Dig into the details of new gear from Martin, Godin, Friedman Amps, Reverend, Eastman, Victory Amps, Danelectro and more!
Taylor 314ce LTD
Taylor celebrated their 50th anniversary Wednesday night with an unveiling party in Anaheim for its new anniversary models, which include limited editions of the 814ce, 314ce, AD14ce-SB, PS14ce, PS24ce, and more. Check out the headstock and neck inlays on the PS24ce, joined here by an anniversary model of their popular 314ce.
Martin Inception Maple
Martin took a look at their recipe for making acoustic guitars and tweaked it a bit for their Inception Maple series. They come with a walnut neck and bridge, L.R. Baggs Anthem electronics, and an interesting new bracing system. They are available now for $3,999.
Blackstar ID:Core
Blackstar’s line of ID Core amps are feature packed with loads of sounds and unique recording and streaming capabilities, plus with the PB-1 power bank, you’ll have up to 10 hour of playing—or charging—time. Available now at $159, $199, and $229.
Vox V846 Wah
Vox is unleashing an array of vintage-inspired designs from the Real McCoy and V846 wahs (available March/April for $279 street) to a full line of handwired amps coming this summer.
Silvertone Baritone
Silvertone’s Rick Taylor showed us the company’s late spring entry in the nuevo-retro 6-string sweepstakes—a super comfortable lightweight (naturally) baritone with a 28" scale and the company’s classic lipstick pickups, built to be tuned B to B. Price tag: an attractive $399.
Radial Nuance Select
Radial, whose products for studio and stage include the famed Tonebone preamp, has just released the Nuance Select studio monitor controller—in time for NAMM 2024. The aptly named Nuance allows you to silently switch between two sets of monitors and a subwoofer, has dual stereo inputs with an aux out, two independent headphone amps, and ultra-low distortion of transparency. The tag? $699.
Spector Basses
Spector’s new line of production basses is on display as well as their deep well of custom shop offerings, including a couple NAMM special builds with special finishes and electronic options. Printing and availability on all models at spectorbass.com.
Revv Generator 120
Revv’s flagship amp, the Generator 120, gets a 10th anniversary update. Designer Dan Trudeau went back to his original prototype and revolved the high-gain channels to be more open and aggressive while still keeping all the modern functionality. They are available now for $3,299.
Celestion Pulse XI
Celestion’s got the big bottom covered with their new line of bass speakers, the Pulse Xl series in 15", 12", 10" and horn. Punchy, responsive, with rich full frequency sound and articulation, they boast long voice coils for a deeper bass sound and greater clarity, wound with round copper for the right taste of treble, formed on heat retardant polyimide. Hit celestion.com for more.
Aguilar AG Preamp
Aguilar’s AG preamp delivers the high fidelity tone of their AG series amps straight to pedalboards, with its bright and deep voicing. A great pairing with their SL 110 cabs. And their range of pedal offerings got a facelift to match. For pricing and availability, contact your Aguilar dealer.
Darkglass Combo 500
The new combos from Darkglass cover analog and digital tones. Both the Infinity and Microtubes 500 combo are chock full of sounds, plus they look great, and come in 2x10 and 1x12 arrangements. The line starts at $1,099 and will be available starting late March.
Huss & Dalton Electric Guitars
You know Huss & Dalton from their rich history as a boutique acoustic builder, but their electric offerings are on display here at NAMM. With singlecut and doublecut options, they start around $5,000. To customize your own build, you’ll want to reach out to your dealer or direct to the company about wait times.
Seymour Duncan Powerstage 100 Stereo
Seymour Duncan’s Powerstage 100 Stereo takes their portable—and lightweight!—line of power amps to the next level with more power, more EQ, and, of course, stereo capabilities! Priced at $599, they’re available now.
Positive Grid's Spark Live
Positive Grid’s Spark Live delivers the sounds you love from the company’s other offerings into a 4-channel PA that’s ready to take on any instrument you want to give it. Pre-orders are open now at a special price of $499.
NUX B-8
The NUX B-8 brings advanced wireless capabilities straight to your board with 160 foot range. Features include tuning and boost capabilities and loads of screen options. Available now for $319 street.
Cherub Products
We were treated to a host of new products from Cherub, best known for their clip-on tuners, whose line ranges from tuner/metronome/hydrometer hybrids to multi-use capos and guitar tools.
Mooer GE1000
Mooer’s new GE1000 multi-effects unit delivers a multitude of stomp box functionality in a touchscreen-equipped unit with mappable expression pedal and Bluetooth capability. Priced at $528/$599 (battery powered), they’re available now.
Eko Marco Polo MM
The Eko Marco Polo MM is a travel-sized mahogany acoustic with big, warm sound. It’s open pore finish is inviting, as is its unique soundhole inlay. At $873, they’re available now.
Eastman Henry James Signature Juliet
Over at Eastman, guitarist Henry James demoed his signature model. His version of the popular Juliet is a solidbody beast with Goldo vibrato, Seymour Duncan Vintage Mini-Humbockers, and a reverse headstock. They’re coming spring 2024 at $2,099.
Lag Sauvage DCE
Lag have set their sites on sustainabilty, using smoked raw eucalyptus—an invasive species that needs to be harvested—for the striking back and sides of the Sauvage DCE. These affordable solid-top BrankoWood acoustics—starting at $420–offer a sound as warm as they look, with onboard electronics. Available in Europe, they’ll be in the U.S. soon.
Red Panda Radius
Red Panda’s new Radius pedal has loads of deep tones to discover. Ostensibly a ring mod/frequency shifter, its unique controls will allow you to head to the outer limits with phase-shifting, tremolo sounds, and much, much more! Priced at $349, they’re available now.
Balaguer Select Custom Guitars
Balaguer Guitars just announced their Select Custom line of highly customized models based on their existing body shapes. Customers can choose scale length, wood, binding, finish, and electronics. All at fairly reasonable prices. You can head over to their website now to play with their online guitar designer.
Santa Cruz Vault Series
Santa Cruz’s Vault Series is built upon the idea of using very old reclaimed wood that master luthier Richard Hoover has been saving for decades. This D-style model uses Brazilian Rosewood from the Bryn Athena Cathedral for the back and sides and master grade Fort Ross Chapel redwood for the top. Nearly every part of this build is immaculate and the craftsmanship pushes the limits of modern lutherie. The price? $70,000.
Third Man Hardware and Donner Triple Threat
Donner and Third Man Hardware just released a new collaboration aimed at guitarists who need a simple and portable multi-effects solution. For $99 you get echo, phaser, and distortion.
Victory Amps MK Clean
Victory Amps brought two new models to the show. The MK Clean is a monster clean machine with loads of headroom, spring reverb, bright switch, and selectable EQ voicings. On the other side, the MK Overdrive is a 3-channel setup with independent gain controls, switchable volume levels, presence, and more. Production begins in March and they will go for around $5k.
Collings Guitars
Collings is offering NAMM visitors a glimpse into some models to come, from sleek solidbodies to an all-new dreadnought. These prototypes aren’t available yet, but they’re here for everyone to get a peek at their vision for the future.
Two Notes Genome
Two notes’ Genome offers deep functionality with loads of amp and pedal models on hand. It’s interface makes it easy to find exactly what you’re looking for and dial it in. Priced at $79.95, it’s free for any existing Two notes hardware or DynIR cab customers.
Reverend Billy Corgan Drop Z and the Chris Freeman Signature
That’s Reverend’s Ken Haas with the two new signature models the company debuted at NAMM 2024: the Billy Corgan Drop Z (right, in Billy’s favored satin pearl white finish) and the Chris Freeman model. The Drop Z is designed for drop tuning, with a 24-fret, 26.22" scale neck, an alder body and Railhammer Billy Corgan Z-One pickups. The Chris Freeman has a bridge Railhammer Nuevo 90 and a neck P-90, with rear-mounted volume, tone, and bass contour controls, a 3-way pickup switch, and double kill switches—a toggle and a kill button, It’s available in the turquoise sparkle finish on the 6-string Ken’s holding, or powder yellow. The Drop Z streets for $1,499 and the Freeman at $1,199.
L.R. Baggs HiFi Duet
The L.R. Baggs HiFi Duet is a brand new update to the company’s popular HiFi, now with a studio quality bridge-plate microphone that is blendable with the contact sensors. Pricing and availability coming soon.
Eventide Riptide
Eventide has introduced a new member of their dot9 line with the Riptide, an overdrive/vibe-style pedal with stereo capability. It’s out now for $299. They’re also showing off their new app capabilities for their H90 as well as some fresh algorithms.
Mackie Showbox
Mackie’s new Showbox is a battery-powered solution for solo and duo acts. The defining feature is a detachable mixer that gives you access to a 3-band EQ, looper, and recording options. They are available now for $799.
Chibson Protoypes
We were pleased to run into Jason and Marky from Chibson, who showed us prototypes of their puzzle-piece guitars and extendable-leaf guitar, built by Paoletti Guitars.
Iris/Circle String Guitars
The Iris/Circle Strings booth had lots to offer, from their acoustic line built for the discerning working musician’s taste and price range. Their DF slope-shouldered dreadnought is a standout at $2,350. They also brought a pair of Paul Languedoc builds that Trey Anastasio fans were busy bugging out about!
Gamechanger Audio Mod Series
Gamechanger Audio released an entire new line of pedals at NAMM. The Mod series combines their penchant for inventive, time-based effects with their love for modular synth-style controls. There are literally thousands of ways to control these effects including via pitch and dynamics. For example, you can set a target note and everything either above or below it can be affected by any parameter. Production will start in March and they will be $299 each.
Peterson StroboClip HDC Tuner
The Peterson StroboClip HDC brings the company’s popular sweetener offerings right to your headstock. This new rechargeable model works for 6 hours of continuous use on a single charge and the quick charge circuit delivers 90 more minutes of use on a two minute charge. Available now for $79.
Danelectro Fifty-Niner
Danelectro showed us a variety of new options, from their brightly colored lipstick-pickup-loses Fifty Niner guitars and Red Hot Longhorn bass ($599) to their black-crackle sitar ($899) and their vintage fuzz/distortion pedal the Nicholas 1966 ($199).
Danelectro Fifty-Niner - $599
Red Hot Longhorn - $599
Sitar - $899
Nicholas 1966 - $199
Lichtlaerm Audio Amps
Newcomers Lichtlaerm Audio gave us a tour of their custom-build Prometheus head and Fane-loaded 4x12 cab. Loaded with features, your own will be available within a month or two of order, plus shipping time from Germany, at a starting price of $2,700.
Godin Lerxst Limelight
One of the higher profile releases of the show was Godin's collaboration with Rush guitarist Alex Lifeson. The Lerxst Limelight is based on Lifeson's '80s-era model and is outfitted with either a Floyd Rose setup or the Vega-Trem VT1 shown here. The pickups were made by MojoTone and overall, the guitar feels and sounds incredible. Streets for $4,000.
Divided by 13 FTR 37
Divided by 13 relaunched after their acquisition by Two-Rock at the show with this FTR 37. It's a muscular 6V6 circuit with two discreet channels, reverb, push/pull gain boost, and a half-power switch. If you're a fan of Fullerton-style sounds, than this might be just the setup for you. It has a full-bodied clean tone and a rich breakup sound that's dynamic with plenty of sparkle.
Aeroband Guitars
The Aeroband guitar looks like a wild glimpse into the future—and also back into the ‘80s—but with its app capability, the company is touting the education possibilities it has to offer. Also, it’s fun. Priced at $500, it’s available now.
Supro Delegate Custom
Supro enters the boutique amp market with the mighty 1x12 Delegate Custom, inspired by the Aristocrat amp Muddy Waters used for the Live at Newport album … but supercharged. With a custom-colored wraparound cabinet, it’s all hand-built in Ohio with Mercury Magnetics transformers, period-correct Mallory caps, a custom 12” Celestion Greenback, 3-band EQ, and master volume. It’s got a 12AT7 driving the spring reverb, two 6V6 power tubes, and three 12AX7s. The tag: $3,299, and there’s a 2x12 big sibling, too. It’s Supro mastermind David Koltai’s (in photo) latest pride and joy.
KMA Machine Endgame
KMA Machine's Endgame Duality Calibrator might be one of the most feature-packed stomps at the show. It has an exhaustive amount of I/O options but the centerpieces are the automatic double tracker and the switchable IR loader. Other highlights include dual headphone outputs, XLR outputs, Bluetooth capability, stereo effects loop, ambience control, and loads more.
Strandberg Boden Essential
Strandberg's Boden Essential is the company's first sub-$1k guitar. It retains the same look and feel of the other models, but uses locally sourced Indonesian wood to help keep the price down. Ola told us that the pickups are the same as in the standard model, but the hardware is reengineered for durability and sustainability.
Godin Arena Pro
Godin is debuting a pair of all-black nylon-string guitars. The Arena Pro is a LTD Onyx Black is a single cut with a solid cedar top and Canadian wild cherry black and sides, plus top-mounted volume and tone controls. They’ve paired it with a new addition to their Multiac Mundial line in matching onyx black accoutrements. These guitars are available now and priced at $1,099 and $1,299 respectively.
Godin Fifth Ave
Godin’s stunning new hollowbodies will catch the eyes of rockers and jazz cats alike. These lightweight and comfortable thinline Fifth Avenue guitars are available with Godin P-90s for $1,299, and a sunburst model is equipped with Lollar gold-foils at $1,899.
Godin Session T-Pro Hangover
Godin debuted their “hangover” distressed finishes on a pair of solidbodies: their S-style Seymour Duncan-loaded Session T Pro and their Lollar/TV Jones-loaded T-Style Stadium T Pro. These one-of-a-kind models are available for $1,499.
Friedman Amplification Plexi Vintage Series
Not surprisingly, Dave Friedman created a vintage plexi-style amp that absolutely rips. It's based on an EL34 design, a familiar control setup, and plenty of juice.
Circle Strings Languedoc
Adam Buchwald's burgeoning Vermont guitar empire will take on a new collaboration in 2024. Famed luthier Paul Languedoc has agreed to have Buchwald steward the production of the G2 and G4 models made famous by Phish's Trey Anastasio. Paul will still be making the G2 models while the G4 line will be created in Buchwald's shop (although some elements of the G4 will continue to be handmade by Paul). The G2s will be extremely limited and run north of $60k, but the G4s, when available, will be $16,000.
T-Rex Binson Echorec
The Binson Echorec by T-Rex isn’t new this year, but it sure is cool. It sounds exactly like you think it should, and does all the tricks of the classic units.
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Dark, enveloping, and mysterious tape-echo-style repeats on the cheap in an enclosure that fits in the smallest spaces.
Dark, enveloping repeats that rival more expensive tape-echo emulations and offer an alternative to click-prone BBD echoes. Cool chorus and flanger effects at fastest repeat times.
Small knobs make it tough to take advantage of real-time tweaking.
$137
Electro-Harmonix Pico Rerun
ehx.com
My most treasured effect is an old Echoplex. Nothing feels like it, and though I’ve tried many top-flight digital emulations, most of which sounded fantastic, nothing sounds quite like it either. If the best digital “tape” delays do one thing well, it’s approximating the darkness and unpredictable variations in tape-echo repeats.
Electro-Harmonix’s Pico Rerun plays the character of tape echo very convincingly in this respect. It hangs with more expensive digital tape echoes at a $137 price tag that’s easy to stomach. Better still, this Pico version is petite and offers unexpected surprises and flexibility.
Beyond the Pico Rerun’s essential enveloping voice, the pedal enables a lot of fairly authentic tape-echo functionality. Manipulating the feedback, blend, and echo rate controls together (which is tricky given their small size) yields flying-saucer liftoff and “Dazed and Confused” time/space-mangling textures in copious measure. These tweaks betray some digital artifacts—mainly trebly peaks that don’t have the benefit of real tape-compression softening, but they hardly get in the way of the fun. Saturation lends welcome drive and haze. And the flutter button adds faux tape wobble in three degrees of intensity. At the most intense setting, long repeats take on a woozy sense of drift. At the fastest rates, however, the flutter function will generate chorus and flange effects that neither my Echoplex, nor my best tape echo simulators, can manufacture.
Our columnist breaks down why Leo’s original designs are still the benchmark for pristine guitar sounds.
It’s time to discuss a favorite topic of mine: the Fender clean tone. I’m a big fan of pristine guitar tones, and I think it might be the reason why I got into Fender amps in the first place. So, in this column, I’ll break down and explain what creates the beautiful, crystalline tone in vintage Fender amps, and share which amps are best for capturing these huge, squeaky-clean sounds.
Among my music friends, I am known for advocating these tones. Sometimes my bandmates want more distortion and growl from my guitar, but I proudly resist and argue that the music we create profits from a clearer guitar tone. It’s not about volume and distortion; it’s about melody, rhythm, and dynamics. Personally, I find it more interesting to hear guitarists with clarity, where I can identify single notes and what they are doing. It’s much harder to play clean, and the transparency forces us guitarists to consider more carefully what we play.
Tone and music are definitely matters of personal taste. What someone finds naked and thin, others will find clear and articulate. Let me therefore explain my definition of “clean tone.” A good, clean tone means clarity and little distortion. Clarity is achieved when there is a certain balance between the frequencies. There must be enough sparkle and brightness together with a firm low end. In my definition, you can also have some distortion as long as you have enough clarity to hear single strings in a chord, which some define as a “bell-like” tone. Muddy or overwhelming mid and bass frequencies will spoil this clarity. I like punchy guitar sounds, and for that we need muscle and power from large power-amp sections and larger speaker cabinets. But again, there must be enough sparkle and treble attack to balance that big low end.
The black- and silver-panel Fender amps excel in this area. Fender designed these amps specifically to support the music style of the 1950s and ’60s: Whether it was folk, country, rock, or surf, the guitars were supposed to be bright and clean. The amps therefore had to produce a sound that was both clean and loud, often without PA systems.
There are several reasons why these Fender amps sound the way they do. Let’s dive into the most important factors. Firstly, the tone stack and EQ section play a significant role in creating a scooped tone with few mids. Most AB763 Fender amps have 250 pF, 0.1 μF, and 0.022 μF caps (treble, mid, and bass, respectively), controlled by 250k bass and treble pots and a 10k mid pot (or a fixed 6.8k resistor in amps without the mid pot). If you alter the value of the mid resistor or insert a larger coupling cap after the preamp section, you will get more, and earlier, breakup. If we look at the preamp sections of the AB763 amps, there is no tube gain stage, whose purpose is to introduce distortion. There are only the necessary tube gain stages to mix and lead the signal to the power amp section.
“Fender designed these amps specifically to support the music style of the 1950 and ’60s: The guitars were supposed to be bright and clean.”
The power amp section is equally important. The AB763-style amps have dual power tubes in a Class AB push-pull configuration which has significant clean headroom—more than single-end Class A amps. The fixed-bias design provides more headroom than cathode bias, which creates sag and less headroom. The efficient long-tail phase inverter and the negative feedback loop are also used to minimize clipping. Finally, using American-style speakers in the open-back cabinet design of the black- and silver-panel combo amps will enhance bright frequencies and tame the mids and low end. All these details point to one conclusion: Fender designed the AB763 amps to achieve the cleanest possible tone.
For me, the cleans of a Super Reverb are especially fantastic. The four, lightly driven 10″ speakers produce a scooped sound with great dynamics and touch sensitivity. The full set of EQ controls, robust power amp, and large transformers work together to give you both sparkle and a firm low end, even at high volumes. The Pro Reverb and Princeton Reverb, however, will struggle to stay clean when pushed. The relatively small-output transformers are a bottleneck in these amps, and they both lack the important mid control to tame the bass and mids. The Pro Reverb’s boomy 2x12 cabinet gives a flabby bass response, and the Princeton Reverb has a cheaper and inefficient phase inverter. This means that these amps can play clean only at lower volumes. If you read my previous articles on these amps, you will find easy instructions for how to improve the clean headroom, if that’s what you want.
If it’s natural distortion you’re after, the best black- or silver-panel Fender amp is the AB165 Bassman. But that’s a different story we’ll come back to later.
Audiofab introduces two new pedal with vintage tones. The Chonky Boi delivers a wide range of distortion sounds, while the Elektra Amanto captures classic flanger tones.
The Chonky Boi features the following controls:
- Chonk: Crank up this knob and unleash the full fury of the Chonky Boi–everything from light distortion to full-on growl.
- Heft: Adjust the output level with this control. Used in combination with the Scratchswitch you can overdrive your amp for additional distortion.
- Purr: Tailor your tone from bright to dark with the Purr control. Dial in the perfect amount of high-end cut for your sonic needs.
- Scratch: Choose your clipping flavor with the Scratch switch. Select from germanium diodes, silicon diodes, or LEDs. Higher levels of scratch increase the output level of theChonky Boi, enabling amp overdrive for even more sonic mayhem.
- YouTube
Elektra Amanto
Audiofab’s Elektra Amanto captures the essence of classic flanger tones heard from iconic players such as Andy Summers and David Gilmour, but with modern features. With its wide sweep and straightforward control set, the pedal opens new sonic possibilities for players of all styles. And unlike other wide sweep designs that require higher power supply voltages, the Elektra Amanto operates on a standard 9-volt pedal power supply, making it accessible and convenient for all guitarists.
Key features of the Elektra Amanto include:
- True bypass switching to maintain signal integrity.
- Ultra low noise and no volume drop.
- A wide sweep design that delivers vintage-inspired flagging.
- High-quality switches, jacks, and potentiometers for reliable performance. Bi-colour LED indicator that shows the sweep rate of the low-frequency oscillator (LFO).
- Compact and rugged aluminum enclosure for durability and protection.
The Elektra Amanto features intuitive controls, including Rate, Range, Colour, and a Matrix /Flange switch, allowing guitarists to dial in a wide range of flanger effects. From subtle swooshes to intense sweeps, the Elektra Amanto delivers liquidy goodness reminiscent of the classic flanger tones of the 70s.
- YouTube
The Audiofab Chonky Boi and Elektra Amanto are available now from Audiofab or Reverb. Chonky Boi is priced at $CA179 (approximately $137) and Elektra Amanto is priced at $CA279 (approximately $213).
For more information, please visit audiofab.com.
Designed by legendary bass player and founding member of Jefferson Airplane, this instrument features a Casady-designed JCB-1 Low-Impedance Humbucker and a three-position rotary impedance control for versatile tones.
As a founding member of Jefferson Airplane and Hot Tuna, legendary bass player and Rock and Roll Hall of Fame Inductee Jack Casady’s full driving tone and innovative melodic bass work have defined the role of bass guitar in rock and roll for decades. Liberating the bass from its traditional role as part of the rhythm section, Jack’s pioneering approach to bass brought the instrument to the forefront. The new Epiphone Jack Casady Fretless Bass was and is the culmination of years of experimentation by Casady to find an instrument with superior electric tone and the response of an acoustic bass. It features the Casady-designed JCB-1 Low-Impedance Humbucker, and a three-position rotary impedance control for a wide range of tonal versatility.
Jefferson Airplane’s debut, Jefferson Airplane Takes Off, was recorded in February of ’66 and released in August of that year. “It had somewhat of a local success,” explains Jack. “It was the material that we had been playing as a group around the Bay area for a while. We recorded it on 3-track, all pretty much live performances.” When the original singer, Signe Anderson, left the band to have a baby, it was Jack who convinced Grace Slick, then performing with her own band the Great Society, to join the group. The roster complete, Jefferson Airplane rocketed to superstardom in 1967 on the initial strength of their hits “Somebody to Love” and “White Rabbit,” making them a cornerstone of San Francisco’s burgeoning rock scene. Jack’s ground-breaking bass work was a highlight of Surrealistic Pillow, the Airplane’s 1967 breakthrough album. “That album was really a unique statement,” says Casady in retrospect. “There were a lot of different styles of songs contributed by everybody, including an instrumental acoustic fingerpicking original tune by Jorma called ‘Embryonic Journey.’ It was quite an eclectic album and I think it still holds up today.” Jefferson Airplane subsequently released a string of acclaimed recordings–After Bathing At Baxter’s (late ’67), Crown of Creation (’68), the live Bless Its Pointed Little Head (’69), Volunteers (’70), Bark (’71), Long John Silver (’72), and the live Thirty Seconds Over Winterland (1973). The band was inducted into the Rock and Roll Hall of Fame in 1995.
With the release of his solo album, Dream Factor, Casady opened a new chapter in his ever-evolving career. Featuring 11 songs and an impressive cast of collaborators including Paul Barrere, Ivan Neville, Jorma Kaukonen, Warren Haynes, Box Set, Fee Waybill, and Doyle Bramhall II among others, Casady showcases his signature sound in a variety of settings, traveling through blues, rock, country, folk, funk, R&B and soul influences.
One of the most innovative rock and roll bands in American music, Hot Tuna recorded their latest album, Steady As She Goes, at Levon Helm’s studio with GRAMMY®--winning producer Larry Campbell and captures the energy of Hot Tuna’s live performances. Jack, along with longtime band mate Jorma Kaukonen, teamed up with Barry Mitterhoff on mandolin, Skoota Warner on drums, as well as Larry Campbell on guitar, fiddle, organ, and vocals to deliver an absolute masterpiece.
With sweeping chords and stormy melodic lines Jack’s bass distinguished not only Jefferson Airplane and Hot Tuna but also a variety of solo and side projects and recordings with artists including Jimi Hendrix, David Crosby, Warren Zevon, Country Joe and The Fish, SVT, Rusted Root, and Gov’t Mule.
For more information, please visit epiphone.com.