ESP Guitars announces 43 new LTD and LTD Deluxe guitar models to kick off the new year.
A new Camo finish has been made available for the LTD and ESP James Hetfield Snakebyte. The Snakebyte features set-neck construction at 24.75" scale, 22 extra-jumbo frets, a TonePros locking TOM bridge and tailpiece, and James' own EMG JH SET active pickups.
The LTD Arrow Series has expanded with four new additions. The LTD Deluxe Arrow-1000 offers a quilted maple top in a Charcoal Burst Satin finish. It features neck-thru-body construction, a reverse headstock with matching finish, Macassar ebony fingerboard with stainless steel frets, a set of direct mount Fishman Fluence Modern Humbucker active pickups, and a Floyd Rose 1000SE bridge with stainless steel screws. The LTD Deluxe Arrow-1000NT (Charcoal Metallic Satin) offers a recessed TonePros TOM bridge with string-thru-body, neck-thru-body construction, stainless steel frets, and direct mount Fishman Fluence Modern Humbucker active pickups. The LTD Deluxe Arrow-1000 EverTune includes the innovative EverTune constant tension bridge system, and comes in Black. All Arrow 1000 models have compound radius fingerboards. The LTD Arrow-200 (Military Green Satin) offers a more affordable version of the Arrow Series with a set-neck design, an LTD Floyd Rose tremolo, and a set of high output ESP LH-301 pickups with black covers.
Seven new guitars have joined ESP’s popular LTD EC Series. The LTD Deluxe EC-1000 Baritone comes in a 27” baritone scale, with a Charcoal Metallic Satin finish and black single-ply binding. Features include 24 extra-jumbo stainless steel frets, glow-in-the-dark Luminlay side dots, a TonePros locking TOM bridge with string-thru-body, and a set of direct-mount Fishman Fluence Modern Humbucker active pickups with black nickel covers. The new LTD Deluxe EC-1000 in See Thru Purple Sunburst offers 24 extra-jumbo stainless steel frets, and a set of EMG 60TW-R (neck) and EMG 81 (bridge) pickups. The LTD Deluxe EC-1000T CTM EverTune has a traditional full-thickness body, custom multi-ply binding on the guitar’s front and back, and the EverTune constant tension bridge system. It also features Fishman Fluence Classic Humbucker pickups and 22 extra-jumbo stainless steel frets.
The new LTD Deluxe EC-1000T CTM in Violet Shadow has a gorgeous flamed maple top, traditional thickness body and multi-ply binding. This guitar includes a set of direct-mount Fishman Fluence Open Core Classic Humbucker pickups with multiple voicings, 22 extra-jumbo stainless steel frets, and a TonePro locking TOM bridge and tailpiece. The LTD Deluxe EC-1000T CTM in Charcoal Burst combines an elegant quilted maple top and a traditional full-thickness mahogany body (with no waist cut). It features a TonePros locking TOM bridge and tailpiece, matching headstock finish, 22 extra-jumbo stainless steel frets, and a set of direct-mount Fishman Fluence Open Core Classic Humbucker pickups. Another new EC Series guitar is the LTD Deluxe EC-1000T CTM Vintage Gold Satin, which features a traditional full-thickness mahogany body, multi-ply binding, a TonePros locking TOM bridge and tailpiece, 22 extra-jumbo stainless steel frets, and a set of direct-mount Fishman Fluence Open Core Classic Humbucker pickups with multiple voicings. Finally, a more affordable version of the EC Series has been announced with the LTD EC-201, which offers set-neck construction, 24 extra-jumbo frets, and a single ESP LH-150B pickup with antique nickel cover, which can be split for single-coil sounds with a push-pull volume knob.
ESP’s EX Series has two new models for 2022. The LTD EX-7 Baritone Black Metal is a seven-string guitar at 27” baritone scale. It offers the Black Metal design theme of all-black finish, components, and hardware, and a Macassar ebony fingerboard with no inlays and glow-in-the-dark side markers. It features a set-thru maple neck, 24 extra-jumbo stainless steel frets, a TonePros locking bridge and tailpiece, and a single direct-mount EMG 81-7H pickup with black logo. The LTD EX-201 is an affordable way to get into the extreme EX shape, and offers a reverse matching headstock and a single direct-mount ESP LH-150B pickup with antique nickel cover, which can be split for single-coil sounds with a push pull volume knob. A high output pickup, the LH-150B is great for rock and metal, and has an antique nickel cover. ESP also made an addition to their F Series with the LTD Deluxe F-1001, which comes in the multihued, iridescent Violet Andromeda Satin finish. It features set-thru construction, an extra-thin maple neck that has a compound radius for maximum speed and comfort, 24 extra-jumbo stainless steel frets, a Floyd Rose 1000SE bridge with stainless steel screws, and a single direct-mount EMG 81TW active pickup with a brushed black chrome cover.
ESP has added new finishes for its popular ’87 Series guitars. The LTD M-1 Custom ’87 offers neck-thru body construction, a top-mounted Floyd Rose 1000 bridge, a single Seymour Duncan Distortion TB-6 pickup with a push-pull control for coil splitting, and an EMG PA-2 boost switch for when you need that extra push of raw power. For 2022, it is being made available in Dark Metallic Purple and Metallic Gold finishes. The LTD Mirage Deluxe ’87 features a Floyd Rose 1000 bridge and a pickup set that includes a Seymour Duncan Distortion TB-6 in the bridge and Hot Rail single coil in the neck. Its new finishes for 2022 include Snow White and Metallic Gold.
Available in Black Satin finish, the LTD Deluxe MH-1000 Baritone offers the extended range of a 27” baritone scale. It features neck-thru-body construction, a compound neck radius, 24 extra jumbo stainless steel frets, a TonePros locking TOM bridge with string-thru-body, and direct-mount EMG 81 and EMG 60TW-R pickups with brushed black chrome covers. The LTD Deluxe MH-1000 comes in the beautiful new Black Ocean finish on its quilted maple top, and includes 24 extra-jumbo stainless steel frets, a Floyd Rose 1000SE bridge with stainless steel screws, and a set of direct-mount Fishman Fluence Modern Humbuckers with brushed stainless steel covers.
Three new models are being added to the Phoenix Series. The LTD Phoenix-7 Baritone Black Metal is an extended-range version of the Phoenix with seven strings and 27” baritone scale. It features neck-thru body construction, a Fishman Modern 7-String Humbucker pickup, and 22 extra-jumbo stainless steel frets, and a TonePros locking TOM bridge with string-thru-body. The LTD Deluxe Phoenix-1000 EverTune is the first Phoenix model to offer the EverTune constant tension bridge. Finished in Silver Sunburst Satin, it features neck-thru-body construction, 22 extra-jumbo stainless steel frets, and a set of Fishman Fluence Modern Humbuckers with black nickel covers. The LTD Deluxe Phoenix-1000 has a quilted maple top in a See Thru Black Sunburst finish. Features include neck-thru-body construction, a reversed headstock with matching finish, 22 extra-jumbo stainless steel frets, a TonePros locking TOM bridge and tailpiece, and a set of Seymour Duncan Phat Cat (neck) and Custom (bridge) pickups.
The SN Series is expanding with four new models. The LTD Deluxe SN-1000 EverTune is the first SN Series guitar to include the innovative EverTune constant tension bridge. Available in Charcoal Metallic Satin finish, it comes in an H/S/S pickup configuration with two Seymour Duncan Hot Strat single coils in the neck and middle positions, and a high-output Pegasus in the bridge. Other features include a roasted maple neck with compound radius, 22 extra-jumbo stainless steel frets (scalloped from frets 17-24), a matching-finish headstock, and a special mini toggle switch (same as found on the ESP Snapper models) provides even more tonal options. The LTD Deluxe SN-1007 Baritone HT is the first SN Series model with the extended range of seven strings and a 27” baritone scale. Offered in the textured Black Blast finish, it has a roasted maple neck with a compound radius, 24 extra-jumbo stainless steel frets (scalloped from frets 17-24), a black bone nut, a Hipshot hardtail bridge with string thru body, and a set of Fishman Fluence Modern Humbuckers.
The LTD Deluxe SN-1000HT Fire Blast has a textured, sandblasted Fire Blast finish over a swamp ash body, a roasted maple neck with a compound radius, 22 extra-jumbo stainless steel frets, a black bone nut, a Hipshot hardtail bridge with string thru body, and a set of Fishman Fluence Modern Humbuckers. The LTD Deluxe SN-1000FR (Snow White finish) includes a double-locking Floyd Rose 1000SE bridge with stainless steel screws, a roasted maple neck with a compound radius, 24 extra-jumbo stainless steel frets (scalloped from frets 17-24), a matching-finish headstock, and an H/S/S pickup configuration with two Fishman Fluence Single Width pickups in the neck and middle positions and a Fishman Fluence Classic Humbucker in the bridge.
Three new models are also joining the TE Series. The LTD Deluxe TE-1000 Snow White offers set-thru construction, 24 extra-jumbo stainless steel frets, a Hipshot hardtail bridge with string thru body, and a set of Fishman Fluence Modern Humbuckers. Two new lower-priced TE models join the series with the LTD TE-200 (Black finish, LTD fixed bridge with string-thru-body and a set of ESP LH-150 pickups) and the LTD TE-201 (Black Satin finish, LTD fixed bridge with string-thru-body, and a single ESP LH-150B pickup with antique nickel cover).
A new finish comes to the LTD TL-6. Now in Purple Sparkle Burst, the TL-6 is a chambered transducer electric guitar with a Graphtech NuBone-XB nut and saddle, a Fishman SONICORE pickup, and TL-3 preamp with onboard tuner.
Finally, three new guitars have been added to the Viper Series. The LTD Deluxe Viper-1000 Baritone is a 27” baritone scale guitar with 24 extra-jumbo stainless steel frets, a TonePros locking TOM bridge and tailpiece, and a set of EMG 60TW-R (neck) and EMG 81 (bridge) pickups. The LTD Deluxe Viper-1000 EverTune includes the innovative EverTune constant tension bridge, 24 extra-jumbo stainless steel frets, and a set of EMG 60TW-R (neck) and EMG 81 (bridge) pickups. The LTD Deluxe Viper-1000M offers a mahogany body in See Thru Black Cherry finish, 24 extra-jumbo stainless steel frets, a TonePros locking TOM bridge with string-thru-body, and a set of direct-mount Fishman Open Core Humbucker pickups.
Detailed information and specifications for all “New for 2022” ESP and LTD guitar models is available at the ESP web site at espguitars.com
- ESP LTD Vintage-204 Bass Review - Premier Guitar ›
- ESP LTD AP-204 Review - Premier Guitar ›
- ESP James Hetfield Snakebyte Electric Guitar Review - Premier Guitar ›
An amp-in-the-box pedal designed to deliver tones reminiscent of 1950s Fender Tweed amps.
Designed as an all-in-one DI amp-in-a-box solution, the ZAMP eliminates the need to lug around a traditional amplifier. You’ll get the sounds of rock legends – everything from sweet cleans to exploding overdrive – for the same cost as a set of tubes.
The ZAMP’s versatility makes it an ideal tool for a variety of uses…
- As your main amp: Plug directly into a PA or DAW for full-bodied sound with Jensen speaker emulation.
- In front of your existing amp: Use it as an overdrive/distortion pedal to impart tweed grit and grind.
- Straight into your recording setup: Achieve studio-quality sound with ease—no need to mic an amp.
- 12dB clean boost: Enhance your tone with a powerful clean boost.
- Versatile instrument compatibility: Works beautifully with harmonica, violin, mandolin, keyboards, and even vocals.
- Tube preamp for recording: Use it as an insert or on your bus for added warmth.
- Clean DI box functionality: Can be used as a reliable direct input box for live or recording applications.
See the ZAMP demo video here: https://www.youtube.com/watch?v=xJp0jE6zzS8
Key ZAMP features include:
- True analog circuitry: Faithfully emulates two 12AX7 preamp tubes, one 12AX7 driver tube, and two 6V6 output tubes.
- Simple gain and output controls make it easy to dial in the perfect tone.
- At home, on stage, or in the studio, the ZAMP delivers cranked tube amp tones at any volume.
- No need to mic your cab: Just plug in and play into a PA or your DAW.
- Operates on a standard external 9-volt power supply or up to 40 hours with a single 9-volt battery.
The ZAMP pedal is available for a street price of $199 USD and can be purchased at zashabuti.com.
You may know the Gibson EB-6, but what you may not know is that its first iteration looked nothing like its latest.
When many guitarists first encounter Gibson’s EB-6, a rare, vintage 6-string bass, they assume it must be a response to the Fender Bass VI. And manyEB-6 basses sport an SG-style body shape, so they do look exceedingly modern. (It’s easy to imagine a stoner-rock or doom-metal band keeping one amid an arsenal of Dunables and EGCs.) But the earliest EB-6 basses didn’t look anything like SGs, and they arrived a full year before the more famous Fender.
The Gibson EB-6 was announced in 1959 and came into the world in 1960, not with a dual-horn body but with that of an elegant ES-335. They looked stately, with a thin, semi-hollow body, f-holes, and a sunburst finish. Our pick for this Vintage Vault column is one such first-year model, in about as original condition as you’re able to find today. “Why?” you may be asking. Well, read on....
When the EB-6 was introduced, the Bass VI was still a glimmer in Leo Fender’s eye. The real competition were the Danelectro 6-string basses that seemed to have popped up out of nowhere and were suddenly being used on lots of hit records by the likes of Elvis, Patsy Cline, and other household names. Danos like the UB-2 (introduced in ’56), the Longhorn 4623 (’58), and the Shorthorn 3612 (’58) were the earliest attempts any company made at a 6-string bass in this style: not quite a standard electric bass, not quite a guitar, nor, for that matter, quite like a baritone guitar.
The only change this vintage EB-6 features is a replacement set of Kluson tuners.
Photo by Ken Lapworth
Gibson, Fender, and others during this era would in fact call these basses “baritone guitars,” to add to our confusion today. But these vintage “baritones” were all tuned one octave below a standard guitar, with scale lengths around 30", while most modern baritones are tuned B-to-B or A-to-A and have scale lengths between 26" and 30".)
At the time, those Danelectros were instrumental to what was called the “tic-tac” bass sound of Nashville records produced by Chet Atkins, or the “click-bass” tones made out west by producer Lee Hazlewood. Gibson wanted something for this market, and the EB-6 was born.
“When the EB-6 was introduced, the Bass VI was still a glimmer in Leo Fender’s eye.”
The 30.5" scale 1960 EB-6 has a single humbucking pickup, a volume knob, a tone knob, and a small, push-button “Tone Selector Switch” that engages a treble circuit for an instant tic-tac sound. (Without engaging that switch, you get a bass-heavy tone so deep that cowboy chords will sound like a muddy mess.)
The EB-6, for better or for worse, did not unseat the Danelectros, and a November 1959 price list from Gibson hints at why: The EB-6 retailed for $340, compared to Dano price tags that ranged from $85 to $150. Only a few dozen EB-6 basses were shipped in 1960, and only 67 total are known to have been built before Gibson changed the shape to the SG style in 1962.
Most players who come across an EB-6 today think it was a response to the Fender Bass VI, but the former actually beat the latter to the market by a full year.
Photo by Ken Lapworth
It’s sad that so few were built. Sure, it was a high-end model made to achieve the novelty tic-tac sound of cheaper instruments, but in its full-voiced glory, the EB-6 has a huge potential of tones. It would sound great in our contemporary guitar era where more players are exploring baritone ranges, and where so many people got back into the Bass VI after seeing the Beatles play one in the 2021 documentary, Get Back.
It’s sadder, still, how many original-era EB-6s have been parted out in the decades since. Remember earlier when I wrote that our Vintage Vaultpick was about as original as you could find? That’s because the model’s single humbucker is a PAF, its Kluson tuners are double-line, and its knobs are identical to those on Les Paul ’Bursts. So as people repaired broken ’Bursts, converted other LPs to ’Bursts, or otherwise sought to give other Gibsons a “Golden Era” sound and look ... they often stripped these forgotten EB-6 basses for parts.
This original EB-6 is up for sale now from Reverb seller Emerald City Guitars for a $16,950 asking price at the time of writing. The only thing that isn’t original about it is a replacement set of Kluson tuners, not because its originals were stolen but just to help preserve them. (They will be included in the case.)
With so few surviving 335-style EB-6 basses, Reverb doesn’t have a ton of sales data to compare prices to. Ten years ago, a lucky buyer found a nearly original 1960 EB-6 for about $7,000. But Emerald City’s $16,950 asking price is closer to more recent examples and asking prices.
Sources: Prices on Gibson Instruments, November 1, 1959, Tony Bacon’s “Danelectro’s UB-2 and the Early Days of 6-String Basses” Reverb News article, Gruhn’s Guide to Vintage Guitars, Tom Wheeler’s American Guitars: An Illustrated History, Reverb listings and Price Guide sales data.
Some of us love drum machines and synths, and others don’t, but we all love Billy.
Billy Gibbons is an undisputable guitar force whose feel, tone, and all-around vibe make him the highest level of hero. But that’s not to say he hasn’t made some odd choices in his career, like when ZZ Top re-recorded parts of their classic albums for CD release. And fans will argue which era of the band’s career is best. Some of us love drum machines and synths and others don’t, but we all love Billy.
This episode is sponsored by Magnatone
An '80s-era cult favorite is back.
Originally released in the 1980s, the Victory has long been a cult favorite among guitarists for its distinctive double cutaway design and excellent upper-fret access. These new models feature flexible electronics, enhanced body contours, improved weight and balance, and an Explorer headstock shape.
A Cult Classic Made Modern
The new Victory features refined body contours, improved weight and balance, and an updated headstock shape based on the popular Gibson Explorer.
Effortless Playing
With a fast-playing SlimTaper neck profile and ebony fretboard with a compound radius, the Victory delivers low action without fret buzz everywhere on the fretboard.
Flexible Electronics
The two 80s Tribute humbucker pickups are wired to push/pull master volume and tone controls for coil splitting and inner/outer coil selection when the coils are split.
For more information, please visit gibson.com.