Jared James Nichols has a few calling cards: his mane of total-rockstar hair, his giant steel-toed boots, and his sweet, stinging Gibson-plus-Marshall shredding. He just released his latest record, Louder than Fate, which landed him on the cover of Premier Guitar’s June issue.
PG’s Chris Kies met up with Nichols at Gym 5 in Nashville to get a look at his revamped, pared-down rig, based around a classic recipe: Gibson guitars, Marshall stacks, and a couple of stomps to push those elements to the edge.
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Four Horsemen

These four electrics are Nichols’ mainstays. The 2025 Gibson Futura, second from the right, has been modded with Seymour Duncan Antiquity pickups and a custom black pickguard. To its left sits a 1952 Les Paul nicknamed “Dorothy,” Nichols’ favorite axe, which has survived a tornado and will be with him for life.
Also on the roster are Nichols’ signature Epiphone “Blues Power” Les Paul Custom (far left), with a Seymour Duncan Silencer JJN P-90B that gets rid of hum, and a Gibson Made to Measure Les Paul (far right), with a Custom Bucker and another Silencer JJN P-90B, intended to recreate Nichols’ ’54 Les Paul nicknamed “Old Red.”
Nichols uses DR Strings Veritas sets (.010–.049).
Stacks on Stacks

Nichols runs two Marshall 1959 modified heads through Marshall 1960 4x12 cabs, with Celestion GT-75 speakers. One is set for higher treble response, and the other favors bass presence.

Jared James Nichols’ Pedalboard

Nichols’ stomp setup is simple as can be: Along with a Klon Centaur and an Ibanez TS808 Tube Screamer, he carries a Seymour Duncan Pickup Booster Mini, a TC Electronic PolyTune 3, and a Whirlwind Selector A/B Box to switch between amp heads.




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