Reverb, the largest online marketplace for buying and selling music gear, today announced that Josh Scott will sell a portion of his personal and company music gear collections on Reverb. The first-ever “Josh Scott Collection” Official Reverb Shop will launch on Wednesday, October 21, featuring JHS prototype pedals, one-of-one builds, vintage JHS swag, and the amps, pedals, guitars, and vintage keys that Scott has collected and used over the years.
First-of-its-kind Reverb shop will feature JHS prototypes, one-of-a-kind builds, rare pedals, vintage merch, and “one of the craziest items in JHS history”
“I’m about to sell a crap ton of really cool stuff that I need to sell because it’s all just crashing down on me and ruining my life. It’s a truckload of things, literally. A freight truck arrived and took pallets of gear for this Reverb shop,” said Scott, who founded JHS Pedals and hosts the popular JHS Show. “I’ve played and tested every single piece of gear in this shop, and it’s all ready to be passed on to the next player. That’s why it's all going on Reverb.”
While Scott was an early adopter of Reverb, selling JHS B-Stock and limited-edition items on the marketplace as early as 2013, this is the first single sale of his personal gear of this size. A pedal lover’s paradise, his Reverb shop will feature nearly 400 pedals, including first-run and prototype JHS pedals, as well as guitars, amps, and a huge range of vintage JHS merchandise. “This is an opportunity to get your hands on some extremely rare pedals and other gear,” said Scott.
Among the items that will be available in Scott’s Reverb shop is the “ever-elusive, non-existent” gray JHS Colour Box enclosure. “This is one of the ones from that NAMM Show where everyone first saw them and then for 10 years they told me they hated the white enclosure because I had already shown them the possibility of a gray enclosure,” said Scott. “This is one of the craziest items in JHS history and somebody’s going to own it.”
The “Josh Scott Collection” Official Reverb Shop will also include:
A Silvertone 1484 Twin Twelve amp that was the model for the JHS Pedals Twin Twelve and several Boss JB-2s signed by Scott.
A Klon Centaur Silver Horsie, a pre-lawsuit Behringer Centaur, and a Behringer Vintage Distortion pedal.
Several highly collectible, one-of-one custom-wrapped and hand-painted JHS pedals. “They’re rare. They’re so rare, they’ve never existed,” said Scott.
A rare 1990s Sovtek MIG amp head, Barcus-Berry preamps, and dozens of guitar amps, including a Satellite amp and several that come with ATA road cases stenciled with JHS. “They are memorabilia and great amps,” said Scott.
The Tube Screamer, Phase 90, Metal Zone, Klon Centaur, and other pedal costumes featured in Pedals: The Musical and Pedals on Ice.
Ten guitars and several keys, including a Wurlitzer, a Rhodes, and a Yamaha organ.
A huge range of vintage JHS shirts, jackets, and other pedal brand collectibles, as well as props from the JHS Show.
While many of the items available in The “Josh Scott Collection” Official Reverb Shop are rare and collectible, players won’t need a collector’s budget to snag an item from the shop. Most pedals in the shop will range from $60 to $600, with more than half of the items listed for $500 or less.
Scott joins a long list of artists who’ve partnered with Reverb to get their gear into the hands of musicians, and he says that’s part of his motivation for the sale. “My one goal with this Reverb shop, beyond selling the gear, is to one-up every band that has ever sold on Reverb. Spoon, I’m looking at you. Modest Mouse, Seal, you, too. Green Day, I’m going to annihilate your shop,” Scott joked.
To sign up to be notified when Scott’s Reverb shop is live, visit www.reverb.com/JoshScott. At that link, you’ll also have the opportunity to enter to win one of two bundles from Scott’s collection. To enter, list an item on Reverb before November 23.
Reverb
“Josh Scott Collection” Official Reverb Shop
Reverb, the largest online marketplace for buying and selling music gear, today announced that Josh Scott will sell a portion of his personal and company music gear collections on Reverb. The first-ever “Josh Scott Collection” Official Reverb Shop will launch on Wednesday, October 21, featuring JHS prototype pedals, one-of-one builds, vintage JHS swag, and the amps, pedals, guitars, and vintage keys that Scott has collected and used over the years.
Jackson is paying tribute to Randy Rhoads, Scott Ian, David Ellefson and Marty Friedman with a limited-edition collection of guitar models.
The Legends Signature series honors four players who helped define heavy metal, with new models faithfully recreated from the iconic guitars originally built for each artist:
Limited Edition Legend Series Randy Rhoads CD1
Limited Edition Legend Series Signature David Ellefson CB V Concert Bass
Limited Edition Legend Series Signature Marty Friedman Kelly KE-1
Legend Series Limited Edition Signature Scott Ian Rhoads RR22
Limited Edition Legend Series Signature David Ellefson CB V Concert Bass:
Alder body and Three-Piece Through-Body Quartersawn Maple Neck with Graphite Reinforcement Rods – The stable, reinforced maple neck lets David dig in hard without losing tuning, while the alder body keeps his bass lines clear through a heavy mix.
EMG 40DC and CS Pickups with 3-Band EQ – The pickups provide a noise-free signal that cuts through distorted guitars while 3-band EQ lets David shape his riffs on the fly without losing volume.
Jackson HiMass 5-String Bridge – For David’s fast and percussive bass drive, this bridge adds extra mass which boosts sustain and tightens low end.
Open-Gear Hipshot Tuners – The precise tuning adjustments and strong stability let David’s five string stay locked in through aggressive playing and touring.
Street Price: $2,499.99
“My Jackson Concert basses have always been the sleek, high-octane version of what I consider to be a great bass,” said David Ellefson. “Their slightly smaller body and fast action made them perfect for my aggressive playing style. My original 1987 Concert bass gave me the freedom to fully develop my playing without limitations from the instrument. Jackson basses have become an integral part of who I am and the music I’m known for.”
Limited Edition Legend Series Signature Marty Friedman Kelly KE-1:
Alder Body with Three-Piece Maple Neck-Through Construction – For Marty’s fast and technical leads, the body and construction provide balanced tone, stability and excellent sustain.
Seymour Duncan JB Pickup – Ideal for Marty’s precise, melodic shred style, this pickup delivers a tight, articulate punch with enough output to drive lead tones clearly.
Kahler 7330 Fixed Bridge – Marty’s aggressive picking and bends stay locked due to this bridge’s rock-solid tuning stability.
MSRP: $2,299.99
“The KE-1 represents living the dream to me,” said Marty Friedman. “When I had the opportunity to create my own signature guitar, I went all out with Jackson to build the ultimate heavy metal guitar. No expense was spared, from the pickup and bridge to every detail and dimension. After thousands of concerts and countless recordings, the KE-1 remains a huge part of my journey and an iconic instrument that people associate with me.”
Limited Edition Legend Series Randy Rhoads CD1:
Alder Body bound Ebony Fingerboard with 22 Jumbo Frets and 12"-16" Compound Radius – Suited to Rhoad’s expressive bends and effortless soloing, the body and ebony fingerboard provide balanced tone while the compound radius keeps chords comfortable near the nut while flattening out.
Seymour Duncan® JB/'59 Humbuckers – For clean arpeggios to aggressive high-gain riffing, a hallmark of Randy’s playing, the JB (bridge) delivers punchy high output drive for leads, while the '59 (neck) offers warmer, vintage-voiced cleans.
A Vintage-Accurate Six Saddle Tremolo – Classic to Rhoad’s dive-bombs, this tremolo allows expressive pitch bends and vibrato while maintaining reliable tuning.
Street Price: $2,499.99
“The Rhoads family is so pleased to see this new Randy Rhoads CD1 model from Jackson,” said Kathy Rhoads D’Argenzio, Randy Rhoads’ sister. “Randy’s historic legacy has remained in the spotlight for over 40 years. There is no doubt Randy would be so honored to know the impact he has had on Jackson Guitars and on the world of rock and metal guitar.”
Legend Series Limited Edition Signature Scott Ian Rhoads RR22:
The Bold "Not" Body Graphics – This design was central to the band’s 1980s recording and touring era image.
Neck-Through Construction – For Scott Ian’s aggressive, fast rhythm playing, this construction maximizes sustain and resonance transfer since the neck and body are one continuous piece, giving heavy riffs and power chords a tight, sustained punch. Plus, the graphite reinforcement keeps the neck rock-stable.
Top-Mount Floyd Rose 1000 Tremolo – Critical for Anthrax’s high-intensity live sets, this tremolo locks the strings at both the nut and bridge, so even with hard strumming, dive bombs or pitch dips, the guitar snaps right back in tune.
Street price: $2,199.99
“My Not Rhoads was such an important part of my journey,” said Scott Ian. “I discovered my tone with it. It’s been used on every Anthrax record — it was the main guitar on those first five albums in the ’80s. It’s the guitar that kind of made my life. I love that people connect with it.”
For over 45 years, Jackson has crafted instruments that have helped shaped the sound of heavy metal. The Legend Series connects that history to what’s happening now, putting defining instruments from Jackson’s past into the hands of musicians shaping what comes next.
“Randy, Scott, David and Marty didn’t just play Jackson instruments — they helped define what Jackson became and pushed heavy music forward in the process,” said Jon Romanowski, VP of Product, Jackson. “You can hear and see their influence in heavy music today, across generations of artists and increasingly across genres. Making these instruments available to players isn’t simply about recreating the past; it’s about putting them into the hands of the players who will take that influence somewhere new.”
There’s been a subtle yet welcome return to one of my favorite corners of recording technology: the rack effects of the late ‘70s through the late ‘90s. Units made by Yamaha, T.C. Electronic, Lexicon, and Eventide, which were all once everywhere, spent far too many years relegated to the spandex audio detention hall and largely forgotten about. Now these vintage boxes are finding their way back into studios (they certainly are in mine). And for good reason.
Jade Electric Pedals has launched the Blackboard Overdrive, a hand-built guitar pedal with an original soft-clipping circuit that’s designed to be highly responsive to playing dynamics and volume knob adjustments.
The Blackboard combines overdrive with a clean blend and separate bass and treble controls, allowing players to add grit while retaining clean-signal definition and shaping the sound for their guitar and amplifier.
Developed by guitarist and Jade Electric founder Danny Ousley, the Blackboard is especially suited to country music playing styles—reflecting the company’s Bakersfield roots and practical approach to gear for the stage and studio.
The pedal takes its name from the iconic Bakersfield honky tonk The Blackboard Café. Although the club closed its doors years ago, the Blackboard is still revered as the stomping ground of legends such as Buck Owens, Merle Haggard, and Red Simpson.
See the demo video below:
Key Blackboard features include:
Clean blend—adds clean signal alongside the overdrive for added clarity and note definition
Two-band EQ—separate bass and treble controls for shaping low and high frequencies
Top-mounted jacks—pedalboard-friendly positioning
True bypass switching
9-volt DC via external power supply only—no battery compartment
Hand-built in Bakersfield, California
Jade Electric’s Blackboard Overdrive is priced at $175 USD and is available directly from jadeelectricpedals.com.
Jade Electric Pedals
Blackboard Overdrive
Jade Electric Pedals has launched the Blackboard Overdrive, a hand-built guitar pedal with an original soft-clipping circuit that’s designed to be highly responsive to playing dynamics and volume knob adjustments.
Every superstrat alive today owes back rent to a guy who never set out to start a movement. Wayne Charvel opened a guitar repair shop in Azusa, California in 1974—fixing amps, routing pickup cavities, selling parts to whoever wandered in—and one of those people who wandered in was a young Eddie Van Halen, shopping for a spare neck and body to bolt together into something the world hadn’t invented a name for yet.