The GigRig: a HumDinger, EvenFlo adapter, and a Distributor.
Alison Mosshart plays a Gretsch Corvette. Her main ride is outfitted with stars she applied when she dressed up for Halloween as the night sky and wanted her guitar to match.
Mosshart plays a Divided by 13 RSA 31 through a vintage Vox cab that came with one of bandmate Hince’s first-ever amps: a super rare Vox AC50 head.
Mosshart’s pedalboard is small and straightforward: a Boss VE-20 Vocal Performer to loop vocals live on a few songs, a first-generation Electro-Harmonix POG, and a Boss TU-3 Chromatic Tuner.
- All About Amps Vol. 1 – shop.premierguitar.com ›
- PG Editors' Best Music of 2016 - Premier Guitar ›
- The Kills: The Beautiful Chaos of Jamie Hince and Alison Mosshart ... ›
It’s almost over, but there’s still time to win! Enter Stompboxtober Day 30 for your shot at today’s pedal from SoloDallas!
The Schaffer Replica: Storm
The Schaffer Replica Storm is an all-analog combination of Optical Limiter+Harmonic Clipping Circuit+EQ Expansion+Boost+Line Buffer derived from a 70s wireless unit AC/DC and others used as an effect. Over 50 pros use this unique device to achieve percussive attack, copious harmonics and singing sustain.
Does the guitar’s design encourage sonic exploration more than sight reading?
A popular song between 1910 and 1920 would usually sell millions of copies of sheet music annually. The world population was roughly 25 percent of what it is today, so imagine those sales would be four or five times larger in an alternate-reality 2024. My father is 88, but even with his generation, friends and family would routinely gather around a piano and play and sing their way through a stack of songbooks. (This still happens at my dad’s house every time I’m there.)
Back in their day, recordings of music were a way to promote sheet music. Labels released recordings only after sheet-music sales slowed down on a particular song. That means that until recently, a large section of society not only knew how to read music well, but they did it often—not as often as we stare at our phones, but it was a primary part of home entertainment. By today’s standards, written music feels like a dead language. Music is probably the most common language on Earth, yet I bet it has the highest illiteracy rate.
Developed specifically for Tyler Bryant, the Black Magick Reverb TB is the high-power version of Supro's flagship 1x12 combo amplifier.
At the heart of this all-tube amp is a matched pair of military-grade Sovtek 5881 power tubes configured to deliver 35-Watts of pure Class A power. In addition to the upgraded power section, the Black Magick Reverb TB also features a “bright cap” modification on Channel 1, providing extra sparkle and added versatility when blended with the original Black Magick preamp on Channel 2.
The two complementary channels are summed in parallel and fed into a 2-band EQ followed by tube-driven spring reverb and tremolo effects plus a master volume to tame the output as needed. This unique, signature variant of the Black Magick Reverb is dressed in elegant Black Scandia tolex and comes loaded with a custom-built Supro BD12 speaker made by Celestion.
Price: $1,699.
Kevin Shields of My Bloody Valentine is one of the loudest guitarists around. And he puts his volume to work creating mythical tones that have captured so many of our imaginations, including our special shoegaze correspondent, guitarist and pedal-maestro Andy Pitcher, who is our guest today.
My Bloody Valentine has a short discography made up of just a few albums and EPs that span decades. Meticulous as he seems to be, Shields creates texture out of his layers of tracks and loops and fuzz throughout, creating a music that needs to be felt as much as it needs to be heard.
We go to the ultimate source as Billy Corgan leaves us a message about how it felt to hear those sounds in the pre-internet days, when rather than pull up a YouTube clip, your imagination would have to guide you toward a tone.
But not everyone is an MBV fan, so this conversation is part superfan hype and part debate. We can all agree Kevin Shields is a guitarists you should know, but we can’t all agree what to do with that information.