In the debut episode of our new video series, Gruhn Guitars' Greg Voros gives us the lowdown on an ultra-rare guitar and amp, while John Bohlinger demos their luscious tones as only he can.

When it comes to vintage guitars, few places on earth can even hope to compete with the expertise and inventory of George Gruhn’s mainstay shop in Nashville. Gruhn's Guide to Vintage Guitars is one of the most referenced books you can find on the subject, and the crew at Gruhn Guitars is second to none at the history, inspection, certification, repair, and upkeep of fine guitars. They’ve also got a pretty stellar collection of vintage amps. So stellar, in fact, that we’ve decided to partner with Gruhn Guitars to give you an opportunity to hear notable guitars and amps from their collection, as played by Premier Guitar’s own John Bohlinger, as well as to learn what makes the rare specimens special from repair shop manager Greg Voros. So without further ado, we give you the debut of our latest video series, Axes & Artifacts.

A faithful recreation of the Germanium Mosrite Fuzzrite with a modern twist.

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Kenny Greenberg with his main axe, a vintage Gretsch 6118 Double Anniversary that he found at Gruhn Guitars in Nashville for a mere $600. “It had the original pickups, but the finish had been taken off and the headstock had been repaired. So, it’s a great example of a ‘player’s vintage instrument,’” he says.

On his solo debut, the Nashville session wizard discovers his own musical personality in a soundtrack for a movie that wasn’t, with stops in Africa and Mississippi hill country.

Kenny Greenberg has been Nashville’s secret weapon for decades. He’s the guitarist many insiders credit with giving the Nashville sound the rock ’n’ roll edge that’s become de rigueur for big country records since the ’90s. It’s the sound that, in many ways, delivered country music from its roots to sporting events.

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Andy Wood on Eric Johnson's "Cliffs of Dover" | Hooked

The hot picker recalls receiving a mix CD of must-know guitarists and the Grammy-winning track was the one that "hit him like a ton of bricks."

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