The modern country outlaws follow only a few rules: beefy Teles, American-voiced amps, and a healthy addiction to compression and phaser.

The other side of Whitey Morgan’s two-amp situation is this Fender ’68 Custom Twin Reverb. The Twin has seen the shelf most of this tour, but the night before the band’s Ryman debut, his 1966 Fender Super Reverb took a crap and he dusted off the ’68 for a few more gigs.

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