The pedal features four toggle switches giving options of boost, silicon diodes, and germanium diodes.
Gadsden, AL (May 11, 2018) -- Deep Space Devices has a knack for massive tones and they made sure that we felt the Earth shake with this monolith of an overdrive, the Golem, that brings stone-crushing tones with tectonic plate-scraping sounds.
At first, it may seem to appeal to doom players and the like, but the Golem is designed to give you versatility in shaping your sound while having the ability to bring ground shaking tones. The Golem is forged with four knobs, āPowerā (Volume), āRageā (Gain), āFormā (Tone), and āShapeā (Mid) as well as four toggle switches, āTrembleā and āQuakeā both being diode switchers giving you options of silicon, germanium, or overall boost effect, āMassā giving you bass/mid boost, and āEvolveā which changes the entire overdrive into a tone shaping drive or into a earth quaking monument.
The Golem offers the following features:
- Four knobs giving control of volume (āPowerā), gain (āRageā), tone (āFormā), and high mid (āShapeā) as well as four toggle switches giving options of boost, silicon diodes, and germanium diodes ā āTrembleā and āQuakeā ā bass/mid boost ā āMassā ā and style of overdrive effect ā āEvolveā.
- Die-cast titanium cases offer exceptional durability for all players
- True bypass on/off switch
- 9-volt operation and standard DC input
The Golem pedal carry street prices of $169.00 and can be purchased directly from the Deep Space Devices online store at www.deepspacedevices.com.
Watch the company's video demo:
For more information:
Deep Space Devices
Upgrade your Gretsch guitar with Music City Bridge's SPACE BAR for improved intonation and string spacing. Compatible with Bigsby vibrato systems and featuring a compensated lightning bolt design, this top-quality replacement part is a must-have for any Gretsch player.
Music City Bridge has introduced the newest item in the companyās line of top-quality replacement parts for guitars. The SPACE BAR is a direct replacement for the original Gretsch Space-Control Bridge and corrects the problems of this iconic design.
As a fixture on many Gretsch models over the decades, the Space-Control bridge provides each string with a transversing (side to side) adjustment, making it possible to set string spacing manually. However, the original vintage design makes it difficult to achieve proper intonation.
Music City Bridgeās SPACE BAR adds a lightning bolt intonation line to the original Space-Control design while retaining the imperative horizontal single-string adjustment capability.
Space Bar features include:
- Compensated lightning bolt design for improved intonation
- Individually adjustable string spacing
- Compatible with Bigsby vibrato systems
- Traditional vintage styling
- Made for 12-inch radius fretboards
The SPACE BAR will fit on any Gretsch with a Space Control bridge, including USA-made and imported guitars.
Music City Bridgeās SPACE BAR is priced at $78 and can be purchased at musiccitybridge.com.
For more information, please visit musiccitybridge.com.
Floyd Rose introduces new USA-made Original saddle sets in various configurations, crafted from premium hardened tool steel with precision CNC machining. Available in chrome and black finishes now.
The new facility offers immediate availability of the legendary Floyd Rose Original saddles in multiple radius configurations for the first time. Engineered to perfectly match specific fretboard curvatures, these saddle sets provide a range of radius options without the need for individual saddle shims. Alongside the classic 12ā radius, Floyd Rose has unveiled 8ā, 10ā, 14ā, 16ā, and 17ā radii saddle sets. Crafted from premium hardened tool steel with precision CNC machining and finished with durable, smooth plating, these saddles are built to withstand the demands of intense performances. Chrome and black sets of USA-made Floyd Rose Original Saddles in various radii are available now at the companyās website, followed by gold and black nickel finishes in the 4th quarter of 2024.
The new Floyd Rose manufacturing center in North Carolina was designed to meet growing demand while ensuring the highest quality available using modern high-tech processes. Bringing production in-house enhances control over every aspect of the process including engineering, material selection, quality control, and scheduling. The facility features four Haas VF-seriesCNC machines, delivering precision machining fine-tuned for high efficiency and clean surface finishes. Alongside machining, the company has established a state-of-the-art metal finishing department and acquired stamping equipment with new capabilities added monthly.
At the heart of the Floyd Rose USA manufacturing center is a dedicated team of engineers and technicians who excel in their craft and are deeply passionate about the legendary product line. With decades of collective experience, the companyās experts meticulously craft each component to exacting standards.
āWe are ecstatic to be making these new Original saddles in the USA, giving us better control over quality and production times while offering more robust options like these new radii,ā said Andrew Papiccio, longtime president of AP International Music Supply / Floyd Rose and an original owner of Kramer Guitars. "With this new state-of-the-art facility, we are poised todeliver unparalleled quality and performance to musicians worldwide. As we integrate newproducts into this facility, we are expanding our commitment to āMade in Americaā craftsmanship.ā
The company plans to ramp up production of parts and innovations at their USA factory forFloyd Rose and their new AxLabs Hardware division.
For more information, please visit floydrose.com.
The Australian-American country music icon has been around the world with his music. What still excites him about the guitar?
Keith Urban has spent decades traveling the world and topping global country-music charts, and on this episode of Wong Notes, the country-guitar hero tells host Cory Wong how he conquered the worldāand what keeps him chasing new sounds on his 6-string via a new record, High, which releases on September 20.
Urban came up as guitarist and singer at the same time, and he details how his playing and singing have always worked as a duet in service of the song: āWhen I stop singing, [my guitar] wants to say something, and he says it in a different way.ā Those traits served him well when he made his move into the American music industry, a story that begins in part with a fateful meeting with a 6-string banjo in a Nashville music store in 1995.
Itās a different world for working musicians now, and Urban weighs in on the state of radio, social media, and podcasts for modern guitarists, but he still believes in word-of-mouth over the algorithm when it comes to discovering exciting new players.
And in case you didnāt know, Keith Urban is a total gearhead. He shares his essential budget stomps and admits heās a pedal hound, chasing new sounds week in and week out, but what role does new gear play in his routine? Urban puts it simply: āIām not chasing tone, Iām pursuing inspiration.ā
Wong Notes is presented by DistroKid.
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PG contributor Tom Butwin takes a deep dive into LR Baggs' HiFi Duet system.