The new 1x10 Rectifier, 1x12 Rectifier 23”, and 2x12 Rectifier Diagonal cabinets from MESA/Boogie are designed to deliver punch and low-end resonance in easily transportable sizes and are ideal for rock, alternative, metal, and more.
MESA/Boogie 1x10 Rectifier Cabinet
The new 1x10 represents a new “first” for the MESA/Boogie Rectifier Cabinet Series, bringing the tighter, more focused, and clear-voiced 10” speaker format to the series, and in an “ultra-compact” format. Built in Petaluma, California, the MESA/Boogie 1x10 Rectifier Cabinet features Marine Grade, Baltic Birch in an 8 Ohm Cabinet Impedance for optimum flexibility and performance, a rear-mounted speaker with a closed-back design and vintage-inspired construction, and it is designed for tone and durability with premium Celestion speakers. This cab is perfect for the player needing the most Tone from the smallest footprint, whether as a standalone cab with a head or to further expand the tonal impact of a comparable-sized 1x10 combos, this cool little cab punches far beyond its weight.
MESA/Boogie 1x12 Rectifier 23” Cabinet
The 1x12 Rectifier 23” Cabinet brings MESA’s former (and famous) “Widebody” 1x12 design to the closed-back Rectifier Series. Built in Petaluma, California, the MESA/Boogie 1x12 Rectifier 23” Cabinet features Marine Grade, Baltic Birch in an 8 Ohm Cabinet Impedance for optimum flexibility and performance, a rear-mounted speaker with a closed-back design and vintage-inspired construction, and it is designed for tone and durability with premium Celestion speakers. This format packs extra low-end punch, rivaling that of larger 2x12 format cabs, and provides the perfect addition to any of the “medium” 23” head or combo amps. It’s the ideal choice for adding extra low-end depth and body to any of the 23” open-back combo amps. This cab is the perfect choice for any player looking for the largest 12” tone from a single 12” design.
MESA 2x12 Rectifier Diagonal Cabinet
The 2x12 Rectifier Diagonal Cabinet is an entirely new design that delivers a fat, full response that is tight and balanced and provides the perfect host to any of the 23” (or smaller) heads. Built in Petaluma, California, the MESA/Boogie 2x12 Rectifier Diagonal Cabinet features Marine Grade, Baltic Birch in an 8 Ohm Cabinet Impedance for optimum flexibility and performance, a rear-mounted speaker with a closed-back design and vintage-inspired construction, and it is designed for tone and durability with premium Celestion speakers. Its “diagonal” speaker layout supplies the best attributes of horizontal and vertical designs, with both a wide horizontal spread to the audience and a wide vertical spread for the performer to monitor off of, with the added benefit of being more compact and portable than our standard 2x12 vertical format. This cab is ideal for any player who loves the tone of a 2x12 closed-back cab with the most balanced horizontal and vertical spread.
For more information, please visit mesaboogie.com.
Mesa/Boogie 2 x 12-inch Diagonal Rectifier Cabinet - Black Bronco
Boogie 2x12 Rectifier Diagonal Cabinet - Blk Bronco- Mesa/Boogie Rectifier Badlander 50 Review ›
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- Mesa/Boogie Tone-Burst, Throttle Box, Grid Slammer, and Flux-Drive Pedal Reviews ›
Selenium, an alternative to silicon and germanium, helps make an overdrive of great nuance and delectable boost and low-gain overdrive tones.
Clever application of alternative materials that results in a simple, make-everything-sound-better boost and low-gain overdrive.
Might not have enough overdrive for some tastes (although that’s kind of the idea).
$240 street
Cusack Project 34 Selenium Rectifier Pre/Drive Pedal
cusackmusic.com
The term “selenium rectifier” might be Greek to most guitarists, but if it rings a bell with any vintage-amp enthusiasts that’s likely because you pulled one of these green, sugar-cube-sized components out of your amp’s tube-biasing network to replace it with a silicon diode.
That’s a long-winded way of saying that, just like silicon or germanium diodes—aka “rectifiers”—the lesser-seen selenium can also be used for gain stages in a preamp or drive pedal. Enter the new Project 34 Selenium Rectifier Pre/Drive from Michigan-based boutique maker Cusack, named after the element’s atomic number, of course.
An Ounce of Pre-Vention
As quirky as the Project 34 might seem, it’s not the first time that company founder Jon Cusack indulged his long-standing interest in the element. In 2021, he tested the waters with a small 20-unit run of the Screamer Fuzz Selenium pedal and has now tamed the stuff further to tap levels of gain running from pre-boost to light overdrive. Having used up his supply of selenium rectifiers on the fuzz run, however, Cusack had to search far and wide to find more before the Project 34 could launch.
“Today they are usually relegated to just a few larger industrial and military applications,” Cusack reports, “but after over a year of searching we finally located what we needed to make another pedal. While they are a very expensive component, they certainly do have a sound of their own.”
The control interface comprises gain, level, and a traditional bright-to-bassy tone knob, the range of which is increased exponentially by the 3-position contour switch: Up summons medium bass response, middle is flat response with no bass boost, and down is maximum bass boost. The soft-touch, non-latching footswitch taps a true-bypass on/off state, and power requires a standard center-negative 9V supply rated at for least 5 mA of current draw, but you can run the Project 34 on up to 18V DC.
Going Nuclear
Tested with a Telecaster and an ES-355 into a tweed Deluxe-style 1x12 combo and a 65 Amps London head and 2x12 cab, the Project 34 is a very natural-sounding low-gain overdrive with a dynamic response and just enough compression that it doesn’t flatten the touchy-feely pick attack. The key adjectives here are juicy, sweet, rich, and full. It’s never harsh or grating.
“The gain knob is pretty subtle from 10 o’clock up, which actually helps keep the Project 34 in character.”
There’s plenty of output available via the level control, but the gain knob is pretty subtle from 10 o’clock up, which actually helps keep the Project 34 in character. Settings below there remain relatively clean—amp-setting dependent, of course—and from that point on up the overdrive ramps up very gradually, which, in amp-like fashion, is heard as a slight increase in saturation and compression. The pedal was especially fantastic with the Telecaster and the tweed-style combo, but also interacted really well with humbuckers into EL84s, which certainly can’t be said for all overdrives.
The Verdict
Although I almost hate to use the term, the Project 34 is a very organic gain stage that just makes everything sound better, and does so with a selenium-driven voice that’s an interesting twist on the standard preamp/drive. For all the variations on boost and low/medium-gain overdrive out there it’s still a very welcome addition to the market, and definitely worth checking out—particularly if you’re looking for subtler shades of overdrive.
Some of us love drum machines and synths, and others don’t, but we all love Billy.
Billy Gibbons is an undisputable guitar force whose feel, tone, and all-around vibe make him the highest level of hero. But that’s not to say he hasn’t made some odd choices in his career, like when ZZ Top re-recorded parts of their classic albums for CD release. And fans will argue which era of the band’s career is best. Some of us love drum machines and synths and others don’t, but we all love Billy.
This episode is sponsored by Magnatone
An '80s-era cult favorite is back.
Originally released in the 1980s, the Victory has long been a cult favorite among guitarists for its distinctive double cutaway design and excellent upper-fret access. These new models feature flexible electronics, enhanced body contours, improved weight and balance, and an Explorer headstock shape.
A Cult Classic Made Modern
The new Victory features refined body contours, improved weight and balance, and an updated headstock shape based on the popular Gibson Explorer.
Effortless Playing
With a fast-playing SlimTaper neck profile and ebony fretboard with a compound radius, the Victory delivers low action without fret buzz everywhere on the fretboard.
Flexible Electronics
The two 80s Tribute humbucker pickups are wired to push/pull master volume and tone controls for coil splitting and inner/outer coil selection when the coils are split.
For more information, please visit gibson.com.
Gibson Victory Figured Top Electric Guitar - Iguana Burst
Victory Figured Top Iguana BurstThe SDE-3 fuses the vintage digital character of the legendary Roland SDE-3000 rackmount delay into a pedalboard-friendly stompbox with a host of modern features.
Released in 1983, the Roland SDE-3000 rackmount delay was a staple for pro players of the era and remains revered for its rich analog/digital hybrid sound and distinctive modulation. BOSS reimagined this retro classic in 2023 with the acclaimed SDE-3000D and SDE-3000EVH, two wide-format pedals with stereo sound, advanced features, and expanded connectivity. The SDE-3 brings the authentic SDE-3000 vibe to a streamlined BOSS compact, enhanced with innovative creative tools for every musical style. The SDE-3 delivers evocative delay sounds that drip with warmth and musicality. The efficient panel provides the primary controls of its vintage benchmark—including delay time, feedback, and independent rate and depth knobs for the modulation—plus additional knobs for expanded sonic potential.
A wide range of tones are available, from basic mono delays and ’80s-style mod/delay combos to moody textures for ambient, chill, and lo-fi music. Along with reproducing the SDE-3000's original mono sound, the SDE-3 includes a powerful Offset knob to create interesting tones with two simultaneous delays. With one simple control, the user can instantly add a second delay to the primary delay. This provides a wealth of mono and stereo colors not available with other delay pedals, including unique doubled sounds and timed dual delays with tap tempo control. The versatile SDE-3 provides output configurations to suit any stage or studio scenario.
Two stereo modes include discrete left/right delays and a panning option for ultra-wide sounds that move across the stereo field. Dry and effect-only signals can be sent to two amps for wet/dry setups, and the direct sound can be muted for studio mixing and parallel effect rigs. The SDE-3 offers numerous control options to enhance live and studio performances. Tap tempo mode is available with a press and hold of the pedal switch, while the TRS MIDI input can be used to sync the delay time with clock signals from DAWs, pedals, and drum machines. Optional external footswitches provide on-demand access to tap tempo and a hold function for on-the-fly looping. Alternately, an expression pedal can be used to control the Level, Feedback, and Time knobs for delay mix adjustment, wild pitch effects, and dramatic self-oscillation.
The new BOSS SDE-3 Dual Delay Pedal will be available for purchase at authorized U.S. BOSS retailers in October for $219.99. To learn more, visit www.boss.info.