Rig Rundown: Avenged Sevenfold's Synyster Gates, Zacky Vengeance, and Johnny Christ
Get the inside scoop on the three monstrous rigs that powered one of metal's biggest bands during their 2013 tour.
PG's Chris Kies is on location in Omaha, NE, where he catches up with the techs behind the rigs of Avenged Sevenfold guitarists Synyster Gates and Zacky Vengeance, and bassist Johnny Christ who all used their own signature Schecter instruments during the fall leg of the Hail to the King 2013 tour.
Synyster Gates' Gear
Guitars
Avenged Sevenfold's Synyster Gates uses an array of his signature Schecter guitars in a variety of colors and tunings (standard, dropped D, and dropped C#). Each guitar has a Seymour Duncan Invader in the bridge position and a Sustainiac at the neck. All of his guitars are strung up with Ernie Ball Skinny Top Heavy Bottom .010–.052. When Synyster Gates takes his nightly mid-set solo á la EVH, his tech gives him a guitar with a shorter strap so Gates can have better access to the upper frets.
Amps and Effects
Gates' signal goes through an Audio-Technica wireless unit and into his Schecter Hellwin 100-watt head. The EL34-powered amp has three channels, a built-in noise gate, and a separate input designed for active pickups. The Hellwin also has MIDI functions, which allows Gates to switch channels from his Fractal Audio MFC-101 foot controller. The Fractal Audio Axe-Fx II handles all of Gates' effects—except Syn uses a rackmounted Jim Dunlop Custom Shop DCR-2SR Cry Baby Module with a foot controller that is onstage—and is routed through the Hellwin's effects loop.
Zacky Vengeance's Gear
Guitars
Much like Gates, Zacky uses a handful of his Schecter signature model guitars and each sports a different finish and tuning. His main guitar has a set of Seymour Duncan JB humbuckers, along with some intricate engraving on both the pickup cover and ring. Just like Syn, all of his guitars are strung up with Ernie Ball Skinny Top Heavy Bottom .010–.052.
Amps
For amps, Zacky uses a Jet City 100HDM head. This amp is loaded with four 6L6 power tubes and five 12AX7 preamp tubes, and it boasts a half-power switch that drops the output from 100 to 50 watts.
Effects
Zacky's effects are housed in a rack offstage and he controls them via a Voodoo Lab Ground Control Pro MIDI Foot Controller. He uses an ISP Technologies Decimator Noise Reduction pedal, an MXR ZW38 Black Label Chorus for "Bat Country," an MXR Custom Comp, and an Ibanez LF7 Lo-Fi Filter pedal, which he uses only on "Almost Easy." When he switches to acoustic guitar, his signal is routed through a Whirlwind A/B box.
Johnny Christ's Gear
Basses
Like his 6-string cohorts, Christ exclusively uses his Schecter signature models featuring an ash body, a bolt-on, 3-piece maple neck matched with an ebony fretboard. He prefers to use an unusual combination of pickups for his basses—an active EMG MMCS in the bridge and a EMG 81 guitar pickup in the neck. He typically blends the pickups together because he feels the combo gives his tone a detailed intensity, incredible amounts of high end cut, and fluid sustain.
Amps and Effects
Christ rocks several signal paths to get his monstrous low-end tone including the use of two MXR M-80 Bass Direct Boxes—one for a clean tone and the other for a dirty signal via the boxes built-in distortion. When he wants to beef up the clean tone he relies on a Gallien-Krueger 2001RB head, which runs into a GK Neo 8x10 cabinet that runs behind the stage. The only two effects Christ uses are the MXR Bass Chorus Deluxe on "Bat Country" and a Boss NS-2 Noise Suppressor.
[Updated 3/24/22]
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Beetronics FX Tuna Fuzz pedal offers vintage-style fuzz in a quirky tuna can enclosure.
With a single "Stinker" knob for volume control and adjustable fuzz gain from your guitar's volume knob, this pedal is both unique and versatile.
"The unique tuna can format embodies the creative spirit that has always been the heart of Beetronics, but don’t let the unusual package fool you: the Tuna Fuzz is a serious pedal with great tone. It offers a preset level of vintage-style fuzz in a super simple single-knob format. Its “Stinker” knob controls the amount of volume boost. You can control the amount of fuzz with your guitar’s volume knob, and the Tuna Fuzz cleans up amazingly well when you roll back the volume on your guitar. To top it off, Beetronics has added a cool Tunabee design on the PCB, visible through the plastic back cover."
The Tuna Fuzz draws inspiration from Beetronics founder Filipe's early days of tinkering, when limitedfunds led him to repurpose tuna cans as pedal enclosures. Filipe even shared his ingenuity by teachingclasses in Brazil, showing kids how to build pedals using these unconventional housings. Although Filipe eventually stopped making pedals with tuna cans, the early units were a hit on social media whenever photos were posted.
Tuna Fuzz features include:
- Single knob control – “Stinker” – for controlling output volume
- Preset fuzz gain, adjustable from your guitar’s volume knob
- 9-volt DC operation using standard external power supply – no battery compartment
- True bypass switching
One of the goals of this project was to offer an affordable price so that everyone could own a Beetronicspedal. For that reason, the pedal will be sold exclusively on beetronicsfx.com for a sweet $99.99.
For more information, please visit beetronicsfx.com.
EBS introduces the Solder-Free Flat Patch Cable Kit, featuring dual anchor screws for secure fastening and reliable audio signal.
EBS is proud to announce its adjustable flat patch cable kit. It's solder-free and leverages a unique design that solves common problems with connection reliability thanks to its dual anchor screws and its flat cable design. These two anchor screws are specially designed to create a secure fastening in the exterior coating of the rectangular flat cable. This helps prevent slipping and provides a reliable audio signal and a neat pedal board and also provide unparalleled grounding.
The EBS Solder-Free Flat Patch Cable is designed to be easy to assemble. Use the included Allen Key to tighten the screws and the cutter to cut the cable in desired lengths to ensure consistent quality and easy assembling.
The EBS Solder-Free Flat Patch Cable Kit comes in two sizes. Either 10 connector housings with 2,5 m (8.2 ft) cable or 6 connectors housings with 1,5 m (4.92 ft) cable. Tools included.
Use the EBS Solder-free Flat Patch Cable Kit to make cables to wire your entire pedalboard or to create custom-length cables to use in combination with any of the EBS soldered Flat Patch Cables.
Estimated Price:
MAP Solder-free Flat Patch Cable Kit 6 pcs: $ 59,99
MAP Solder-free Flat Patch Cable Kit 10 pcs: $ 79,99
MSRP Solder-free Flat Patch Cable Kit 6 pcs: 44,95 €
MSRP Solder-free Flat Patch Cable Kit 10 pcs: 64,95 €
For more information, please visit ebssweden.com.
Upgrade your Gretsch guitar with Music City Bridge's SPACE BAR for improved intonation and string spacing. Compatible with Bigsby vibrato systems and featuring a compensated lightning bolt design, this top-quality replacement part is a must-have for any Gretsch player.
Music City Bridge has introduced the newest item in the company’s line of top-quality replacement parts for guitars. The SPACE BAR is a direct replacement for the original Gretsch Space-Control Bridge and corrects the problems of this iconic design.
As a fixture on many Gretsch models over the decades, the Space-Control bridge provides each string with a transversing (side to side) adjustment, making it possible to set string spacing manually. However, the original vintage design makes it difficult to achieve proper intonation.
Music City Bridge’s SPACE BAR adds a lightning bolt intonation line to the original Space-Control design while retaining the imperative horizontal single-string adjustment capability.
Space Bar features include:
- Compensated lightning bolt design for improved intonation
- Individually adjustable string spacing
- Compatible with Bigsby vibrato systems
- Traditional vintage styling
- Made for 12-inch radius fretboards
The SPACE BAR will fit on any Gretsch with a Space Control bridge, including USA-made and imported guitars.
Music City Bridge’s SPACE BAR is priced at $78 and can be purchased at musiccitybridge.com.
For more information, please visit musiccitybridge.com.
Floyd Rose introduces new USA-made Original saddle sets in various configurations, crafted from premium hardened tool steel with precision CNC machining. Available in chrome and black finishes now.
The new facility offers immediate availability of the legendary Floyd Rose Original saddles in multiple radius configurations for the first time. Engineered to perfectly match specific fretboard curvatures, these saddle sets provide a range of radius options without the need for individual saddle shims. Alongside the classic 12” radius, Floyd Rose has unveiled 8”, 10”, 14”, 16”, and 17” radii saddle sets. Crafted from premium hardened tool steel with precision CNC machining and finished with durable, smooth plating, these saddles are built to withstand the demands of intense performances. Chrome and black sets of USA-made Floyd Rose Original Saddles in various radii are available now at the company’s website, followed by gold and black nickel finishes in the 4th quarter of 2024.
The new Floyd Rose manufacturing center in North Carolina was designed to meet growing demand while ensuring the highest quality available using modern high-tech processes. Bringing production in-house enhances control over every aspect of the process including engineering, material selection, quality control, and scheduling. The facility features four Haas VF-seriesCNC machines, delivering precision machining fine-tuned for high efficiency and clean surface finishes. Alongside machining, the company has established a state-of-the-art metal finishing department and acquired stamping equipment with new capabilities added monthly.
At the heart of the Floyd Rose USA manufacturing center is a dedicated team of engineers and technicians who excel in their craft and are deeply passionate about the legendary product line. With decades of collective experience, the company’s experts meticulously craft each component to exacting standards.
“We are ecstatic to be making these new Original saddles in the USA, giving us better control over quality and production times while offering more robust options like these new radii,” said Andrew Papiccio, longtime president of AP International Music Supply / Floyd Rose and an original owner of Kramer Guitars. "With this new state-of-the-art facility, we are poised todeliver unparalleled quality and performance to musicians worldwide. As we integrate newproducts into this facility, we are expanding our commitment to ‘Made in America’ craftsmanship.”
The company plans to ramp up production of parts and innovations at their USA factory forFloyd Rose and their new AxLabs Hardware division.
For more information, please visit floydrose.com.