RockBoard Releases New Line of Effects Pedal Bags

The range includes protective bags for nearly every multi-effect, amp modeler, looper, switcher and voice-EFX pedal on the market.

Markneukirchen, Germany (May 14, 2018) -- There are lots of multi-effects pedals, amp modelers, loopers, switchers and vocal effects in floor format on the market, from a variety of well-known manufacturers. However, only rarely do these manufacturers also supply protective bags for their floor units!

The brand new RockBoard Effects Pedal Bags range includes protective bags for nearly every multi-effect, amp modeler, looper, switcher and voice-EFX pedal on the market. RockBoard Effects Pedal Bags offer safe protection, are robust, practical and stylish, meet professional requirements and are also inexpensive. 14 different RockBoard Effects Pedal Bags are available, suitable for more than 130 different pedal multi-effects etc.! A truly competent selection.

The RockBoard Effects Pedal Bags are equipped with robust and water-repellent black RokTex surface material, 10 mm thick padding, 2-way zipper (8 mm wide), removable, adjustable and padded shoulder strap (35 mm wide), padded double carrying handle, front pocket for cables and accessories, inside accessory pocket, PVC reinforced bottom, and metal feet and fittings.

Available from mid-June.

For international pricing, please contact your local distributor or dealer.

For more information:

Multiple modulation modes and malleable voices cement a venerable pedal’s classic status.

Huge range of mellow to immersive modulation sounds. Easy to use. Stereo output. Useful input gain control.

Can sound thin compared to many analog chorus and flange classics.


TC Electronic SCF Gold


When you consider stompboxes that have achieved ubiquity and longevity, images of Tube Screamers, Big Muffs, or Boss’ DD series delays probably flash before your eyes. It’s less likely that TC Electronic’s Stereo Chorus Flanger comes to mind. But when you consider that its fundamental architecture has remained essentially unchanged since 1976 and that it has consistently satisfied persnickety tone hounds like Eric Johnson, it’s hard to not be dazzled by its staying power—or wonder what makes it such an indispensable staple for so many players.

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While Monolord has no shortage of the dark and heavy, guitarist and vocalist Thomas V Jäger comes at it from a perspective more common to pop songsmiths.

Photo by Chad Kelco

Melodies, hooks, clean tones, and no guitar solos. Are we sure this Elliott Smith fan fronts a doom-metal band? (We’re sure!)

Legend has it the name Monolord refers to a friend of the band with the same moniker who lost hearing in his left ear, and later said it didn’t matter if the band recorded anything in stereo, because he could not hear it anyway. It’s a funny, though slightly tragic, bit of backstory, but that handle is befitting in yet another, perhaps even more profound, way. Doom and stoner metal are arguably the torch-bearing subgenres for hard rock guitar players, and if any band seems to hold the keys to the castle at this moment, it’s Monolord.

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