Line 6''s JM4 Looper is packed with presets and features on top of its looping capabilities
Download Example 1 Jamming to #094 "Leotard" in the Endless Jam tracks | |
Download Example 2 Jamming to #116 "Stadium Rocker" in the Endless Jam tracks | |
Download Example 3 Scrolling through the "Style" presets: '50s: That's All Right '70s: Spirit of the Radio '80s: Boy You Too '70s: The Boys Are Back in Town '80s: Another Brick '70s: Barracuda | |
Download Example 4 In full looping mode | |
Fender VG Stratocaster, Epiphone Slash Les Paul, Line 6 JM4, Digidesign 002R interface, Digidesign Pro Tools, Apple Mac G5. All sound files were recorded live and on-the-fly with the JM4, with no editing or overdubs added post-recording. |
Within its rugged construction, it houses 12 Line 6 amp models from clean to “insane.” The seven Smart Control FX include Chorus/Flanger, Phaser, Tremolo, Reverb, and tap tempo effects such as Delay, Tape Echo and Sweep Echo. Effects for the independent vocal/aux input include 3-band EQ, Compressor, Delay and Reverb. An integrated tuner is very useful to check your tuning in between jamming. There are plenty of presets to make a guitarist happy: more than 200 artist-created presets, more than 150 song-based presets, and 36 user-programmable presets.
The ins and outs of the JM4 include: separate instrument, aux and mic inputs, as well as an input for a CD or MP3 player, and outputs for an amp, stereo headphones and stereo line out. A Master Volume knob controls the output, and there is also a Trim knob to adjust the gain of the mic input.
The Looper can work just like any other loop pedal, by looping and stacking tracks from just one instrument. However, it also features over 100 “Endless Jam” tracks and drum grooves for you to play along and create loops with. There are many different musical styles to jam with—from metal to country and everything in between. These tracks aren’t just sterile MIDI tracks with fake-sounding instruments, they’re actual recordings by top LA and Nashville session players. These high-quality grooves sound great and they’re fun to jam with. It sounds as if you’re playing with a real band, not a Casio keyboard! A fair warning: going through these tracks and playing along can be very addictive (see clips 1 & 2). I easily spent a couple of hours jamming along with them !
You can save up to 100 CD-quality recordings internally (totaling 24 minutes of recording time), and there is a slot for an SD card (sold separately) if you want to import and export loops and recordings. The JM4 supports up to a 2GB SD card, which is good for up to 6.5 hours of recorded jams. The looper has dedicated footswitches for Record/Overdub, Play/ Stop, Half Speed, and a handy Undo feature, should you wish to discard your last take or flubbed line.
Features, Features, Features!
As you can see, there are so many features on this unit that I didn’t know where to start exploring. I decided to check out the different amp models first. The basic amp model set consists of Clean, Twang, Blues, Crunch, Metal and Insane. I liked the fact that each different model has two variations—labeled “Red” and “Green.” For example, the Blues Red is inspired by a mix of a ’65 Marshall JTM45, a ’58 Bassman and a ’63 Fender Vibroverb and a Supro. The Blues Green is more like an early British rock tone, inspired by a fawn Vox AC30 with an expanded and updated tone control circuit. Each model can be tweaked with the Drive, Bass, Mid and Treble controls.
I’m a big believer in presets. I have no problem with companies that spend a lot of time and money to create good sounding presets— they do all the hard work for you! It’s a big time saver, and most of the time the presets are ideas that I would never come up with on my own. With the JM4, I was really impressed with the Artist presets. There are over 200 presets that were dialed in by a number of rock star guitarists—everyone from Albert Lee to INXS to Slipknot. The tonal variety was plentiful and there seems to be something for every taste. Some of the artists recreated the unique tones from their records, while others explored and created new sounds. I found every sound fresh and innovative, and they were fun to play with. Each of these presets can be modified and saved to one of the 36 User preset locations.
The Style presets are great as well. These tones are based on the top 200 guitar rock songs of all time, from the fifties all the way to today. For example, if you want the tone that Ritchie Blackmore had on “Smoke on the Water,” it’s here. If you want Prince’s clean sound from “Purple Rain,” it’s here also! The presets are actually labeled by the song names that these guitar tones are modeling. I had a great time scrolling through and playing these songs with tones and effects that are very similar to the originals (see clip 3).
Of course the main feature is the looper. The JM4 manual provides a couple of tutorials to get you up and running right away. I wanted to create a four-bar loop with drums as a foundation. I simply picked a groove from the drums menu, armed the guitar record button and pressed Record. The concept is simple: after you hit record, there is a count in, and then you play a phrase on your guitar for four bars. On the downbeat of bar five, hit Record again and it will loop back to the beginning. You have then set your four-bar phrase, which will loop over and over. To add another overdub, you simply press Record again and play, and hit the button again at the end of your phrase. You can then add additional overdubs for each repeat of the loop. You can also tap Undo if you don’t like a phrase you just recorded. In minutes you can become a loop master (see clip 4)!
The Final Mojo
The Line 6 JM4 is a useful tool for any guitarist. A casual or amateur guitarist will enjoy practicing and jamming with the JM4 and sharpening his or her skills. This is also a great tool for professional guitarists who want to keep their chops up in between gigs. The abundance of looping capabilities, tracks, sounds and effects will keep a guitarist busy and happy for hours!
Buy if...
You want a loop pedal with added sound options, effects and features.
Skip if...
You’d rather have a loop pedal with no other functions or extras.
Rating...
Street $330 - Line 6 - line6.com |
Featuring updated circuits for maximum fidelity, intuitive controls, and true stereo capabilities, this pedal offers a rich chorus effect with tube-like overdrive.
Rotary speaker cabinets impart a one-of-a-kind type of chorus effect. This pedal faithfully recreates the swirling textures and vintage warmth of those rotary cabinets. Tucked inside Keeley's laser cut aluminum case is a brand new set of circuit boards delivering the finest tone we've ever achieved.
Key Features of the Rotary
- Sculpt your rotary tones with our finest sounds to date
- Updated circuits for maximum fidelity
- Simple and intuitive controls for live and studio use
- New LED speed indicator - Become one with the sound
- True Stereo for perfect integration in modern rigs
- True or Buffered Bypass - Switchable on the fly
Sculpt Your Sound:
- Blend: Find the perfect mix between dry and wet signals for a subtle warble or a full-on sonic whirlpool.
- Drive: Dial in tube-like harmonic saturation that adds depth and character to your tone!
- Mid Boost: Three different EQ curves to fatten up the stereo chorus effect.
Rotary in Motion:
- Dual Speed: Choose between two distinct rotation speeds for classic slow warble or a more dramatic, fast chorus effect.
- Brake: Instantly slow down the rotation for a cool "stopping" effect, adding a dynamic touch to your playing.
- Adjustable Ramp: Control the speed transition between slow and fast for smooth or dramatic soundscapes.
- Large Speed Knob: Easily control the rotation speed for intuitive adjustments on the fly!
Seamless Integration:
- Light Show: Set the mood with the optional pulsing LED that reacts to the rotary effect, adding a touch of visual flair to your performance.exclamation
- Stereo Everywhere: This pedal boasts stereo ins and outs, allowing you to create lush, expansive soundscapes that perfectly complement modern rigs.
- True Bypass or Buffered Bypass: Choose between transparent signal switching or a buffered bypass for maintaining pristine tone in complex pedal chains!
Stunning Design for Effortless Use
- The Rotary is built with artfully designed circuitry and housed in a proprietary angled aluminum enclosure, ensuring both simplicity and durability. Like all Keeley pedals, it’s proudly designed and manufactured in the USA.
Pearl Jam announces U.S. tour dates for April and May 2025 in support of their album Dark Matter.
In continued support of their 3x GRAMMY-nominated album Dark Matter, Pearl Jam will be touring select U.S. cities in April and May 2025.
Pearl Jam’s live dates will start in Hollywood, FL on April 24 and 26 and wrap with performances in Pittsburgh, PA on May 16 and 18. Full tour dates are listed below.
Support acts for these dates will be announced in the coming weeks.
Tickets for these concerts will be available two ways:
- A Ten Club members-only presale for all dates begins today. Only paid Ten Club members active as of 11:59 PM PT on December 4, 2024 are eligible to participate in this presale. More info at pearljam.com.
- Public tickets will be available through an Artist Presale hosted by Ticketmaster. Fans can sign up for presale access for up to five concert dates now through Tuesday, December 10 at 10 AM PT. The presale starts Friday, December 13 at 10 AM local time.
earl Jam strives to protect access to fairly priced tickets by providing the majority of tickets to Ten Club members, making tickets non-transferable as permitted, and selling approximately 10% of tickets through PJ Premium to offset increased costs. Pearl Jam continues to use all-in pricing and the ticket price shown includes service fees. Any applicable taxes will be added at checkout.
For fans unable to use their purchased tickets, Pearl Jam and Ticketmaster will offer a Fan-to-Fan Face Value Ticket Exchange for every city, starting at a later date. To sell tickets through this exchange, you must have a valid bank account or debit card in the United States. Tickets listed above face value on secondary marketplaces will be canceled. To help protect the Exchange, Pearl Jam has also chosen to make tickets for this tour mobile only and restricted from transfer. For more information about the policy issues in ticketing, visit fairticketing.com.
For more information, please visit pearljam.com.
The legendary German hard-rock guitarist deconstructs his expressive playing approach and recounts critical moments from his historic career.
This episode has three main ingredients: Shifty, Schenker, and shredding. What more do you need?
Chris Shiflett sits down with Michael Schenker, the German rock-guitar icon who helped launch his older brother Rudolf Schenker’s now-legendary band, Scorpions. Schenker was just 11 when he played his first gig with the band, and recorded on their debut LP, Lonesome Crow, when he was 16. He’s been playing a Gibson Flying V since those early days, so its only natural that both he and Shifty bust out the Vs for this occasion.
While gigging with Scorpions in Germany, Schenker met and was poached by British rockers UFO, with whom he recorded five studio records and one live release. (Schenker’s new record, released on September 20, celebrates this pivotal era with reworkings of the material from these albums with a cavalcade of high-profile guests like Axl Rose, Slash, Dee Snider, Adrian Vandenberg, and more.) On 1978’s Obsession, his last studio full-length with the band, Schenker cut the solo on “Only You Can Rock Me,” which Shifty thinks carries some of the greatest rock guitar tone of all time. Schenker details his approach to his other solos, but note-for-note recall isn’t always in the cards—he plays from a place of deep expression, which he says makes it difficult to replicate his leads.
Tune in to learn how the Flying V impacted Schenker’s vibrato, the German parallel to Page, Beck, and Clapton, and the twists and turns of his career from Scorpions, UFO, and MSG to brushes with the Rolling Stones.
Credits
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering Support by Matt Tahaney and Matt Beaudion
Video Editor: Addison Sauvan
Graphic Design: Megan Pralle
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Katana-Mini X is designed to deliver acclaimed Katana tones in a fun and inspiring amp for daily practice and jamming.
Evolving on the features of the popular Katana-Mini model, it offers six versatile analog sound options, two simultaneous effects, and a robust cabinet for a bigger and fuller guitar experience. Katana-Mini X also provides many enhancements to energize playing sessions, including an onboard tuner, front-facing panel controls, an internal rechargeable battery, and onboard Bluetooth for streaming music from a smartphone.
While its footprint is small, the Katana-Mini X sound is anything but. The multi-stage analog gain circuit features a sophisticated, detailed design that produces highly expressive tones with immersive depth and dimension, supported by a sturdy wood cabinet and custom 5-inch speaker for a satisfying feel and rich low-end response. The no-compromise BOSS Tube Logic design approach offers full-bodied sounds for every genre, including searing high-gain solo sounds and tight metal rhythm tones dripping with saturation and harmonic complexity.
Katana-Mini X features versatile amp characters derived from the stage-class Katana amp series. Clean, Crunch, and Brown amp types are available, each with a tonal variation accessible with a panel switch. One variation is an uncolored clean sound for using Katana-Mini X with an acoustic-electric guitar or bass. Katana-Mini X comes packed with powerful tools to take music sessions to the next level. The onboard rechargeable battery provides easy mobility, while built-in Bluetooth lets users jam with music from a mobile device and use the amp as a portable speaker for casual music playback.
For quiet playing, it’s possible to plug in headphones and enjoy high-quality tones with built-in cabinet simulation and stereo effects. Katana-Mini X features a traditional analog tone stack for natural sound shaping using familiar bass, mid, and treble controls. MOD/FX and REV/DLY sections are also on hand, each with a diverse range of Boss effects and fast sound tweaks via single-knob controls that adjust multiple parameters at once. Both sections can be used simultaneously, letting players create combinations such as tremolo and spring reverb, phaser and delay, and many others.
Availability & Pricing The new BOSS Katana-Mini X will be available for purchase at authorized U.S. Boss retailers in December for $149.99. For the full press kit, including hi-res images, specs, and more, click here. To learn more about the Katana-Mini X Guitar Amplifier, visit www.boss.info.