The T400DCE, an acoustic with flexible electronics from French guitar company Lâg''s Tramontane line of steel strings, is reviewed.

Click here to see the full-size video
“Tramontane” has long been a word for the north wind in many European countries. In Iowa, we have some pithier, less mythic names for the north wind, most of which are not fit to print in a magazine that young impressionable people might be reading. I’m guessing what the team at Lâg in France was going for when they made it the name of their steel-string line, however, was a sense of refreshment and optimism—like a northern breeze after a summer storm. The Tramontane line is just one of Lâg’s offerings that will be widely available in the US in coming months, and our review guitar has us anxiously awaiting the arrival of the rest of the Lâg family.

Our first introduction to the line is the T400DCE acoustic/electric, and the northern breeze metaphor seems pretty appropriate for the guitar. It’s cool looking and has a fresh, lively sound—and the fact that it was a Winter NAMM Best in Show winner this year certainly adds some gusto, too.

Minimalist Elegance
The T400DCE’s aesthetics are very attractive. Teutonic, simple, and understated. The fretboard is bare rosewood, with a black graphite nut and saddle. The nut is 1 11/16” wide, and the strings are 2 1/4” inches from E to E at the saddle. The action could go lower just out of the box, but it plays clean and intonates true as is. We have a string-through bridge here instead of a pin bridge, which adds to the clean, minimalist look.

The top is solid Sitka spruce, and it’s complemented nicely by the rosewood saddle and rosette, which features simple marquetry with an Occitan cross in maple. The Venetian cutaway is pleasingly curvy and deep enough to give you some usable additional room, especially when playing with a capo. The back and sides are Indonesian rosewood, which has a less purple-ish, more “shades of chocolate” look than Indian rosewood. All bindings and purflings on this baby are wood as well.

The T400DCE’s acoustic sounds are very good. It’s warm in the lows and bright in the highs, and the midrange is just right, with none of the nasally unpleasantness that many guitars in this price range exhibit. The tones are clear enough to work in an ensemble, but warm enough to be useful to a solo player too. The neck is comfortable, though it’s narrower than has become fashionable in the States lately.

Flexible Electronics
The Tramontane’s electronics are intuitive and easy to navigate. The pickup is a Nanoflex piezo undersaddle, and the onboard StudioLâg Plus preamp is made for Lâg by Shadow. It features five EQ presets (more on those below) and a built-in tuner that works whether you’re plugged in or not, and it’s quick to respond and wonderfully easy to use. There are one green and two red LEDs, with the green in the middle. The red LEDs blink faster the further out of tune you are, and slower the closer you get, until they blink off and you’re just left with the green light alone. Blue lights under each note assist with navigation. As on so many other onboard preamps, the labels on the controls are small and hard to read. I guess I should just give up thinking that’s ever going to change.

Beyond the tuner, you have Volume, a single Bass/Treble knob, a Bypass button that gives you just the pickup without the EQ presets, and a notched knob for selecting the presets (which were created in a professional studio using a 31-band EQ). As implied by their names—Natural Folk, Mellow Mids, Studio Mid-cut, Fingerstyle Picking, and Mellow Jazz—the EQ presets are intended to aid with specific performance needs, though you can also tweak them to taste with the Bass/ Treble knob. Let’s dig in, shall we?

Plugging In
I plugged the T400DCE into my trusty L.R. Baggs Core 1 Reference Monitor to get a really clear and honest sound out of this guitar. I set everything flat, turned off the reverb, and found that the pickup by itself in Bypass mode sounds quite good. It’s balanced and lively, and there don’t seem to be any strings popping out obnoxiously over any others. I thought it was plenty warm for solo playing, and it could be brought instantly into an ensemble without competing with a bass player. It’s pleasant enough to listen to for a two or three hour gig, that’s for sure.

We used four acoustic amps to test the presets: the aforementioned Baggs Core 1, a Fishman SA220, a Bose L1, and an AAD CUB AG-100. After several of us listened, we decided that although the presets are interesting, we preferred the pickup in Bypass mode for its honest tone. Two of my colleagues pointed out that preset 3, Studio Mid-cut, would be useful when you wanted the guitar to be an “atmosphere” instead of a “character,” or if you wanted to drastically reduce midrange. In that context the Studio Mid-cut preset was very pleasant, particularly through the Bose.

The Final Mojo

Well-made, attractive, and playable, the Lâg Tramontane T400DCE is a terrific, quality guitar at a very reasonable street price of around $700. Acoustically, it’s a very pleasing guitar, and the pickup is versatile and representational. I’m not a fan of the EQ presets in the preamp, but the rest of the package is top notch.
Buy if...
you need a solid, stage-ready axe at a wallet-friendly price.
Skip if...
you are more interested in the electronics than the guitar.

MSRP $925 - Lag Guitars -

Equipped with noise reduction and noise gate modes, the Integrated Gate has a signal monitoring function that constantly monitors the input signal.

Read MoreShow less

A modern take on Fullerton shapes and a blend of Fender and Gibson attributes strikes a sweet middle ground.

A stylish alternative to classic Fender profiles that delivers sonic versatility. Great playability.

Split-coil sounds are a little on the thin side. Be sure to place it on the stand carefully!


Fender Player Plus Meteora HH


After many decades of sticking with flagship body shapes, Fender spent the last several years getting more playful via their Parallel Universe collection. The Meteora, however, is one of the more significant departures from those vintage profiles. The offset, more-angular profile was created by Fender designer Josh Hurst and first saw light of day as part of the Parallel Universe Collection in 2018. Since then, it has headed in both upscale and affordable directions within the Fender lineup—reaching the heights of master-built Custom Shop quality in the hands of Ron Thorn, and now in this much more egalitarian guise as the Player Plus Meteora HH.

Read MoreShow less

A blind horse wouldn’t be impressed, but this beautiful, double-horned instrument with one-of-a-kind engravings helped make luthier Tony Zemaitis famous.

Though they never reached the commercial success of some of their peers, the Faces have no doubt earned a place as one of the seminal rock ’n’ roll bands of the late ’60s and early ’70s. Combining influences as varied as instrumental funk à la the Meters, traditional folk music, and a heavy dose of rhythm and blues, the Faces brand of rock ’n’ roll can be heard in some way or another in the music of countless bands that followed. After the Faces folded in 1975, all five members went on to continue making great music, but their chemistry together was undeniable.

Read MoreShow less