Kirk Hammett Announces Debut Solo EP, 'Portals'

Kirk Hammett of Metallica makes his solo debut with Portals, a four-song instrumental EP to be released April 23, 2022 across digital platforms, on CD, and as a Record Store Day Exclusive vinyl.

Portals is described as a collection of gateways to myriad musical and psychic destinations. Recorded in multiple locales ranging from Los Angeles to Paris to Oahu, Portals was created to be the result of musical and metaphysical journeys. An invitation to inner worlds accessible only by music and the psyche it fuels.

“This music was created with what I describe as an Audio-Cinematic approach. They’re soundtracks to the movies in your mind.” - Kirk Hammett

Produced by Kirk, Portals is comprised of the songs Maiden and the Monster and The Jinn on side A, followed by High Plains Drifter and The Incantation on side B (both co-written with Edwin Outwater, who contributes keyboards and leads the orchestral players from the LA Philharmonic on Portals — and with whom Kirk had previously collaborated on Metallica's S&M2 concerts and releases). Other familiar names amongst the Portals players include drummers Jon Theodore and Abraham Laboriel, Greg Fidelman on bass, Emmy-winning arranger Blake Neely, and Bob Rock.

Photo by Ross Halfin

A few simple chords is all it takes.

Beginner

Beginner

  • Learn to play a 12-bar blues, in three different keys, using one shape.
  • Study an assortment of strumming and picking patterns.
  • Gain a basic understanding of the 12-bar blues form.
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As usual, there is more to this lesson than the title implies. We will be working with one chord shape at a time, but over the course of the lesson we’ll study three different shapes. The final example in this lesson incorporates all three shapes to demonstrate how a few basic ideas can provide us with infinite possibilities.

It is important to know that for every chord name in this lesson there are countless shapes—also known as fingerings or voicings—available. For this lesson, I chose what I consider to be the most practical and flexible shapes.

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See a sampling of picks used by famous guitarists over the years.

Marty Stuart

Submit your own artist pick collections to rebecca@premierguitar.com for inclusion in a future gallery.

My years-long search for the “right” Bigsby-outfitted box finally paid off. Now how do I make this sumbitch work in my band?

Considering the amount of time I’ve spent (here and elsewhere) talking about and lusting after Gretsch hollowbody guitars, it’s taken me a remarkably long time to end up with a big Bigsby-outfitted box I truly love. High-end Gretsches are pricey enough that, for a long time, I just couldn’t swing it. Years ago I had an Electromatic for a while, and it looked and played lovely, but didn’t have the open, blooming acoustic resonance I hoped for. A while later, I reviewed the stellar Players Edition Broadkaster semi-hollow, and it was so great in so many ways that I set my sights on it, eventually got one, and adore it to this day. Yet the full-hollowbody lust remained.

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