Mike Campbell's The Dirty Knobs Releases Video Teaser and Announces 2021 Tour Dates

The Heartbreaker's debut album Wreckless Abandon will be out November 20 and the quartet will tour the U.S. in the fall next year.
New York, NY (August 19, 2020) -- Celebrated guitarist and songwriter Mike Campbell (Tom Petty and The Heartbreakers, Fleetwood Mac) and his band The Dirty Knobs will now release their debut album, Wreckless Abandon, on November 20 via BMG.
Earlier this year, the band released the albumās lead single and title track, which received critical praise from The New York Times who noted, āThe music is a classic-rock portmanteau, invoking eastward-looking Beatles, the Who, the Byrds and the Rolling Stones just for starters.ā Wreckless Abandon is available for pre-order.
Additionally, the bandās first-ever national tour of mostly sold-out dates in September and October have been moved to the fall of 2021, including their appearance at Asbury Parkās Sea. Hear. Now Festival, headlined by Pearl Jam. The extensive run of headline shows includes stops at Chicagoās Park West, Philadelphiaās World CafĆ© Live, Minneapolisā Fine Line Music Hall, Los Angelesā Troubadour and San Franciscoās The Independent as well as Brooklyn Bowl Nashville and New York. All tickets for the fall shows will be valid for the 2021 dates. See below for complete list of updated tour routing.
The Dirty Knobs created Wreckless Abandon without agenda, expectations or deadlines and without worrying about outcome or hits. Theyāve pushed boundaries of taste, imagination and genres to create a 13-track album of brutally confident rock and roll. The record was produced by Campbell and George Drakoulias (The Black Crowes, The Jayhawks), with all songs written by Campbell. It features further contributions from Grammy-winning singer, songwriter and guitarist Chris Stapleton as well as fellow Tom Petty and The Heartbreakers founding member Benmont Tench. Additionally, Klaus Voormann, who is best known for his art for The Beatlesā Revolver, created the album artwork.
The Dirty Knobs came together nearly 12 years ago, after Campbell met guitarist Jason Sinay (Neil Diamond, Ivan Neville) at a session and liked the way their guitars sounded together. What began as a less structured project for Campbell in between The Heartbreakersā touring became something else altogether when they added the rhythm section of bassist Lance Morrison (Don Henley) and drummer Matt Laug (Slash, Alanis Morissette).
What followed was several years of intimate, almost incognito, performances in the bandās home base of Los Angeles and surrounding Southern California cities. After all those years playing together, it became clear The Dirty Knobs should take what they were doing to the next level. After Campbellās longtime compatriot, friend and bandmate, Tom Petty, passed away in 2017, he knew the only way to heal some of the pain was to throw himself wholeheartedly back into his music.
āLosing Tom was earth-shattering for me. It was a total shock,ā Campbell says. āIt had felt like we would be playing together forever. For a while it was hard to imagine playing in my own band again, let alone one where Iām the frontman. Tom was always my beacon. But everything Iāve been doing since Tom passed, including this album with The Dirty Knobs, is in the spirit of honoring what we did together.ā
THE DIRTY KNOBS WITH MIKE CAMPBELL 2021 TOUR DATES
- September 8, 2021āTampa, FLāThe Orpheum
- September 10, 2021āGainesville, FLāHigh Dive
- September 11, 2021āGainesville, FLāHigh Dive
- September 14, 2021āNashville, TNāBrooklyn Bowl
- September 15, 2021āAlexandria, VAāThe Birchmere
- September 18-19, 2021āAsbury Park, NJāSea. Hear. Now Festival
- September 21, 2021āBrooklyn, NYāBrooklyn Bowl
- September 23, 2021āAllston, MAāBrighton Music Hall
- September 24, 2021āAllston, MAāBrighton Music Hall
- September 26, 2021āDerry, NHāTupelo Music Hall
- September 28, 2021āRidgefield, CTāThe Ridgefield Playhouse
- September 30, 2021āPhiladelphia, PAāWorld CafĆ© Live
- October 2, 2021āIndianapolis, INāHi-Fi
- October 3, 2021āIndianapolis, INāHi-Fi
- October 6, 2021āChicago, ILāPark West
- October 7, 2021āMinneapolis, MNāFine Line Music Hall
- October 15, 2021āSan Francisco, CAāThe Independent
- October 16, 2021āSan Francisco, CAāThe Independent
- October 19, 2021āLos Angeles, CAāTroubadour
- October 20, 2021āLos Angeles, CAāTroubadour
- October 23, 2021āBoulder, COāFox Theatre
- October 24, 2021āDenver, COāBluebird Theater
- October 26, 2021āDallas, TXāDeep Ellum Art Company
- October 28, 2021āHouston, TXāWarehouse Live Studio
- October 30, 2021āAustin, TXāAntoneās
- October 31, 2021āAustin, TXāAntoneās
- November 2, 2021āNew Orleans, LAāOne Eyed Jacks
Watch the company's video demo:
For more information:
Pre-Prder Wreckless Abandon
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Ariel Posen and the Heritage Custom Shop Core Collection H-555 - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.Watch the official video documenting the sold-out event at House of Blues in Anaheim. Join Paul Reed Smith and special guests as they toast to quality and excellence in guitar craftsmanship.
PRS Guitars today released the official video documenting the full night of performances at their 40th Anniversary celebration, held January 24th in conjunction with the 2025 NAMM (The National Association of Music Merchants) Show. The sold-out, private event took place at House of Blues in Anaheim, California and featured performances by PRS artists Randy Bowland, Curt Chambers, David Grissom, Jon Jourdan, Howard Leese, Mark Lettieri Group, Herman Li, John Mayer, Orianthi, Tim Pierce, Noah Robertson, Shantaia, Philip Sayce, and Dany Villarreal, along with Paul Reed Smith and his Eightlock band.
āWhat a night! Big thanks to everyone who came out to support us: retailers, distributors, vendors, content creators, industry friends, and especially the artists. I loved every second. We are so pleased to share the whole night now on this video,ā said Paul Reed Smith, Founder & Managing General Partner of PRS Guitars. āI couldnāt be more proud to still be here 40 years later.ā
With nearly 1,400 of the whoās who in the musical instrument industry in attendance, the night ended with a thoughtful toast from PRS Signature Artist John Mayer, who reflected on 40 years of PRS Guitars and the quality that sets the brand apart. āThe guitars are great. You canāt last 40 years if the guitars arenāt great,ā said Mayer. āMany of you started hearing about PRS the same way I did, which is you would talk about PRS and someone would say āTheyāre too nice.ā Whatās too nice for a guitar? What, you want that special vibe that only tuning every song can give you on stage? You want that grit just like your heroes ā¦ bad intonation? The product is incredible.ā
Be sure to locate your sample library where it can be quickly referenced on your DAW.
Improve your recordings using your own samples. Bryan Clark, house producer at Nashvilleās Blackbird Studio, tells you how to take the final steps in building your own sample library.
Mastering the sample import process in your chosen DAW can significantly enhance your creativity and streamline your workflow. With a clear understanding of the tools and techniques available, you will be better equipped to bring your musical ideas to life and make your productions stand out.
This month, we finish up a three-part series on creating your own sample libraries. In this final installment, Iām going to give you the basic ways to import your samples into various popular DAWs. Each one has its unique workflow and user interface, but the fundamental process remains very similar. This Dojo guide will cover how to import samples into Ableton Live, LUNA, Logic Pro, Pro Tools, and Studio One.
Ableton Live
Steps to Import Samples
Drag and Drop: Simply locate the sample file in your computerās file explorer, then drag and drop it directly into an audio track in the session or arrangement view.
Browser Window: Use Abletonās built-in browser (on the left-hand side). Navigate to the sampleās location on your hard drive, then drag it into the workspace.
Create a Simpler or Sampler Instrument: Drag the sample into a MIDI track with Simpler or Sampler loaded. This allows you to trigger the sample using MIDI notes.
Tips: Use the warp feature for time-stretching and syncing samples to your projectās tempo.
Organize your samples into collections using the āAdd Folderā option in the browser.
LUNA
Steps to Import Samples
Drag and Drop: Drag the sample from your file explorer directly into the timeline. Then hold the CTRL key down, click on the end of the loop, and drag it to the length it needs to be.
Browser/Workspace: Use the media browser to navigate to your sampleās location on your hard drive. Drag it into an audio track in your session.
Audio Track Import: Right-click on an empty area in the timeline or a track and select āImport Audioā to locate and add your sample.
Tips: Use LUNAās built-in varispeed capabilities to match your sample to the sessionās tempo.Logic Pro
Steps to Import Samples
Drag and Drop: Drag the sample from the Finder directly into an audio track in the workspace.
File Browser: Use the file browser (accessible via the media sidebar or āFā key) to locate and drag samples into the timeline.
Quick Sampler: Drag your sample onto a MIDI track with the Quick Sampler plugin loaded. This lets you play the sample chromatically.
Tips: Use Logicās flex time feature to sync samples to your projectās tempo. Organize samples into Logicās library for quick access.Pro Tools
Steps to Import Samples
Import Audio Dialog: Go to File > Import > Audio; then locate your sample and click āConvertā or āAddā to bring it into the session.
Drag and Drop: Drag the sample directly from your file explorer into an audio track.
Workspace Browser: Use the workspace (accessible via Window > New Workspace) to locate your sample. Drag it into your session.
Tips: Use the elastic audio feature for tempo matching and pitch adjustments.
Place your samples into playlists for efficient access during editing.
Studio One
Steps to Import Samples
Drag and Drop: Drag your sample directly from your file explorer into the timeline or browser.
Browser: Open Studio Oneās browser (on the right-hand side), navigate to the folder containing your sample, and drag it into your project.
Sampler Track: Drag the sample onto a MIDI track, and use the Sample One sampler for additional manipulation.
Tips: Enable the āStretch Audio Files to Song Tempoā option in the browser for automatic tempo synchronization. Create sample folders within Studio Oneās browser for quick access.General Best Practices
Regardless of the DAW you use, it is important to maintain a smooth and efficient workflow. Organize your sample library with clear folder names and categories to make locating files easy (see last monthās installment for detailed strategies). Where possible, learn DAW-specific shortcuts for importing and editing samples to save time. Always check if your DAW offers a feature to sync the sampleās tempo to your project to ensure seamless integration. Finally, regularly back up your sample collection to avoid losing important audio files and preserve your creative assets! Seriously. Do it now.
Next month, weāre off to āconsoleā land and Iāll be investigating console emulations (hype or not?), summing bus processors, and more to give you a more āstudioā sound. Until then, blessings and namaste.
Stretching the boundaries of reverbās realm through dynamic and pitch control.
Nice core reverb sounds. Invites cool compositional and arrangement directions. High quality.
If you lack patience, it will be hard to unlock its coolest secrets.
$329
Gamechanger Audio Auto Reverb
gamechangeraudio.com
When the first Moog synthesizer appeared, it freaked out a lot of musiciansānot least for the way it blurred the divisions between instruments and their roles. Was it percussion? A keyboard? A reed instrument? Many effects makers build from this philosophical foundation. The Latvian company Gamechanger often seems to revel in itāan attitude thatās manifest in the companyās Auto Series pedals, which includes the Auto Reverb.
Thereās no reason you canāt use the Auto Reverb in a very straightforward fashion. The plate, spring, and hall settings are all very nice digital representations of their analog inspirationsāand Iād be perfectly happy playing an instrumental surf set with the spring mode, for instance. But because you can control the parameters like the reverbās level, decay, tone, and the filter with changes in pitch and dynamics, the Auto Reverb can function in highly orchestral ways, transforming itself from subtle to outlandish as a musical piece shifts in intensity or rises from low to high keys toward a blurred, hyper-spacious climax. While these attributes make the Auto Reverb a great fit for prepared guitar and conceptual piecesāand invites many themes and compositional ideas within those formsāit can just as easily be configured to create an especially dynamic and dramatic pop song arrangement on stage or in the studio that might otherwise be relegated to automations within a DAW. Itās fun to use, if not always intuitive. But knowing its ways can expand your musical options significantly.