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First Look: Universal Audio Galaxy ’74 Tape Echo/Reverb & Del-Verb Ambience Companion

Universal Audio Galaxy ’74 Tape Echo/Reverb & Del-Verb Ambience Companion Demos | First Look

UA takes their top-flight analog modeling to the pedal sphere again with two beautiful time-manipulation machines.


Galaxy '74 Tape Echo & Reverb

Galaxy '74 Tape Echo & Reverb captures the warm, warped, relentlessly analog effects of the iconic mid-'70s Roland Space Echo hardware.*

Key Features:

  • The most authentic emulation of the classic mid-'70s Roland Space Echo* hardware
  • Full modeling of the classic multi-head tape delay mechanism
  • Exacting emulation of original hardware's spring reverb
  • Definitive capture of iconic analog preamp section
  • Doubled delay times for effects that go beyond the original hardware
  • Tweak footswitch functionality, adjust realtime effects, and customize unique oscillation sounds with UAFX Control app
  • Includes silent switching, buffered bypass, analog dry through, spillover/trails, and stereo operation

Del-Verb Ambience Companion

Del-Verb Ambience Companion packs ready-to-wear emulations of classic reverb and delay effects in a pedal designed for immediate inspiration.

Key Features:

  • The most authentic vintage reverb and delay effects ever captured in a single effects pedal
  • "Golden unit" spring reverb tank, pulled from classic '60s American guitar amp
  • Vintage German studio plate reverb sourced from The Plant in Sausalito, CA
  • Bit-for-bit vintage studio digital reverb algorithms from the late 1970s
  • Definitive emulation of iconic tape echo unit and legendary preamp
  • Classic bucket-brigade analog delay effects with the color, texture, and tone of the original hardware
  • Pristine, studio-grade digital delays with dynamic and inspiring modulation textures
  • Download custom effect voicings, add tap tempo and more with the UAFX Control app
  • Includes silent switching, buffered bypass, analog dry through, optional spillover/trails, and stereo operation

Rhett and Zach go granular with Blackberry Smoke leader Charlie Starr on the elements—both real and imagined—that make certain Gibsons stand out from their peers.

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Our guest columnist’s current pedalboard spices his EXH diet with stomps from Line 6, TC Electronic, Strymon, Fulltone, Ibanez, and Boss.

Ex-B-52s member, composer, and NYC music scene veteran Pat Irwin loves pairing EHX pedals with keyboards—and recollecting good times with his late guitar virtuoso friend.

I’ve got a thing for Electro-Harmonix effects boxes. I’ve got a Crying Tone Wah that’s the coolest, a 16 Second Digital Delay, and a Deluxe Memory Man. All have made their way onto my ambient country band SUSS’s new record, Birds & Beasts. And currently a Big Muff, two Freeze Sound Retainers, and a Mel9 Tape Replay Machine are on my pedalboard. Here’s the thing: I like using them on keyboards.

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The legendary Elvis sideman was a pioneer of rockabilly guitar, and his approach to merging blues and country influenced generations of guitar pickers. Here’s how he did it.


Chops: Intermediate
Theory: Beginner
Lesson Overview:
• Craft simple blues-based phrases that lie within the CAGED system.
• Understand how double-stops are used in rockabilly music.
• Improve your Travis picking.


Click here to download a printable PDF of this lesson's notation.

In 2016 we lost one of the most influential guitarists and unsung heroes the world has ever known. The driving force behind Elvis Presley’s first recordings, Winfield Scott “Scotty” Moore III helped shape the sound of rock ’n’ roll and inspire generations of fans. Born in 1931, Scotty caught his big break in 1954 when he was called to do a session with Elvis at Sam Phillip’s Sun Studio in Memphis. History was made that day when Elvis recorded “That’s All Right,” and for about four years, Scotty provided 6-string magic for such Elvis hits as “Heartbreak Hotel,” “Hound Dog,” and “Jailhouse Rock.”

A huge Chet Atkins fan, Scotty grew up listening to country and jazz. This blend would have a dramatic impact on his sound, as he would mix Travis picking with some ear-twisting note choices based on chords, rather than using an obvious scalar approach.

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A reimagined classic S-style guitar with Fishman Greg Koch Signature pickups and a Wilkinson VS100N tremolo.

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