The new FatRat features distortion, filter, and volume knobs, as well as thick/stock and MOSFET/stock toggles, the latter of which adds a new gain character to the classic Rat nastiness. $299 street
The Limited Edition Mark Speer Stratocaster® features DiMarzio® Pro Track™ pickups, while the Laura Lee Jazz Bass® Boasts Dimarzio Ultra Noiseless Jazz Bass Pickups and Vintage-style Chrome Covers
Today, Fender Musical Instruments Corporation (FMIC) is proud to announce the Limited Edition Mark Speer Stratocaster® and Limited Edition Laura Lee Jazz Bass® from the iconic band, Khruangbin. For the first time in its nearly 80-year history, Fender is introducing a signature bass and signature guitar for the same band, released simultaneously.
Known for their psychedelic melodies and a genre-blending sound that draws from funk, rock, and soul, Khruangbin has carved out a distinct musical identity. The breakthrough trio—bassist Laura Lee, guitarist Mark Speer, and drummer Donald “DJ” Johnson Jr.—is celebrating their 10th anniversary of the band's debut album, The Universe Smiles Upon You; to mark the milestone, the band is teaming up with Fender for something truly special. Fender® guitars have been a core part of the band’s sound since its inception, shaping the tones that define their music. Designed to capture the essence of a decade’s worth of tone, style, and innovation, these guitars invite musicians to carve out sonic paths while channeling the sound that helped define a generation.
Khruangbin | Fender Signature Sessions | Fender
“Khruangbin is a band that has made a huge mark on modern music—they blend cultures, genres, and eras into something entirely their own,” said Justin Norvell, EVP of Product at Fender. “Mark and Laura had built their trademark sound with some unique specs and features on their primary instruments and with these signature models, we wanted to be able to share that with the universe of musicians and fans.”
Drawing from a wide palette of worldly influences, Mark Speer’s innovative guitar playing with Khruangbin has established him as one of the most original and distinctive guitarists of his generation. The music is a stunning mix of psychedelia, soul, rock, and country with all of Mark’s smooth, reverb-drenched riffs and melodies played on a single guitar: the same original Fender® Stratocaster® he’s played since the band's inception.
The guitar looks as good as it sounds, with an Aged Natural finish over a custom contoured ash body, and distinctive all-white hardware. DiMarzio® Pro Track™ pickups in the neck and bridge deliver vintage humbucker tones, while the 70’s Fender® Stratocaster® middle pickup gives the guitar an even wider range of tonal options. The Custom “C”-shape neck with a 7.25” radius and 21 jumbo frets offers a comfortable feel, while the vintage-style synchronized tremolo provides classic Strat® vibrato action. Finally, Graph Tech® saddles and string trees increase harmonic content and improve tuning stability.
“This guitar is the easiest way for me to get the musical idea from my head, out into the world,” said Mark Speer. “I know this thing inside and out, the sounds it can make, and the textures I can achieve. It’s like becoming really familiar with your paintbrush.”
Laura Lee’s warm and inventive basslines have propelled Khruangbin albums into the Top 40 in the U.S. and even higher around the world. Armed with a Jazz Bass®, her unique playing style mixes classic-era basslines with funk, soul, country, and surf rock to create something completely distinctive and raw.
Finished in classic Vintage White, with stunning chrome appointments, this bass is an eye-catching instrument tailored to meet Laura Lee’s aesthetic and tonal design choices. DiMarzio® Ultra Jazz™ pickups provide deep lows, percussive highs, and rich harmonic overtones that help define Laura Lee’s sound. Vintage-style concentric volume/tone knobs for each pickup allow complete control over your sound. The Custom “U”-shape neck is topped with a rosewood fingerboard with a 9.5” radius and 21 jumbo frets, providing a comfortable, unique feel just like Laura’s original bass.
“A lot of the features on my bass look vintage, but they function in a modern way. We've been trying to cultivate our music to feel classic and timeless, really. To me, the look and feel of this instrument is the same — it just sounds better the more you play it,” said Laura Lee.
The Limited Edition Mark Speer Stratocaster® and Limited Edition Laura Lee Jazz Bass® each carry a $1,499.99 street price. For mor information visit fender.com.
Limited Edition Mark Speer Stratocaster®
($1,499.99 USD, €1,599 EUR, £1,349 GBP, $2,499.00 AUD,¥220,000 JPY) Drawing from a wide palette of worldly influences, Mark Speer’s innovative guitar playing with Khruangbin has established him as one of the most original and distinctive guitarists of his generation. The music is a stunning mix of psychedelia, soul, rock, and country with all of Mark’s smooth, reverb-drenched riffs and melodies played on a single guitar: his original Fender Stratocaster®.
Finished in a beautiful natural ash and furnished with upscale features, this guitar looks as good as it sounds. DiMarzio® Pro Track™ pickups in the neck and bridge deliver vintage humbucker tones, while the 70’s Fender® Stratocaster® middle pickup gives the guitar an even wider range of tonal options. The Custom “C”-shape neck with a 7.25” radius and 21 jumbo frets offers a comfortable feel, while the vintage-style synchronized tremolo provides classic Strat® vibrato action. Finally, Graph Tech® saddles and string trees increase harmonic content and improve tuning stability. Whether you’re aiming to capture Mark Speer’s signature sound or seeking a Stratocaster® with custom upgrades, the Mark Speer Stratocaster® is sure to thrill any guitar enthusiast.
Limited Edition Laura Lee Jazz Bass®
($1,499.99 USD, €1.699,00 EUR, £1,399 GBP, $2,499.00 AUD, ¥253,000 JPY) Laura Lee’s warm, pulsing, and inventive basslines have propelled Khruangbin albums into the Top 40 in the U.S. and even higher around the world. Armed with a Jazz Bass®, her unique playing style mixes classic-era basslines with funk, soul, country, and surf rock to create something completely distinctive and raw.
Finished in a classic vintage white with stunning chrome appointments, this bass is an eye-catching instrument tailored to meet Laura Lee’s aesthetic design choices. Loaded with DiMarzio® Ultra Jazz™ pickups, this bass has deep lows, percussive highs, and rich harmonic overtones that help define Laura Lee’s sound. Vintage-style concentric volume/tone knobs for each pickup allow complete control over your sound. The Custom “U”-shape neck is topped with a rosewood fingerboard with a 9.5” radius and 21 jumbo frets, providing a comfortable, unique feel just like Laura’s bass. With its classic Jazz Bass® controls, chrome hardware, and upgraded DiMarzio pickups, this bass will help you stand out on any stage.
Grez Guitars has introduced the Grez GrandTour Bass, a short scale semi-hollow carve-top instrument available in 4-string format.
The Grez Grand Tour Bass, designed in collaboration with bass powerhouse Ian MartinAllison is, like all Grez instruments, a modern sleek interpretation of the classic instruments from the 50’s and 60’s.
The instruments feature a carved Spruce top, Honduran Mahogany body and neck. The 30" scale construction includes a Macassar ebony fretboard, 12” radius with 21 jumbofrets. Each bass comes equipped with a Halon bridge, Grez string anchor and LaBellaDeep Talkin’ long scale 45-105 flatwound strings. Electronics include Curtis Novak Bisonic/Darkstar pickups with coil tap.
The Grand Tour bass features a nitro finish and is available in a variety of colors(pictured here in custom Toasted Marshmallow).
Grez Grand Tour Bass with Ian Martin Allison
Barry Grzebik explains: “I love process of design instruments, marrying acoustical,electrical, visual and ergonomic engineering with industrial and artistic design. In this case creating something that artfully balances the desire for a robust acoustic voice with the need to hold up to professional touring and stadium stage volumes. One small notable detail is that although this is a short scale instrument, because of the after-length of string past the bridge, it uses standard long scale strings which dramatically increases sting options and availability.”
Ian Marin Allison shares, “I’m inspired by the unique character of vintage hollow andsemi-hollow basses, but they don’t always live up to our modern expectation of stability, playability, versatility and QUALITY. I’m proud to have helped create something that does”.
The Grez Grand Tour Bass, is available now from Grez Guitars and their dealers with astreet price starting at $5,999. Light customization is welcome with delivery times aslittle as 8 weeks.
Ernie Ball, the world’s leading manufacturer of premium guitar and bass strings, is proud to announce the release of the Pino Palladino Signature Smoothie Flats, the newest innovation in flatwound bass strings.
Developed in collaboration with legendary bassist Pino Palladino, these signature sets are engineered to deliver an ultra-smooth feel and a rich, warm tone that’s as versatile as it is expressive. Available in two gauges—Extra Light (38–98) and Medium (43–108)— Smoothie Flats are crafted with a precision-polished cobalt alloy ribbon for low tension, flexible playability, and deep vintage-inspired sound.
PG Contributor Steve Cook dives into the Darkglass Anagram—a deep, powerful multi-effects pedal made exclusively for bass players. With touchscreen control, 24 customizable processing blocks, and onboard mixing, it's a game-changer for both stage and studio. Whether you're chasing overdriven grit or pristine clean tones, the Anagram delivers.
Purpose-built for bass, Anagram is a multi-effect designed to bridge your ideas and your tone. With powerful processing, intuitive control, and versatile sonic textures, Anagram lets you sculpt tones from vintage warmth to futuristic textures. It’s not just a pedal, it’s your sound, rewritten.
The legendary Louisville rockers brought tons of vintage tone tools on the road this year.
My Morning Jacket’s Is, their 10th album, released on March 21, and as we reported in our feature on the band in our May print issue, it showcased a band exercising their classic strengths as well as newfound vision and curiosity. Helmed by superstar producer Brendan O’Brien, Is finds MMJ at their anthemic, psychedelic best.
We caught up with Carl Broemel for a Rig Rundown back in 2015, but on this year’s tour, PG’s John Bohlinger checked in with all three axemen—Jim James, Broemel, and bassist Tom Blankenship—to hear about their road rigs. In Broemel’s estimation, they’re lazy—they just like to bring everything.
This gorgeous Gibson Jimi Hendrix 1967 SG Custom, aged by Murphy Labs, initially had three humbuckers, but James kept hitting his pick on the middle pickup, so it got the yank—as did the hefty bridge and Maestro Vibrola system, which were replaced with a simple stopbar tailpiece.
Mirror Image
James picked up this 1998 Gibson Flying V right around when My Morning Jacket got started. He traced and ordered the flashy mirror pickguard himself. It’s got Gibson pickups, though James isn’t sure of the models.
Jim James' Jimmy
James plucked this one-of-a-kind from Scott Baxendale’s collection of restored vintage guitars. He guesses it’s either an old Kay or Harmony guitar, but the decorations, including the custom plastic headstock plaque, make exact identification difficult. But it was clear this one was meant for James, since it has his name on it.
Elsewhere backstage is James’ Epiphone Jim James ES-335, a custom shop FenderTelecaster and Strat, a 1967 Gretsch Chet Atkins Country Gentleman, and a Gibson Barney Kessel.
Make Love, Not War
James loves repurposing old military equipment for creative, peaceful purposes, which is how this old radar system came to be a part of his live amplification kit. Along with the old tech, James runs two 3 Monkeys Orangutan heads through a 3 Monkeys cab.
Jim James' Pedalboard
James’ board is built around a pair of GigRig QuarterMaster switching systems, which lets him navigate the stomps you see here: a Devi Ever US Fuzz, Boss BD-2w, SoloDallas Schaffer Boost, Boss OC-2, EarthQuaker Devices Spatial Delivery, Strymon blueSky, EQD Ghost Echo, Malekko Spring Chicken, ISP Deci-Mate, Electro-Harmonix Mel9, UA Starlight Echo Station, and UA Astra Modulation Machine. A D’Addario Chromatic Pedal Tuner duo keep things on pitch, a Strymon Zuma and Ojai pair handle the power, and a Radial SGI-44 line driver maintains clarity.
Arts and Crafts Night
One night while a bit tipsy, Broemel took out his paint pens and set to work on this Gibson Les Paul Standard Faded, resulting in this masterpiece. He also removed the pickup selector switch; even though the neck pickup remains, it never gets used.
Relic By Broemel
This 1988 Les Paul Standard predates the band, and Broemel has given it its aged finish over the years—on one occasion, it fell out of a truck. It’s been treated to a Seymour Duncan pickup upgrade and occasional refrets when required.
Carl's Creston
This Creston Lea offset has two Novak lipstick pickups in the neck, with a switch to engage just one or both, plus a low-end roll-off control. It’s finished in the same blue-black color as Broemel’s house and sports a basil leaf on the headstock in tribute to Broemel’s son, Basil.
Also in the wardrobe are a shiny new Duesenberg tuned to open G, and a custom shop Fender Telecaster with a fattened neck and Bigsby to swing it closer to Broemel’s beloved LPs.
Milk Route
Broemel routes his GFI Ultra pedal steel, which is tuned to E9, through a board which includes a Milkman The Amp, which is projected through the speaker of a Fender Princeton Reissue combo. Operated with another GigRig QuarterMaster, the board also includes an Eventide H9, Moog MF Delay, Fender The Pelt, MXR Phase 90, EHX Nano POG, Xotic Effects EP Booster, Source Audio C4, and a Peterson StroboStomp HD.
Side-Carr
This time out, Broemel is running two Carr Slant 6V heads in stereo.
Carl Broemel's Pedalboard
Broemel commissioned XAct Tone Solutions to build this double-decker board, which depends on a GigRig G3S switching system. From top to bottom (literally), it includes a Boss TU-3, Durham Electronics Sex Drive, JAM Pedals Tubedreamer, Source Audio Spectrum, JAM Retrovibe, MXR Phase 100, Fender The Pelt, Origin Effects SlideRIG, 29 Pedals EUNA, two Eventide H9s, Kingsley Harlot V3, JAM Delay Llama, Merix LVX, Hologram Chroma Console, and EHX POGIII. A wah and Mission Engineering expression pedal sit on the left side, while a Lehle volume pedal and Gamechanger Audio Plus hold down the right edge.
Utility units include two SGI TX interfaces, two Strymon Ojais and a Strymon Zuma, and a Cioks Crux.
More From the Creston Crew
Blankenship, too, has brought along a few guitars from Lea, including these Precision-bass and Jazz-bass models. The dark-sparkle P-style rocks with GHS flatwound strings, while the natural-finish J-style has roundwounds.
Emperor's New Groove
Blankenship just got these brand-new Emperor cabinets, through which he cranks his Mesa Boogie WD-800 Subway heads.
Tom Blankenship’s Pedalboard
Like James, Blankenship uses a GigRig QuarterMaster to jump between his effects. After his Boss TU-3, that includes an Origin Effects Cali76, DigiTech Whammy Ricochet, Pepers’ Pedals Humongous Fuzz, MXR Bass Octave Deluxe, Tronographic Rusty Box, and EHX Bassballs Nano. A Voodoo Labs Pedal Power 2 Plus lights things up, and a Radial SGI TX keeps the signal squeaky clean.
