From mid-’70s hard rock through the band’s more progressive tendencies, into the beating heart of the ’80s, and finding a (relatively) leaner approach by the turn of the century, Lifeson—aka Lerxst—always found a new way to add space and dimension to Rush’s dense sound. Lifeson’s unique lead and rhythm playing has been celebrated with a range of signature gear that speaks to his broad sonic palette.
The Always Evolving Alex Lifeson
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Keeley Octa Psi Transfigurating Fuzz Pedal with Polyphonic Pitch Shifting
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My Bloody Valentine has a short discography made up of just a few albums and EPs that span decades. Meticulous as he seems to be, Shields creates texture out of his layers of tracks and loops and fuzz throughout, creating a music that needs to be felt as much as it needs to be heard.
We go to the ultimate source as Billy Corgan leaves us a message about how it felt to hear those sounds in the pre-internet days, when rather than pull up a YouTube clip, your imagination would have to guide you toward a tone.
But not everyone is an MBV fan, so this conversation is part superfan hype and part debate. We can all agree Kevin Shields is a guitarists you should know, but we can’t all agree what to do with that information.
