We cherry-picked the essential guitar-centric happenings from Chicago’s three-day celebration, including performances from Johnny Marr, Elvis Costello, Incubus, Weezer, Bad Religion, Jesus Lizard, and more!

Face to Face’s Scott Shiflett

Punk rock runs through the Shiflett brothers blood: Scott has been the bassist/vocalist for Face to Face since 1995 and his brother Chris spent the ’90s playing with No Use For a Name and Me First and the Gimme Gimmes before landing the stadium-filling gig as a second guitarist in the Foo Fighters. This Fender P bass shows off Shiflett’s roots with stickers of Strung Out, Lagwagon, and Bad Religion.

This rare English Tonemaster was made circa 1957.

The Valco-produced English Tonemaster is a rare, lap-steel-inspired gem from the 1950s—when genres and guitar design were fluid.

The 1950s were a peculiar time for the electric guitar. Innovators, designers, and tinkerers were pushing the boundaries of the instrument, while musicians were experimenting with various playing techniques and sounds. There was an evolution of sorts (or de-evolution, depending on your slant) from solidbody “sit-down” guitars, like pedal and lap steels, to “stand-up” or “upright” solidbody electrics. If you look at an early Fender catalog—let’s say from 1953—you’ll see the Telecaster (and Esquire), the Precision Bass, and then a whole bunch of steel guitars. There was a shift underway, and many manufacturers began to blur the lines of what a guitar should look, sound, and play like.

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PRS Guitars and John Mayer officially announce the PRS SE Silver Sky, an affordable version of the original with PRS trademark bird inlays and three single-coil pickups.

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