The Focus Fuzz promises to deliver a range of inspiring tones, from crunchy distortion through to gnarly fuzz.
Great Eastern FX Co., creators of the Small Speaker Overdrive and Design-a-drive, have launched a third pedal. The Focus Fuzz promises to deliver a range of inspiring tones, from crunchy distortion through to gnarly fuzz. Its not-so-secret weapon is the ‘Focus’ control, said to transform the character of the fuzz from wide and wooly to biting and incisive, ensuring that this is one fuzz that won’t go missing in a band mix.
The Focus Fuzz is an original circuit design using a mixture of NOS germanium and modern silicon transistors. Due to transistor availability, it’s limited to just 250 units worldwide so demand is expected to be fierce. But it’s not just a pedal for die-hard fuzz heads. According to Great Eastern FX, the pedal was created with guitarists who traditionally struggle with fuzz in mind.
“It’s been called a fuzz pedal for people who don’t like fuzz!” says company founder David Greeves. “We prefer to think of it as a pedal for people who love fuzz but sometimes find traditional fuzz pedals hard to use.
“Sometimes the fuzz is too extreme and unforgiving and you feel like your original tone and dynamic shave been obliterated. Sometimes just getting the controls on the pedal and amp set to get a good sound is a challenge. And often, a fuzz tone that sounds great on its own will disappear when the rest of the band comes in.
“We wanted to create a pedal that would give fuzz-like sustain, aggression, and rich overtones, but deliver all the other things we want as well. The Focus Fuzz loves both clean and dirty amps with single coils or humbuckers, there are tons of levels on tap and it doesn't mind where you put it in the signal chain. Best of all, there’s a genuine range of tones to explore, not just one setting that sounds good!”
With controls for Focus, Fuzz, and Level, the Focus Fuzz keeps things simple. However, this conceals some clever design touches. The ‘Fuzz’ knob, for example, adjusts gain and bias voltage simultaneously. At lower gain settings, it’s biased like a conventional overdrive or distortion pedal. Turn the gain up and the bias drops down, delivering the kind of asymmetrical, square-wave clipping associated with vintage fuzz.
“As with all our pedals, it’s about being able to plug in, quickly find a sound that inspires you, and then just get on with expressing yourself,” David adds. “If we can get a circuit to the point where every time we fire it up, it puts a massive grin on our faces, then we know it's ready!”
The Focus Fuzz is available now, while stocks last, direct from Great Eastern FX Co. and from dealers worldwide. It’s priced at £249/$285/€299.
For more information, please visit greateasternfx.com.
Ben Smith demos the Focus Fuzz from Great Eastern FX Co.
Anthem Records in Canada and Rhino Records will reissue the first-ever solo albums of Rush's Alex Lifeson and Geddy Lee. Lifeson’s 1996 album Victor and Lee’s 2000 offering My Favourite Headache will be re-released on August 9, 2024.
Victor, originally released on January 9, 1996, marks Alex Lifeson’s solo debut. Lifeson took on the roles of songwriter, producer, and mixer for this album. For the first time, Victor will be available on vinyl, featuring a complete remix by Lifeson himself to enhance the audio quality. The fourth side of the album includes four instrumental tracks previously exclusive to Lifeson’s website. Guest artists include lead vocalist Edwin from I Mother Earth, Primus bassist Les Claypool, and Canadian powerhouse vocalist Lisa Dalbello. The 15-song collection is paired with striking 2024 reimagined artwork by Fantoons Animation Studios.
As a Rush Backstage exclusive, Alex Lifeson will personally autograph 1,000 lithographs to be included with the Ruby Translucent 2LPs, which are available only through the Rush Backstage web store.
Geddy Lee, My Favorite Headache
My Favourite Headache, Geddy Lee’s only solo album to date, was initially released on November 14, 2000. This reissue marks its first vinyl pressing since a limited-edition Record Store Day exclusive in 2019. The fourth side of the album features two instrumental mixes. Produced by Lee, Ben Mink, and David Leonard, the album includes contributions from Mink and drummers Matt Cameron (Soundgarden/Pearl Jam) and Jeremy Taggart (Our Lady Peace).
For more details on the Geddy Lee reissue and to preorder, visit: https://lnk.to/MyFavouriteHeadache.
Rush — bassist/keyboardist/vocalist Geddy Lee, guitarist/vocalist Alex Lifeson, and the late, great drummer/lyricist Neil Peart — maintains a massive and uniquely passionate worldwide fanbase that acknowledges and respects the band’s singular, bold, and perpetually exploratory songcraft that combines sterling musicianship, complex compositions, and distinctive lyrical flair. Rush has sold more than 30 million albums in Canada and the U.S. alone, with worldwide sales estimated at 45 million (and counting). Between Music Canada and the RIAA, Rush has been awarded 50 Gold, 30 Platinum, and 9 Multi-Platinum album distinctions (and counting). Rush has also had 5 Top 10 Billboard Canada Albums, received 7 Grammy nominations, 10 Juno Award wins with 41 Nominations, and earned an induction into the Canadian Music Hall of Fame in 1994 and the Rock and Roll Hall of Fame in 2013. Additionally, Lee, Lifeson, and Peart were made Officers of the Order of Canada on May 9, 1996.
For more information, visit: https://www.rush.com
The new Jimi Hendrix documentary chronicles the conceptualization and construction of the legendary musician’s recording studio in Manhattan that opened less than a month before his untimely death in 1970. Watch the trailer now.
Abramorama has recently acquired global theatrical distribution rights from Experience Hendrix, L.L.C., and will be premiering it on August 9 at Quad Cinema, less than a half mile from the still fully-operational Electric Lady Studios.
Jimi Hendrix - Electric Lady Studios: A Jimi Hendrix Vision (Documentary Trailer)
“The construction of Electric Lady [Studios] was a nightmare,” recalls award-winning producer/engineer and longtime Jimi Hendrix collaborator Eddie Kramer in the trailer. “We were always running out of money. Poor Jimi had to go back out on the road, make some money, come back, then we could pay the crew . . . Late in ’69 we just hit a wall financially and the place just shut down. He borrows against the future royalties and we’re off to the races . . . [Jimi] would say to me, ‘Hey man, I want some of that purple on the wall, and green over there!’ We would start laughing about it. It was fun. We could make an atmosphere that he felt comfortable in and that he was able to direct and say, ‘This is what I want.’”
Electric Lady Studios: A Jimi Hendrix Vision recounts the creation of the studio, rising from the rubble of a bankrupt Manhattan nightclub to becoming a state-of-the-art recording facility inspired by Hendrix’s desire for a permanent studio. Electric Lady Studios was the first-ever artist-owned commercial recording studio. Hendrix had first envisioned creating an experiential nightclub. He was inspired by the short-lived Greenwich Village nightspot Cerebrum whose patrons donned flowing robes and were inundated by flashing lights, spectral images and swirling sound. Hendrix so enjoyed the Cerebrum experience that he asked its architect John Storyk to work with him and his manager Michael Jeffery. Hendrix and Jeffery wanted to transform what had once been the Generation Club into ‘an electric studio of participation’. Shortly after acquiring the Generation Club lease however, Hendrix was steered from building a nightclub to creating a commercial recording studio.
Directed by John McDermott and produced by Janie Hendrix, George Scott and McDermott, the film features exclusive interviews with Steve Winwood (who joined Hendrix on the first night of recording at the new studio), Experience bassist Billy Cox and original Electric Lady staff members who helped Hendrix realize his dream. The documentary includes never-before-seen footage and photos as well as track breakdowns of Hendrix classics such as “Freedom,” “Angel” and “Dolly Dagger” by Eddie Kramer.
The documentary explains in depth that while Jimi Hendrix’s death robbed the public of so much potential music, the continued success of his recording studio provides a lasting legacy beyond his own music. John Lennon, The Clash, AC/DC, Chic, David Bowie, Stevie Wonder, Lady Gaga, Beyoncé and hundreds more made records at Electric Lady Studios, which speaks to one of Jimi’s lasting achievements in an industry that has radically changed over the course of the last half century.
PG contributor Tom Butwin dives into the Rivolta Sferata, part of the exciting new Forma series. Designed by Dennis Fano and crafted in Korea, the Sferata stands out with its lightweight simaruba wood construction and set-neck design for incredible playability.
We’re unpacking Reid’s playing—from his early days in the NYC jazz underground through his work with Living Colour and into supergroup superstardom—and his longstanding gear-acquisition-syndrome.
We love “Cult of Personality” because it’s one of the hardest hitting riffs in the classic rock canon. Catch it on drivetime radio and it’ll get your heart pumping faster than an extra double-shot of espresso. But we also love it because it launched Vernon Reid’s guitar into the mainstream. We’re unpacking Reid’s playing—from his early days in the NYC jazz underground through his work with Living Colour and into supergroup superstardom—and his longstanding gear-acquisition-syndrome.