G's Bob Goffstein walks us through his latest review on the Fender Custom '57 Twin-Amp. This reissue is based on the '57 manufactured by Fender's Custom Shop, but features a few changes thrown in versatility's sake. The transformers and choke were built by Mercury Magnetics Company. The '57 includes four Sovtek 12AX7WCs, relabeled Groove Tubes 12AX7R, two Groove Tubes-6L6GE and two Electro Harmonix 5U4GB rectifiers. The speakers are 12" Eminence Alnicos designed by Ted Weber of Weber VST. In addition, this '57 reissue comes with separate Bright and Normal channels, each with its own preamp circuit, separate Volume controls and two jacks, followed by Treble, Bass and Presence controls that are common to both channels.



G's Bob Goffstein walks us through his latest review on the Fender Custom '57 Twin-Amp. This reissue is based on the '57 manufactured by Fender's Custom Shop, but features a few changes thrown in versatility's sake. The transformers and choke were built by Mercury Magnetics Company. The '57 includes four Sovtek 12AX7WCs, relabeled Groove Tubes 12AX7R, two Groove Tubes-6L6GE and two Electro Harmonix 5U4GB rectifiers. The speakers are 12" Eminence Alnicos designed by Ted Weber of Weber VST. In addition, this '57 reissue comes with separate Bright and Normal channels, each with its own preamp circuit, separate Volume controls and two jacks, followed by Treble, Bass and Presence controls that are common to both channels.

A smart, potent boost that’s much more than meets the eye.

A well-built and truly great-sounding boost/line-driver pedal boasting a handful of clever bonus functions.

Some buyers might find it a little pricey.

$199

Source Audio ZIO
sourceaudio.net

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5
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4.5

Source Audio nicknamed the new ZIO pedal “the Better Box,” which is a fair summation of what this thing will do for your tone. Purists may rant endlessly about the virtues of plugging straight into an amp. But many legendary players understood that a little extra “hot” between guitar and amp can add up to magic. From Jimmy Page’s Echoplex preamp to Brian May’s Rangemaster to Angus Young’s Schaffer-Vega wireless system, a lot of signature sounds have been shaped with a little extra kick—and often from unexpected sources that are something other than simple boosts. Source Audio’s first all-analog pedal is more than a conventional booster, too. And, to some degree, it celebrates these alternate paths to boosting tone.

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The Atlas Compressor offers up an extensive library of compression options and allows for transformation into a bass specific compression machine.


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New from Seymour Duncan, the ‘78 model, Green Magic and High Voltage humbucker model pickups.

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