november 2013

Photo by Jim McGuire.

A flatpicking Americana forefather looks back on 50 years in the biz—with music still flowing and a smile on his face.

Pyromaniacs are notorious for returning to the scenes of their crimes, but fretboard burner David Bromberg has always been content to start musical conflagrations and move along — from country to bluegrass to jazz to folk to rock and to blues, sometimes all on the same album.

“I’ve always played whatever I’ve wanted to play,” says the 68-year-old éminence grise of Americana. “The difference is, me and my bands always dug a little deeper with all the stuff we approached. We didn’t want to play the obvious. We wanted to play the music that spoke to us.”

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Julien Baker on the Pedal That “Saved My Butt!” & Heroes Yvette Young & Jann Wasner | The Big 5

Plus, hear why her butterscotch Tele is still her go-to guitar.

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Photo 1

All photos courtesy SINGLECOIL (www.singlecoil.com)

We're getting close to the end of our journey. We've aged most of the metal parts on our project guitar, so now let's take care of the output jack, knobs, back plate, and pickguard.

Hello and welcome back to Mod Garage. This month, we'll continue with the aging process of our Harley Benton DC-Junior project guitar (which is a copy of a 1958 Les Paul Junior Double Cut), taking a closer look at the pickguard while aging the rest of the hardware discussed in the last part of this series ["DIY Relic'ing: Harley Benton DC-Junior Electronics"]. If you need a refresher on our aging process for hardware, refer back to "DIY Relic'ing: Break the Shine" for guidance. You can see the parts we'll be discussing today in their "finished" form, aka relic'd, in Photo 1.

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