
ESP Guitars introduces the new LTD DX Series, offering high-quality guitars at a more affordable price.
The LTD EC-200DX FM, M-200DX, and TE-200DX are each being made in two new finishes, and are available now at ESP dealers worldwide.
“The DX Series provides a solution for customers who want a high-quality, low-cost entry point to ESP features and playability,” says Blue Wilding, ESP Brand Manager. “We want our guitars to be accessible to every level of player and at every budget, and the DX Series delivers way more than anyone would expect for their modest price."
Available in Blue Burst and Charcoal Burst finishes, the LTD EC-200DX offers a flat-top single-cutaway Eclipse body with a bevelled edge. It’s built with bolt-on construction at 24.75” scale, featuring a very comfortable poplar body with a flamed maple top, and a roasted maple neck with a rosewood fingerboard. This guitar includes a TOM-style bridge and tailpiece, 24 extra-jumbo frets, dot inlays, and black chrome hardware. The EC-200DX includes a set of ESP’s acclaimed LH-150 humbucking pickups with matching black chrome covers, providing punchy, great tone for all genres of music, along with the flexibility of single-coil tones controlled by a push-pull switch on the tone knob.
The LTD M-200DX is available in Blue Burst and Purple Burst finishes, offering the streamlined M shape with a great-looking burled poplar top. Built with bolt-on construction at 25.5” scale, the M-200DX includes classy features like a roasted maple neck, rosewood fingerboard with 24 frets, black chrome hardware, a TOM-style bridge with string-thru-body design, body binding, offset dot inlays, and a reverse headstock. The M-200DX also features ESP LH-150 humbucking pickups with matching black chrome covers. Also available in Blue Burst and Purple Burst finishes, the LTD TE-200DX offers the classic LTD TE shape with features for contemporary guitarists. These include a lightweight and comfortable poplar body with a burled poplar top, and a roasted maple neck with rosewood fingerboard and 24 frets. The TE-200DX also features a hardtail bridge, black chrome hardware, black body binding, a tiltback headstock, and a set of acclaimed ESP LH-150 humbucking pickups with matching black chrome covers.
For more information, please visit espguitars.com.
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It’s almost over, but there’s still time to win! Enter Stompboxtober Day 30 for your shot at today’s pedal from SoloDallas!
The Schaffer Replica: Storm
The Schaffer Replica Storm is an all-analog combination of Optical Limiter+Harmonic Clipping Circuit+EQ Expansion+Boost+Line Buffer derived from a 70s wireless unit AC/DC and others used as an effect. Over 50 pros use this unique device to achieve percussive attack, copious harmonics and singing sustain.
Does the guitar’s design encourage sonic exploration more than sight reading?
A popular song between 1910 and 1920 would usually sell millions of copies of sheet music annually. The world population was roughly 25 percent of what it is today, so imagine those sales would be four or five times larger in an alternate-reality 2024. My father is 88, but even with his generation, friends and family would routinely gather around a piano and play and sing their way through a stack of songbooks. (This still happens at my dad’s house every time I’m there.)
Back in their day, recordings of music were a way to promote sheet music. Labels released recordings only after sheet-music sales slowed down on a particular song. That means that until recently, a large section of society not only knew how to read music well, but they did it often—not as often as we stare at our phones, but it was a primary part of home entertainment. By today’s standards, written music feels like a dead language. Music is probably the most common language on Earth, yet I bet it has the highest illiteracy rate.
Developed specifically for Tyler Bryant, the Black Magick Reverb TB is the high-power version of Supro's flagship 1x12 combo amplifier.
At the heart of this all-tube amp is a matched pair of military-grade Sovtek 5881 power tubes configured to deliver 35-Watts of pure Class A power. In addition to the upgraded power section, the Black Magick Reverb TB also features a “bright cap” modification on Channel 1, providing extra sparkle and added versatility when blended with the original Black Magick preamp on Channel 2.
The two complementary channels are summed in parallel and fed into a 2-band EQ followed by tube-driven spring reverb and tremolo effects plus a master volume to tame the output as needed. This unique, signature variant of the Black Magick Reverb is dressed in elegant Black Scandia tolex and comes loaded with a custom-built Supro BD12 speaker made by Celestion.
Price: $1,699.
Kevin Shields of My Bloody Valentine is one of the loudest guitarists around. And he puts his volume to work creating mythical tones that have captured so many of our imaginations, including our special shoegaze correspondent, guitarist and pedal-maestro Andy Pitcher, who is our guest today.
My Bloody Valentine has a short discography made up of just a few albums and EPs that span decades. Meticulous as he seems to be, Shields creates texture out of his layers of tracks and loops and fuzz throughout, creating a music that needs to be felt as much as it needs to be heard.
We go to the ultimate source as Billy Corgan leaves us a message about how it felt to hear those sounds in the pre-internet days, when rather than pull up a YouTube clip, your imagination would have to guide you toward a tone.
But not everyone is an MBV fan, so this conversation is part superfan hype and part debate. We can all agree Kevin Shields is a guitarists you should know, but we can’t all agree what to do with that information.