Designed to address the age-old issues of feedback, noise, and hum without losing the sweet, syrupy chime that defines a great single-coil.
Having worked at Suhr Guitars and Azola Basses, in addition to gigs as a recording engineer, Carey Nordstrand is one of those guitar builders who’s seen a bit of everything. And in 2004, after developing pickups for both his own custom basses and other luthiers, word of his pickups’ excellence spread so much that he expanded the pickup side of his bass company into a full-fledged operation. Today, his pickup line includes designs for both bass and guitar, and his recently released Shush Puppy single-coils are designed to address the age-old issues of feedback, noise, and hum without losing the sweet, syrupy chime that defines a great single-coil.
Twist on a Classic
The Shush Puppies’ compact design and
modern appearance make them stand out
visually next to conventional single-coils.
Though they can have the effect of seeming
a little bigger than standard single-coils
when you take them out of the box, they
will fit in a Stratocaster without any additional
routing or pickguard replacement.
Each alnico 5 pickup houses two thin bobbins containing 12 tiny pole pieces each. Twelve of these 24 are visible through the plastic cover. Nordstrand’s copper wire is carefully handwound around each custom-formed bobbin to prevent feedback, and it’s optimized for 250k potentiometers. Each pickup’s bobbins are wired in series to prevent hum. Neck and middle pickups each have outputs of 6.9k , and the bridge pickup reads a bit hotter at 7.4k. The Shush Puppies also use insulated plastic wire and are offered with pickup covers in classic shades of black and ivory. Unfortunately, the covers don’t completely cover the bobbins, leaving a gap of about 1/6" where you can clearly see the copper windings, so it’s important to clean out any debris in and around the pickup cavities before installing the Shush Puppies.
Ratings
Pros:
Noiseless, exceptionally detailed tones. Responsive
highs and drum-tight low end. Balanced volume across the
strings, and as a set.
Cons:
Lows can sometimes feel stiff. Pickup covers don’t
completely cover the bobbins.
Tones:
Playability/Ease of Use:
Build/Design:
Value:
Street:
$119 (each)
Company
nordstrandpickups.com
Puppy Love
With their super-quiet performance, crisp
tone, and pristine highs, the Shush Puppies
accomplish nearly every one of Nordstrand’s
intended goals. It’s surprising how little the
hum-cancelling design affects the single-coil
tones—if it even does at all. A lot of hum-canceling
single-coils compress and dampen
the response in the pursuit of low noise,
and the objective is usually met at the
expense of springy lows and syrupy quack.
This is most definitely not the case with the
Shush Puppies.
Dropped into a Fender Stratocaster and running into a Fender Twin Reverb’s second channel, the slightly hotter bridge Shush Puppy sang beautifully when playing slowly swept chords and gingerly picked alternating melodies. The highs have a quick attack, as you might expect, but the lows also have a faster response than most Strat-style pickups. Playing with a softer approach doesn’t diminish the attack much, and you hear a lot of rising bottom end no matter how lightly you pick. The bridge pickup’s output is remarkably strong and piano-like—qualities that aren’t easy to find in aftermarket bridge single-coils.
The highs and lows of the neck and middle pickups are also powerful and crystal clear, though they speak with a wide, low midrange. They also breathe a bit more thanks to their slightly lower output. Pick the strings with a soft touch, and the highs open up with a hi-fi kind of clarity. The treble response of the neck pickup in particular is very responsive, but it can also amplify small quirks and rough edges in your playing. If you keep an extra keen eye and ear on your technique, this is a boon, though.
The Verdict
Nordstrand has successfully melded the
sound and feel of a great single-coil with
the low noise of a humbucker—all without
sacrificing the bright tonality, response, and
chime of a great traditional single-coil. Each
pickup has ample volume and punch, and
the set balances wonderfully together, too.
The lightning-quick response might cause
some vintage purists to raise an eyebrow,
but the impressive harmonic complexity,
glorious detail, and whisper-quiet noise level
qualify them for a spot in the upper ranks
of boutique contemporary single-coils.
PG contributor Tom Butwin takes a deep dive into LR Baggs' HiFi Duet system.
LR Baggs HiFi Duet High-fidelity Pickup and Microphone Mixing System
HiFi Duet Mic/Pickup System"When a guitar is “the one,” you know it. It feels right in your hands and delivers the sounds you hear in your head. It becomes your faithful companion, musical soulmate, and muse. It helps you express your artistic vision. We designed the Les Paul Studio to be precisely the type of guitar: the perfect musical companion, the guitar you won’t be able to put down. The one guitar you’ll be able to rely on every time and will find yourself reaching for again and again. For years, the Les Paul Studio has been the choice of countless guitarists who appreciate the combination of the essential Les Paul features–humbucking pickups, a glued-in, set neck, and a mahogany body with a maple cap–at an accessible price and without some of the flashier and more costly cosmetic features of higher-end Les Paul models."
Now, the Les Paul Studio has been reimagined. It features an Ultra-Modern weight-relieved mahogany body, making it lighter and more comfortable to play, no matter how long the gig or jam session runs. The carved, plain maple cap adds brightness and definition to the overall tone and combines perfectly with the warmth and midrange punch from the mahogany body for that legendary Les Paul sound that has been featured on countless hit recordings and on concert stages worldwide. The glued-in mahogany neck provides rock-solid coupling between the neck and body for increased resonance and sustain. The neck features a traditional heel and a fast-playing SlimTaper profile, and it is capped with an abound rosewood fretboard that is equipped with acrylic trapezoid inlays and 22 medium jumbo frets. The 12” fretboard radius makes both rhythm chording and lead string bending equally effortless, andyou’re going to love how this instrument feels in your hands. The Vintage Deluxe tuners with Keystone buttons add to the guitar’s classic visual appeal, and together with the fully adjustable aluminum Nashville Tune-O-Matic bridge, lightweight aluminum Stop Bar tailpiece, andGraph Tech® nut, help to keep the tuning stability nice and solid so you can spend more time playing and less time tuning. The Gibson Les Paul Studio is offered in an Ebony, BlueberryBurst, Wine Red, and CherrySunburst gloss nitrocellulose lacquer finishes and arrives with an included soft-shell guitar case.
It packs a pair of Gibson’s Burstbucker Pro pickups and a three-way pickup selector switch that allows you to use either pickup individually or run them together. Each of the two pickups is wired to its own volume control, so you can blend the sound from the pickups together in any amount you choose. Each volume control is equipped with a push/pull switch for coil tapping, giving you two different sounds from each pickup, and each pickup also has its own individual tone control for even more sonic options. The endless tonal possibilities, exceptional sustain, resonance, and comfortable playability make the Les Paul Studio the one guitar you can rely on for any musical genre or scenario.
For more information, please visit gibson.com.
Introducing the Reimagined Gibson Les Paul Studio - YouTube
The two pedals mark the debut of the company’s new Street Series, aimed at bringing boutique tone to the gigging musician at affordable prices.
The Phat Machine
The Phat Machine is designed to deliver the tone and responsiveness of a vintage germanium fuzz with improved temperature stability with no weird powering issues. Loaded with both a germanium and a silicon transistor, the Phat Machine offers the warmth and cleanup of a germanium fuzz but with the bite of a silicon pedal. It utilizes classic Volume and Fuzz control knobs, as well as a four-position Thickness control to dial-in any guitar and amp combo. Also included is a Bias trim pot and a Kill switch that allows battery lovers to shut off the battery without pulling the input cord.
Silk Worm Deluxe Overdrive
The Silk Worm Deluxe -- along with its standard Volume/Gain/Tone controls -- has a Bottom trim pot to dial in "just the right amount of thud with no mud at all: it’s felt more than heard." It also offers a Studio/Stage diode switch that allows you to select three levels of compression.
Both pedals offer the following features:
- 9-volt operation via standard DC external supply or internal battery compartment
- True bypass switching with LED indicator
- Pedalboard-friendly top mount jacks
- Rugged, tour-ready construction and super durable powder coated finish
- Made in the USA
Static Effectors’ Street Series pedals carry a street price of $149 each. They are available at select retailers and can also be purchased directly from the Static Effectors online store at www.staticeffectors.com.
So, you want to chase the riches and glories of being a mid-level guitar YouTuber. Rhett and Zach have some reality checks.
This outing of Dipped In Tone kicks off with an exciting update from Zach Broyles’ camp: He’s opening a brick-and-mortar guitar shop in Nashville, called High Voltage Guitars. Opening on October 8, the store will carry gear from Two-Rock, Divided By 13, Dr. Z, Castedosa, Fano, Novo, and of course Mythos Pedals. Zach hints that there might be some handwired JHS pedals from Josh Scott himself, too, and Rhett reveals that he plans to consign some of his guitars at the shop.
The business side of Zach’s new venture brings them to a key piece of today’s episode: Rhett and Zach aren’t running charities. They do what they do to make money; guitars, gear, podcasting, and content creation are their literal jobs. And they’re not as glamorous and breezy as most armchair commentators might guess.
Want to do what Rhett and Zach do? Welcome to the club. The guitar-influencer field is what one might call “oversaturated” at the moment, and it’s difficult to break out—but not impossible. As our hosts explain, it requires putting in 60-hour work weeks, a diverse skillset, a knack for catching people’s attention, and a certain level of genuineness. Rhett knows this path well, and he has hard-earned advice for staying true to oneself while building a following in the gear world.
Tune in to learn why Rhett thinks Fretboard Summit, a three-day guitar festival organized by Fretboard Journal, blows NAMM out of the water and builds legitimate connections between guitarists, and catch the duo dipping a Dick Dale-inspired, all-Fender rig.