Steve Gunn has been at the vanguard of American experimental / guitar-oriented rock music for over a decade. After a trio of acclaimed albums recorded for Matador, Gunn will release his 7th studio record – and first in 4 years – on November 7th.
With Daylight Daylight, Gunn wanted to capture something of the intimacy of playing solo, the sense of possibility and discovery that sparks when he sits down to write, while also creating a rich sonic world for the listener to inhabit. Rather than pulling together a band to flesh the songs out, as he’s done on previous albums, he enlisted a single primary collaborator: producer James Elkington, an old friend and longtime collaborator (who also produced Gunn’s 2019 album The Unseen In Between). Elkington is known as a guitarist, but Gunn asked him to contribute arrangements of strings and woodwinds, inspired in part by the music they’ve talked about over the years (ie. Mark Hollis, Ennio Morricone, The Fall, Basil Kirchin) and the evolution of their own relationship making records - both together, and with others. They soon found a fruitful working process for Daylight Daylight: Gunn would record solo demos and send them to Elkington, who had free rein to develop the arrangements on his own. Working primarily out of Elkington’s Nada Studios in Chicago, they would continue adding from there—a whisper of a synthesizer, a guitar overdub, a muted percussion line—but they were committed to the relative spareness of their initial approach. Macie Stewart (violins and viola), Ben Whiteley (cellos), Nick Macri (upright bass) and Hunter Diamond (woodwinds) also contributed. Listen to the album opener “Nearly There” today: noquarter.lnk.to/nearlythere And pre-order Daylight Daylight at the link below: noquarter.lnk.to/daylightdaylight
Tracklisting:
Nearly There Morning on K Road Another Fade Hadrian’s Wall Daylight Daylight Loon A Walk
Gunn will tour the UK and Europe in October and November and is announcing a run of US dates today.
Sept 11 – Chicago, IL @ Sound & Gravity Festival Sept 25 – Kingston, NY @ Tubby’s Oct 23 - London, UK @ St. Mathias * Oct 24 - Glasgow, UK @ Hug and Pint *Oct 25 - York, UK @ The Band Room *Oct 26 - Shropshire, UK @ Firefly * Oct 28 - Stockholm, Sweden @ stadsgardsterminalen Oct 29 - Göteborg, Sweden @ Pustervik Oct 30 - Oslo, Norway @ Bla Oct 31 - Kristiansand, Norway @ Dirty Old TownNov 1 – Stavanger, Norway @ Folken Nov 2 – Bergen, Norway @ Kunsthall Nov 9 - Sétubal, Portugal @ Forum Luisa TodiNov 14 - Dranouter, Belgium @ Dranouter Nov 15 - Turnhout, Belgium De Warande Dec 3 – Philadelphia, PA @ Johnny Brenda’s Dec 4 – Baltimore, MD @ Metro Dec 5 – Raleigh, NC @ King’s Dec 6 - Washington, DC @ DC9 Dec 10 – Portsmouth, NH @ The Press Room Dec 11 – Portland, ME @ Space Dec 17 – New York, NY @ Le Poisson Rouge
Jan 1 – Sawyer, MI @ Out There Han 14 – Seattle, WA @ The Triple Door Jan 15 – Vancouver, BC @ The Fox Cabaret Jan 17 – Portland, OR @ Polaris Hall Jan 20 – San Francisco, CA @ Café Du Nord Jan 21 – Santa Cruz, CA @ The Crepe Place Jan 22 – Ojai, CA @ Deer Lodge Jan 23 – Los Angeles, CA @ The Lodge Room Jan 25 – Pioneertown, CA @ Pappy’s & Harriet’s
Today, Tame Impala (Kevin Parker) unveils “Loser,” the second song of this new era. LISTEN HERE. The track continues Parker’s fearless exploration of rhythm, texture, and sonic experimentation, building on the meticulous studio approach that has defined his career. The single is accompanied by a music video directed by KRISTOFSKI, and starring actor/musician Joe Keery (Stranger Things, Fargo). Watch the clip HERE:
Prior to today’s release, Parker gave fans a taste of what’s to come with the release of his sprawling, drum-beat heavy “End of Summer.” It drew listeners back to the acid house summer of ’89, free parties of the mid-90s, and Australia’s bush doofs in outback paddocks. “Loser” continues Parker’s journey into new sonic territory, layering hypnotic rhythms and textures that push Tame Impala’s sound ever forward. Drawing from a rich history of dance music, his work transforms the imagined past into a sound that feels both present and eternal, reaffirming Tame Impala as one of modern music’s most visionary acts.
Kevin Parker has emerged as one of the most influential voices of the last decade. A singular artist renowned for carving out a distinct sound all of his own, Parker crafts transcendent genre-bending sonic landscapes playing every instrument and acting as writer, producer, mixer and engineer on his projects. He has been nominated for four GRAMMY awards with one win for his collaboration with Justice on 2024’s “Neverender.” In his home country of Australia, he’s racked up an impressive 13 ARIA Awards and 27 Nominations. He’s won the BRIT Award for Best International Band and scored nominations for two Billboard Music Awards and an American Music Award. Tame Impala has had numerous US Alternative Radio Top 10 songs including two #1’s for “Lost In Yesterday” and “Is It True.” Tame Impala’s “The Less I Know The Better” is part of the Billionaires Club with over 2 billion streams and the project has racked up numerous gold and platinum certifications globally.
Tame Impala has headlined festivals and arenas around the world and released four full length albums - InnerSpeaker, Lonerism, Currents and his most recent album The Slow Rush. The Slow Rush landed at #1 in multiple territories and was his highest charting album to date in both the US and UK, with 14 top 10 chart positions around the world. As a writer and producer Parker has collaborated with Dua Lipa, The Weeknd, SZA, Lady Gaga, Travis Scott, Mark Ronson, Gorillaz, Thundercat, Kali Uchis, 070 Shake, Rhianna, Miguel, A$AP Rocky and many more.
Continuing to shatter the boundaries of what is possible within the analog time-modulation domain, Mr. Black is proud to announce the all-new Mod.One - Analog Modulator. The Mod.One combines chorus, flanger and “high-band” flanger into a single compact pedal, readily capable of creating each effect independently, and further expanded by its ability to seamlessly morph between these processes on the fly, bridging the gaps between the classic, related modulation sounds, while affording all-new tones and possibilities.
Hand built and individually calibrated, the Mod.One also includes Click-Less relay true-bypass, six waveforms and precision tap-tempo, delivering premium analog modulation in a built-to-last compact and handsome package.
Key features:
• 100% analog signal path
• Wide range of LFO speeds
• Six waveforms
• Tap-Tempo
• Click-Less True-Bypass
• Powered by “Industry Standard” 9VDC
The Mod.One carries a MAP of $249.95 and is handmade, one-at-a-time in Portland, Oregon U.S.A. Available at: www.mrblackpedals.comand retailers worldwide.
Living up to its name, “Colossal,” this pickup set has more of everything. Play them softly and they deliver an unmatched airiness to the notes; play them aggressively and they will blow your hair back. These passive pickups are designed to effortlessly respond to soft touch, slap, or aggressive pick attack with ease.
As with our game changing Relentless™ pickups, we removed all the hard edges from the metal covers, and added an arch to the top contour, bringing the sensing coils closer to the middle strings. These improvements increase the string balance and overall dynamic range.
The Colossal™ pickups are a fully humbucking design and are completely shielded, making them a better choice for both recording and live shows. These pickups can be used with the coils in series, parallel, or split configurations, making multiple sounds easily achievable without the need for digital filters. The Colossal™ Bridge and Neck can easily be combined with active electronics.
Using a thick .09375” circuit board baseplate as the foundation, the Colossal™ pickups are simple to install and use our quick connect cable system. The soapbar shaped (EMG40® sized, 37.75mm x 101.25mm) pickups incorporate Neodymium magnets, producing significantly more output and dynamic range than traditional active or passive pickups. To improve the balance when both pickups are used together, we made the bridge position pickup louder than the neck position pickup. When the pickups are blended, you get a better volume match.
Colossal™ pickups have a richly detailed mid-range that growls, delivering notes with definition and openness, and they work well with dropped tunings. The highs are present and precise without harshness, and the lows are thunderous and tight, like the footsteps of a giant.
Available in Nickel, Gold, or Matte Black finishes.
Band Industries has unveiled Roadie 4, the latest generation of the company’s innovative automatic tuners.
Designed for fast, reliable tuning for nearly any instrument with geared pegs, the new tuner is built from the ground up with enhanced accuracy and usability. Roadie 4 delivers a smoother, faster, and more reliable tuning experience. With revamped algorithms and upgraded audio circuitry, it offers excellent noise immunity and pinpoint tuning accuracy, whether you're tuning on stage, in a noisy rehearsal room, or at home.
Key new features include:
Completely reengineered algorithms and audio circuitry for superior tuning accuracy and better performance in noisy environments
Larger 1.9" full color LCD screen with over twice the display area for greater visibility when tuning
New intuitive scroll wheel for lightning fast selection and navigation
Auto detect feature: In previous models, Roadie tuned your instrument in a fixed sequence lowest to highest string or required manual string selection. Now, just pluck any string. Roadie 4 will automatically detect which string you are on, tune it precisely, and notify you when it is in tune with a vibration and audible beep
Redesigned peg connector to accommodate a wider range of larger and smaller pegs
Improved ergonomics: Taller build, anti slip backing, and a more natural, secure grip
Band Industries introduced the original Roadie Tuner in 2014, followed by the breakout Roadie 2 in 2017 and the powerful Roadie 3 in 2020. Roadie 4 builds on that legacy and provides even better performance.
From electric and acoustic guitars to mandolins, ukuleles, banjos, and more, Roadie 4 tunes almost any instrument with geared pegs. It also winds new strings quickly and accurately, making string changes a breeze.
Roadie 4 is available for street price of $139. For more information visit roadiemusic.com.
