It comes preconfigured for most popular DAWs, MIDI guitar products such as Line 6 and Kemper’s Profiler, and even provides standard amp switching.
Glendale, CA (March 27, 2018) -- PACER steps up hands-free DAW and MIDI control with plenty of switching power for soft- and hardware solutions. Pacer comes preconfigured for most popular DAWs, MIDI guitar products such as Line 6, Kemper’s Profiler and even provides standard amp switching. With programmable color selection for switches there is plenty of scope for user-configurable setups for VST plugins or any MIDI controllable hardware.
The sturdy metal case features 10 programmable footswitch controls with RGB LEDs and an additional Preset footswitch for recalling presets and navigation. Additionally, PACER allows the connection of 2 expression pedals and up to 4 external foot switches. Even non-MIDI amps can be integrated into setups by using the 4 relays to switch channels or effects. Due to dedicated presets and icons for transport and track control as well as eg. MIDI LED feedback for MIDI CC messages, the pedal’s handling is fast and transparent.
“Originally, Pacer was intended to be a DAW controller providing musicians with hands-free control of their computer music setup”, says Nektar Chief Niels Larsen. “Then enthusiasm got the better of us and we couldn’t help adding a host of useful additional control functionality. Now you can also control MIDI preamps or effects as well as switching channels and reverb on non-MIDI amps with the on-board relays. Pacer’s switching power will boost your creativity whether you are recording or playing live.”
One button press can completely change a setup’s configuration: Recalling a preset sends up to 16 MIDI messages or relay switch states at the same time. What’s more, each of PACER’s controls is fully programmable with up to 6 steps – each step sending a MIDI message or executing an action. These steps can be sent simultaneously or consecutively in a sequence of presses. Each press can trigger a different command if required – from a MIDI-CC message to a relay state. This is also true for the external expression and footswitch pedals: A footswitch could be used to control a completely user configurable preset chain for example.
Transport control of practically any DAW and the switching of many MIDI guitar devices works right out of the box, as PACER’s 24 factory presets include setups for MIDI Machine Control, Mackie Control Universal (MCU) and devices such as Line 6 Pod and Helix or Kemper’s Profiler. Support for Mackie MCU enables the control of compatible DAWs like Ableton Live or FL Studio. Additionally, custom Nektar DAW integration software for popular DAWs such as Logic, Bitwig, Cubase, Reason and others is available to registered users as a free download, providing access to even more advanced control. PACER’s MIDI output can be used as a USB MIDI interface, for direct MIDI connection or both at the same time.
Features:
- 10 programmable footswitches each with RGB LED
- 1 preset footswitch
- 2 row LED display
- 1 encoder with push switch for programming, navigation and control
- 24 user configurable presets
- 2 Read-only presets for DAW track and transport control
- Sends up to 16 MIDI messages or relay switches on preset recall
- Up to 6 MIDI messages or actions programmable for each control
- 2 expression pedal sockets
- 2 TRS jack connectors for up to 4 external footswitches
- 2 TRS jack connectors for controlling up to 4 switch sockets (FX or channels)
- MIDI output (USB MIDI interface/direct MIDI connection)
- USB connector for connecting to a computer, USB host or USB power supply (for power only)
- PSU socket: DC 9V / 600mA, center negative (PSU not included)
- Factory Presets include Line 6 Pod and Helix, Fractal Audio AxeFX, Avid Eleven Rack, Kemper Profiler, Elektron Octatrack Pickup Machine, Electro Harmonix 45000 Looper, MIDI Machine Control, a Relay Preset for non-MIDI amps and more.
- Nektar DAW integration for Transport and Track control
Pacer Nektar DAW and MCU Integration currently supports:
Apple Logic and Garageband, Bitwig 8-Track and Studio, Cockos Reaper, Propellerhead Reason, Steinberg Cubase and Nuendo
AMCU control in addition provides compatibility with Ableton Live, Cakewalk Sonar, MOTU Digital Performer, Image-Line FL Studio and Presonus Studio One.
Pricing and availability (MAP):
Shipping in April 2018, MAP price: $229.99 US / £199.99 / €229.99
For more information:
Nektar
Mooer's Ocean Machine II is designed to bring superior delay and reverb algorithms, nine distinct delay types, nine hi-fidelity reverb types, tap tempo functionality, a new and improved looper, customizable effect chains, MIDI connectivity, expression pedal support, and durable construction.
Similarly to the original, the Ocean Machine II offers two independent delay modules, each with nine different delay types of up to two seconds, including household names such as digital, tape, and echo delays, as well as more abstract options, such as galaxy, crystal, and rainbow. A high-fidelity reverb module complements these delays with nine reverb types, as well as a shimmer effect. Each delay and reverb effect can also be ‘frozen,’ creating static ambient drones, an effect that sounds particularly impressive considering the pedal’s DSP upgrades.
While the original Ocean Machine’s looping capabilities provided just 44 seconds of loop storage, the new addition features an impressive 120 seconds. To experiment with this feature, along with OceanMachine II’s other sonic capabilities, users can use an intuitive LCD screen along with 12 knobs (four for each delay and reverb module) to easily adjust parameters within the device’s ‘Play Mode.’ Three footswitches are also provided to facilitate independent effect toggling, tap tempo control, looper interfacing, and a preset selector.
Once the guitarist has crafted an interesting effect chain, they can save their work as a preset and enter ‘Patch Mode,’ in which they can toggle between saved settings with each of the three footswitches. In total, the Ocean Machine II provides eight preset storage banks, each of which supports up to threepresets, resulting in a total of 24 save slots.
The pedal’s versatility is further enhanced by its programmable parallel and serial effect chain hybrid, a signature element of Devin Townsend’s tone creation. This feature allows users to customize the order of effects, providing endless creative possibilities. Further programming options can be accessed through the LED screen, which impressively includes synchronizable MIDI connectivity, a feature that was absent in the original Ocean Machine.
In addition to MIDI, the pedal supports various external control systems, including expression pedal input through a TRS cable. Furthermore, the pedal is compatible with MOOER's F4 wireless footswitch, allowing for extended capabilities for mapping presets and other features. A USB-C port is also available for firmware updates, ensuring that the pedal remains up-to-date with the latest features and improvements.
Considering the experimental nature of Devin Townsend’s performances, MOOER has also gone above and beyond to facilitate the seamless integration of Ocean Machine II into any audio setup. The device features full stereo inputs and outputs, as well as adjustable global EQ settings, letting users tailor their sound to suit different environments. Guitarists can also customize their effect chains to be used with true bypass or DSP (buffered) bypass, depending on their preferences and specific use cases.
Overall, Ocean Machine II brings higher-quality delay and reverb algorithms, augmented looping support, and various updated connections to Devin Townsend’s original device. As per MOOER’s typical standard, the pedal is engineered to withstand the rigors of touring and frequent use, allowing guitars to bring their special creations and atmospheric drones to the stage.
Key Features
- Improved DSP algorithms for superior delay and reverb quality
- Nine distinct delay types that support up to 2 seconds of delay time: digital, analog, tape, echo,liquid, rainbow, crystal, low-bit, and fuzzy delays
- Nine hi-fidelity reverb types: room, hall, plate, distorted reverb, flanger reverb, filter reverb,reverse, spring, and modulated reverb
- Freeze feedback feature, supported for both delay and reverb effects
- Tap tempo footswitch functionality
- New and improved looper supporting up to 120 seconds of recording time, along withoverdubbing capabilities, half-speed, and reverse effects.
- Customizable order of effects in parallel or series chains
- Flexible bypass options supporting both true bypass and DSP bypass
- Large LCD screen, controllable through twelve easy-to-use physical knobs for real-time parameter adjustments.
- Adjustable Global EQ Settings
- Full stereo inputs and outputs
- Synchronizable and mappable MIDI In and Thru support
- USB-C port for firmware updates
- External expression pedal support via TRS cable
- Support for the MOOER F4 wireless footswitch (sold separately)
- Designed for durability and reliability in both studio and live environments.
The Ocean Machine will be available from official MOOER dealers and distributors worldwide on September 10, 2024.
For more information, please visit mooeraudio.com.
MOOER Ocean Machine II Official Demo Video - YouTube
Some of us love drum machines and synths and others don’t, but we all love Billy.
Billy Gibbons is an undisputable guitar force whose feel, tone, and all-around vibe make him the highest level of hero. But that’s not to say he hasn’t made some odd choices in his career, like when ZZ Top re-recorded parts of their classic albums for CD release. And fans will argue which era of the band’s career is best. Some of us love drum machines and synths and others don’t, but we all love Billy.
This episode is sponsored by Magnatone
An '80s-era cult favorite is back.
Originally released in the 1980s, the Victory has long been a cult favorite among guitarists for its distinctive double cutaway design and excellent upper-fret access. These new models feature flexible electronics, enhanced body contours, improved weight and balance, and an Explorer headstock shape.
A Cult Classic Made Modern
The new Victory features refined body contours, improved weight and balance, and an updated headstock shape based on the popular Gibson Explorer.
Effortless Playing
With a fast-playing SlimTaper neck profile and ebony fretboard with a compound radius, the Victory delivers low action without fret buzz everywhere on the fretboard.
Flexible Electronics
The two 80s Tribute humbucker pickups are wired to push/pull master volume and tone controls for coil splitting and inner/outer coil selection when the coils are split.
For more information, please visit gibson.com.
Gibson Victory Figured Top Electric Guitar - Iguana Burst
Victory Figured Top Iguana BurstThe SDE-3 fuses the vintage digital character of the legendary Roland SDE-3000 rackmount delay into a pedalboard-friendly stompbox with a host of modern features.
Released in 1983, the Roland SDE-3000 rackmount delay was a staple for pro players of the era and remains revered for its rich analog/digital hybrid sound and distinctive modulation. BOSS reimagined this retro classic in 2023 with the acclaimed SDE-3000D and SDE-3000EVH, two wide-format pedals with stereo sound, advanced features, and expanded connectivity. The SDE-3 brings the authentic SDE-3000 vibe to a streamlined BOSS compact, enhanced with innovative creative tools for every musical style. The SDE-3 delivers evocative delay sounds that drip with warmth and musicality. The efficient panel provides the primary controls of its vintage benchmark—including delay time, feedback, and independent rate and depth knobs for the modulation—plus additional knobs for expanded sonic potential.
A wide range of tones are available, from basic mono delays and ’80s-style mod/delay combos to moody textures for ambient, chill, and lo-fi music. Along with reproducing the SDE-3000's original mono sound, the SDE-3 includes a powerful Offset knob to create interesting tones with two simultaneous delays. With one simple control, the user can instantly add a second delay to the primary delay. This provides a wealth of mono and stereo colors not available with other delay pedals, including unique doubled sounds and timed dual delays with tap tempo control. The versatile SDE-3 provides output configurations to suit any stage or studio scenario.
Two stereo modes include discrete left/right delays and a panning option for ultra-wide sounds that move across the stereo field. Dry and effect-only signals can be sent to two amps for wet/dry setups, and the direct sound can be muted for studio mixing and parallel effect rigs. The SDE-3 offers numerous control options to enhance live and studio performances. Tap tempo mode is available with a press and hold of the pedal switch, while the TRS MIDI input can be used to sync the delay time with clock signals from DAWs, pedals, and drum machines. Optional external footswitches provide on-demand access to tap tempo and a hold function for on-the-fly looping. Alternately, an expression pedal can be used to control the Level, Feedback, and Time knobs for delay mix adjustment, wild pitch effects, and dramatic self-oscillation.
The new BOSS SDE-3 Dual Delay Pedal will be available for purchase at authorized U.S. BOSS retailers in October for $219.99. To learn more, visit www.boss.info.