The Edge’s guitar playing blew our brains out. Besides that, here’s a glimpse of who played what on the farm, including Red Hot Chili Peppers, Royal Blood, Kaleo, Umphrey’s McGee, and others in between.

Adam Clayton’s signature purple sparkle Fender Jazz bass glimmered against U2’s striking lights and projector-screen imagery of Joshua Tree National Park, long expansive roads, Martin Luther King Jr., and words from poet Walt Whitman.

Kemper Profiler Stage, Nueral DSP Quad Cortex & Line 6 HX Stomp (clockwise from top)

A deep dive into faux amps, futuristic setups, and how to use modern technology’s powers for good.

The jump between analog and digital gear has never been more manageable. It no longer takes a rack full of outboard gear with a six-figure price tag to help realize not only the tone you have in your head, but the expansive workflows that started to pop up in the early ’80s. We’re now about a decade into the modern era of digital modelers and profilers and it seems like the technology has finally come into its own. “This is really the first time in a while where you can have bar bands playing the exactsame gear as stadium acts,” says Cooper Carter, a Fractal Audio Systems production consultant who has done sound design and rig building for Neal Schon, James Valentine, John Petrucci, and others.

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Master builder Dennis Galuszka recreates the legendary "Chicago" guitarist's legacy with a collectible, limited run guitar.

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