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GALLERY: Rush's Clockwork Angels Tour Gear

What Alex Lifeson and Geddy Lee are using on their "Clockwork Angels" tour.

Alex Lifeson's Amps
The Lerxst Omega heads are built by Steve Snyder at Mojo Tone and based on Marshall 2553 and 2550 Silver Jubilee heads that Lifeson used on the latest album. "Really nice saturation, great warmth. I'm really, really happy with it," he explains. He says of the Mesa/Boogie Mark V setup: "It's got, like, nine amps in it. I loved the way that sounded for all the clean stuff." While he still incorporates the Coreblade into his rig, he told us, "After hearing the Marshall, I thought the [Coreblade's] sound was a little bit thin, a little processed compared to a screaming, single-purpose amp."

Click here to read our interview with Alex and Geddy!

Kurt Listug (left) and Bob Taylor (right) share a lighthearted moment.

This year marks a watershed for Taylor Guitars as the company celebrates its 50th anniversary of building high-quality instruments and contributing to the global music community. Over the past five decades, Taylor has grown from a small guitar shop in California to one of the world’s most innovative and respected guitar manufacturers. This milestone is being commemorated with several exciting initiatives, including a limited-edition anniversary guitar collection and the launch of American Dreamers, a new podcast miniseries featuring Taylor’s co-founders, Bob Taylor and Kurt Listug.

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Baroni Recording Amps: Faithful tone to iconic amps in rock history. High-Voltage Class A tube preamp and analog simulation for direct FOH or DAW use. VARICAB circuit for realistic cab simulations. Perfect for pedal demos and connecting pedalboard to DAW.

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Why You Need This Gadget to Protect Your Headstock
- YouTube

Join PG contributor Tom Butwin as he explores how this simple, yet essential, device can save your instrument from catastrophic damage. Discover the peace of mind provided by the Atlas C1.

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The author’s well-loved Freeze pedals. The original raw-metal chassis seen here has been replaced with a white finish on later editions.

How this simple sustain stomp helped me bring one of my favorite David Lynch scenes to life and took me across oceans.

There’s a scene in David Lynch’sMulholland Drivewhere Naomi Watts and Laura Harring’s characters find themselves in a darkened, mostly empty theater. Against a backdrop of spooky, synthy chords, they breathlessly watch the night’s oddball emcee deliver an intense, cryptic soliloquy on recorded sound. A trumpet player slowly walks onto the stage, the two characters clutching each other. They—and you—get fully drawn into his muted, jazzy lines. Suddenly, he pulls his instrument away from the mic, throwing his hands in the air. But the solo continues. The narrator looks to the audience: “It’s all recorded.”

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