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Gallery: Shaky Knees 2017

PG dives into gear details with Phoenix, Warpaint, Third Eye Blind, Moon Taxi, the Shins, and others playing the massive Atlanta festival.

Wolf Parade’s Dan Boeckner

The band’s 6-string hitman holds on tight to his custom Lincoln Guitars Gin for “Soldier’s Grin” off of At Mount Zoomer.

There’s so much to explore when you decide to dip your toes into altered tunings.

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Club- or festival-provided stage amps can be hellish or angelic. Here are some of the devils and angels Premier Guitar’s editorial director has encountered along the road.

I have a slight allergy to backline amps. I shouldn’t, because I’ve played through a lot of them at clubs and festivals over the years, and most of my experiences have been fine, but I think a few bad combos and unfathomable heads put me off to a degree I can’t quite shake.

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Introducing Torpedo Reload II - Two Notes Audio Engineering's latest groundbreaking reactive load solution, featuring twin-channel operation, multi-impedance compatibility, and continuous attenuation. With a Celestion® Approved Load Response and 215W per channel power amplifier, Reload II redefines backline control.

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On That’s the Price of Loving Me, “We’re Not Finished Yet” is a love letter to Wareham’s 1968 Gibson ES-335.

Photo by Mario Heller

The singer-songwriter-guitarist, known for his time with indie rock heroes Galaxie 500, Luna, and Dean & Britta, reunites with producer Kramer on his latest song-driven solo effort, That’s the Price of Loving Me.

“You want there to be moments where something unexpected hits you,” says Dean Wareham. “They’ve done studies on this. What is it in a song that makes people cry? What is it that moves you? It’s something unexpected.”

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