
Drums, guitars, history, business and education have come together in a spectacular new interactive museum and exhibit in downtown Savannah that will pique the interest of any music lover.
That Great Gretsch Sound! museum is a new destination where Georgia Southern University helps tell the story of a family-owned company that is still regarded as one of the music industry's most influential and innovative instrument manufacturers. The permanent display of music memorabilia, highlighting over 135 years of Gretsch instruments, is featured in District Live's new lobby and performance space on the banks of the Savannah River. The museum is the latest addition to a new active and engaging entertainment area called the Plant Riverside District.
The exhibit space highlights some of the most popular and unique pieces of Gretsch's historic catalog. The museum lobby features some of the most iconic instruments the company has produced, including the White Falconā¢, the Chet AtkinsĀ® Country GentlemanĀ®, a Brian Setzer Signature G6120, and a vintage 1963 Jetā¢ Firebird popularized by AC/DC's Malcolm Young. In the District Live performance hall, visitors will be treated to a visual timeline that will allow them to explore the evolution of Gretsch instruments dating back to the 1920s. Approximately 100 guitars are on display in the exhibit, 48 of which were recently on display in Nashville's Country Music Hall of Fame.
The museum was developed through a special partnership between the Fred and Dinah Gretsch School of Music at Georgia Southern University and The Kessler Collection.
In addition to the instruments that line the performance hall and upper section of the lobby, the museum features three sound dome displays with original videos that highlight Gretsch history, instrument production, the worldwide community of past and present Gretsch artists from Chet Atkins and George Harrison to Phil Collins, and the family's storied commitment to music education. Several other display cases take guests on a visual journey from Gretsch's beginnings as a local manufacturer of calf-skin drums, banjos, and accordions to one of the most popular and sought-after producers of guitars and drums during the height of the Rock & Roll era.
"This is a great example of Georgia Southern's regional public impact mission and aligns with the community goal of Savannah being recognized as a sought-after destination location for music and entertainment," said Georgia Southern University President Kyle Marrero. "This partnership is just one example of the opportunities afforded to us through having the Gretsch name associated with Georgia Southern."
The Gretsch family have long been involved in music education programs and lending their name and their history to Georgia Southern and the new museum was an appropriate way to honor the company's legacy.
"We are so honored to be a part of the amazing exhibit within our community to showcase the powerful influence and legacy of music. Fred and I represent the fourth generation of the Gretsch family in the musical instrument business and look forward to the future generations of family leadership," said Dinah Gretsch, Executive Vice President and Chief Financial Officer of the Gretsch Company. "We are sure this legacy will coincide and align with the present and future vision of Georgia Southern University."
The University established the Fred and Dinah Gretsch School of Music in early 2021 after the Gretsch's pledged a generous monetary gift plus their Gretsch Collection of historic drums, guitars and company archives to Georgia Southern. While the school of music will now bear the Gretsch name, the company's influence will be felt across the University's three campuses and in several academic departments, the museums and the library. Georgia Southern will be able to catalog and display Gretsch's storied instruments that tell a compelling story of musical history from American jazz to English-born rock, to popular modern worship bands in Australia.
Downtown Savannah is now helping tell that Gretsch story. The Gretsch museum includes Gretsch instruments and storyboards with QR code links to detailed narratives.
"We hope this new museum will preserve the long history and legacy of the Gretsch Family and the Gretsch Brand," Dinah Gretsch said. "It is wonderful to share our history with the city of Savannah, the loyal Gretsch fans and all the tourists that will visit the museum."
The museum's artifacts were curated and installed by Aaron Phillips, Georgia Southern's project curator for the Fred and Dinah Gretsch Artifacts Collection. Through his research to prepare the museum, he is confident that the Gretsch Museum will provide a unique musical experience. "My goal was to create a space that is expressive, inspirational, and true to the roots of the Gretsch family and community," Phillips said. "I am in awe of how this turned out!"
Georgia Southern Provost Carl Reiber said the new museum is another benefit to having the Gretsch name associated with the University. "We have a long-term plan to tell the compelling story of music history in creative ways and also train students within a wide variety of academic programs to engage with a historic collection as it pertains to their field of study," Reiber said. "The Gretsch name is known all over the world, and the Gretsches have been huge advocates for universal music education for decades. This museum is among the great opportunities that come with having the Gretsch name attached with our school of music."
A ribbon-cutting event to ceremonially open the museum is planned for Thursday, Nov. 18 from noon until 2 p.m.
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Roger Waters is set to release a Super Deluxe Boxset of The Dark Side Of The Moon Redux on March 14, 2025. The Boxset includes a live album from his sold-out London Palladium shows, gold vinyl, CD, Blu-ray, and a track-by-track video interview.
The Super Deluxe Boxset includes:
- The Dark Side Of The Moon Redux on gold vinyl (2LP), CD, Blu-ray: Dolby Atmos Mix, 96/24 Audio.
- The Dark Side Of The Moon Redux Live on gold vinyl, CD, Blu-Ray, 96/24 Audio
- Roger Waters Track by Track video interview on Blu-ray
- Four 4 x 10-inch Vinyl from the original Redux album cut at 45 RPM for: Money, Time, Speak To Me/Breathe and Us & Them, each with an artwork etched B-side.
- A 40 page Commemorative Book of Photographs from The Making of the Album, Rehearsals, and Roger Waters Redux Live at The London Palladium.
- Initial Boxset orders from the official store include a signed print by Roger Waters
Waters Quote:
āAll that is gone, all thatās to come? Looking back or looking forward, Dark Side of the Moon offers you choice. The choice is yours. Darkness or the Lightā.
Track listing:
The Dark Side Of The Moon Redux studio album and Roger Waters Live album:
āSpeak to Meā
āBreatheā
āOn the Runā
āTimeā
āGreat Gig in the Skyā
āMoneyā
āUs and Themā
āAny Colour You Likeā
āBrain Damageā
āEclipseā
The Dark Side Of The Moon Super Deluxe box set Redux credits include: Roger Waters: Vocals / Gus Seyffert: Bass, Synth, Backing Vocals / Joey Waronker: Drums, Percussion / Jonathan Wilson: Guitars, Synth / Johnny Shepherd: Organ, Vocals / Via Mardot: Theremin, Vocals / Azniv Korkejian: Vocals, Percussion / Jon Carin: Keyboards, Lap Steel, Synths, Organ, Vocals / Robert Walter: Piano, Harpsichord, Synths / Strings: Gabe Noel: String Arrangements: Gabe Noel
Recorded live at The London Palladium // Produced by Gus Seyffert and Roger Waters // Mixed by Sean Sullivan, Darrell Thorpe, Roger Waters and Gus Seyffert // Mastered by Dave Cooley, Elysian Masters // Art Direction and Design: Sean Evans // Photography: Kate Izor.
For more information, please visit rogerwaters.tmstor.es.
Roger Waters - THE DARK SIDE OF THE MOON REDUX SUPER DELUXE BOXSET - YouTube
āCrank That Sh*t Up!ā Greg Koch on Teaching, Mistakes, Modeling, and Modern Blues
The Milwaukee-based āguitaristās guitaristā doles out decades of midwest wisdom on this episode of Wong Notes.
You might not know Greg Koch, but weāll bet your favorite guitarist does. In 2012, Fender called the Wisconsin blues-guitar phenom one of the top 10 best unsung guitarists, and in 2020, Guitar World listed Koch among the 15 best guitar teachers. Heās been inducted into the Wisconsin Area Music Industry Hall of Fame. Koch is a bonafide midwest guitar god.
He joins Cory Wong on this round of Wong Notes for this meeting of the Middle-America minds, where the duo open with analysis of music culture in Wisconsin and MinnesotaāKoch taught at Saint Paulās now-shuttered McNally Smith College of Music, which Wong attended. Koch and Wong zero in on the blues roots of most modern music and talk through soloing theories: It can be as easy or as hard as you want it to be, but Koch shares that he likes to āpaint himself into a corner,ā then get out of it.
Koch and Wong swap notes on the pressures of studio performance versus the live realm, and how to move on from mistakes made onstage in front of audiences. Plus, Koch has created scores of guitar education materials, including for Hal Leonard. Tune in to find out what makes a good guitar course, how to write a guitar book, Kochās audio tips for crystalline live-stream sessions, and why he still prefers tube amps: āI like to crank that sh*t up!ā
John Petrucci, St. Vincent, James Valentine, Steve Lukather, Tosin Abasi, Cory Wong, Jason Richardson, Fluff, and more are donating instruments for contributors, and contributions are being accepted via this LINK.
The L.A. wildfires have been absolutely devastating, consuming more than 16,200 structures, and tens of thousands of peopleāincluding many members of the LA music communityāhave been displaced, as well as 29 persons killed. Historic gear company Ernie Ball has stepped up with a large-scale fundraiser, for MusicCares and the Los Angeles Fire Department Foundation, to assist those impacted by the fire and responders on the front line. The company kicked off the initiative with a $50,000 donation.
āWe are absolutely crushed by the devastation Los Angeles has endured over the past few weeks,ā CEO Brian Ball said in a statement. āAs a California-based company with origins as a small retailer in LA County, seeing the impact of these fires in our community is heartbreaking.
Message from Tim Henson
Tim Henson is donating one of his own Ibanez TOD10N guitars for the cause.
āThatās why weāre partnering with our family of artists to give back in a unique way. In addition to our donation, Ernie Ball artists are stepping up to donate personal guitars and gearātruly one-of-a-kind pieces that money canāt buy. Hereās how you can help: Donate any amount and we will randomly give these items away. Every dollar goes directly toward helping those affected by these devastating fires. If you canāt donate, sharing this message can still make a huge impact,ā Ball declared.
The fundraiser will continue until February 14.
Message from Steve Vai
Guest Picker - Ariel Posen
The past year was full of new sounds and discoveries. Ariel Posen and Jeremy Jacobs join the PGteam to highlight what popped out to them over the last 12 months.
Q: What was your biggest guitar discovery of 2024?
Guest Picker - Ariel Posen
A: Twenty-twenty-four was a year of discovery and re-discovery for me. I tend to come back to records and artists that I haven't listened to in a long time and get back into them with a new-found excitement. In regards to guitar discovery, at the end of 2023 I got into Paramore for the first time, specifically their last album, This is Why. I don't really listen to guitar music these days, but I'm always infatuated by the extreme detail of finely crafted guitar parts that help serve the song, and that album is full of that stuff. In terms of rediscovery, I spent a lot of time digging back into early George Harrison, Christopher Cross, and some specific Steely Dan records. Seems to be a theme there. I love all that stuff but haven't really given it time in a while; that changed this past year.
Obsession: Doechii. Watch her Tiny Desk video. She's incredible and the band is too. I get goosebumps every time I watch it, and I watch it once a day.
Reader of the Month - Jeremy Jacobs
A: I was turned on to Mk.Gee after seeing his performance on SNL and immediately fell in love with the vibe. Iām always trying to keep an ear to the ground for new, innovative guitar sounds, and his unique approach to creating guitar tones was really refreshing and inspiring. I love the blend of retro ā80s synth sounds and modern digital guitar production.
Obsession: Jim Lillās video series on YouTube experimenting with guitar tone. Heās like the Mythbusters of the guitar community and itās really shaking things up! Heās taking a very scientific deep dive into commonly held beliefs about what makes certain equipment āsound goodā and has returned some truly shocking results. Iām thinking about guitar gear in a totally different way thanks to his work.
Managing Editor - Jason Shadrick
A: Big delays and reverbs finally got to me in 2024. Typically, I would favor a modest spring or room setting, but a few gigs this year pushed me into more ambient territory. Itās incredible how the sound of space affects your touch on the instrument. My playing has become more melodic and intentionalābut Iām still not digging the shimmer vibe.
Obsession: Noel Johnstonās YouTube videos from his Creative Fundamentals class have been warping my brain. Fair warning: They do require a bit of theoretical knowledge to get the most out of them. However, his triad workouts are a great way to start to visualize different shapes all over the neckāno matter what key.
Assistant Editor - Luke Ottenhof
A: Last year, I discovered germanium. This isnāt strictly true; Iāve used germ pedals in the past, but I never connected with the transistors until I picked up the Death by Audio Germanium Filter. Now, all I want is sweet, gnarly, splatty germanium grossness on whatever I play. The problem is it doesnāt really fit with my bandās sound. I predict many arguments in 2025.
Obsession: Figuring out ways to make, share, and celebrate music outside of the too-powerful platforms that have monopolized our arts and culture. Thankfully, there are loads of people way smarter than me working with each other to build new networks and meanings for music, including some that would be musician-owned. The future is brightāif we want it!