With bodies that are 3D printed, rather than carved, Professor Olaf Diegel’s ODD Guitars are truly like nothing you’ve seen or played before.
Ever since the world’s very first guitar was strung up, the folks that build everyone’s favorite instrument have continued the never-ending quest to deliver the next greatest thing in guitar design. Though significant changes to the tried-and-true foundation don’t happen as often these days (for good reason), once in a while something incredibly new, unique and actually functional comes along. The “3-D” instruments coming from Professor Olaf Diegel’s ODD Guitars certainly fit this category. With bodies that are printed, rather than carved, they’re truly like nothing you’ve seen or played before.
Diegel is a design engineer by trade and a professor of mechatronics at Massey University in New Zealand. Fittingly enough, 3-D plays an important role in the curriculum he teaches—a combination of mechanical, electronic, and software engineering—which allows for creating quick prototypes for testing in product-development applications. So as both an expert in this printing technology and a long-time musician, it made sense that he’d find a way combine the two.
The new luthier knew next to nothing about building guitars before starting this venture and cites that as his biggest, initial challenge. But after populating a “cemetery of early guitar attempts” through heavy trial and error and self-teaching through online resources, the young company already offers eight different models in its wildly catchy lineup.
As is common today, ODD Guitars has some of their instrument manufacturing done overseas, except ODD goes the other direction. Once Diegel finishes a design with the CAD program Solidworks, he emails the file to 3D Systems in the U.S., who then prints the bodies and ships them back to Diegel in New Zealand. Since 3D Systems is the world’s largest manufacturer of 3-D printers, Diegel says the manufacturing partnership is fantastic as it allows him to focus on the design side. Provided there are no delays with customs, the luthier usually has a body in hand less than a week after sending the design. It’s at this point that Diegel dyes the body, which allows him to get into all the nooks and crannies of the body before spraying with lacquer.
All of Diegel’s guitars have a CNC-machined, wooden-core insert which joins the guitar’s neck to the bridge. Even with the elaborate bodies that are made from Duraform PA (nylon), acoustically the guitars are akin to a standard small-bodied electric guitar. “I had all plastic bodies on my original designs, but when I started blogging about it, many aficionados said it was impossible to get a good sound without a wooden body,” says Diegel. “So rather than fight it, I put in the wooden insert.”
Diegel outfits his guitars with Warmoth necks and leaves the particular wood and other specs up to the customer. He also allows customers to choose electronics, though his personal favorites are TV Jones Classics due to his love of rockabilly music. “For a more traditional sound, I tend to go with Seymour Duncans of one flavor or another,” he says. But when choosing active electronics for an instrument, Diegel likes the pups made by New Zealand manufacturer Langcaster, whom Diegel contends “makes the pickups with the cleanest sound I’ve ever heard.”
Diegel says the most unique thing about ODD is that his guitars have a larger story to tell. “It’s about the power of designing in the digital age, and about advanced technologies that allow each and every product to be made completely tailored to the user,” says Diegel. “From the 3-D printed bodies, to the CNC-machined inner cores and necks, to the laser engraving and cutting for the inlay work—every inch of the guitar is an example of high-tech manufacturing.”
Pricing and Availability
ODD Guitars are available through Cubify, a 3D Systems sales website for a range of 3-D printed products. Cubify puts customers in touch with Diegel, who works very closely with his clients on the specs of each custom instrument. Beyond neck, hardware, and pickup preferences, this also includes aesthetic variations like printing a customer’s name or band name into the back of the guitar. The turnaround time of eight weeks for a fully custom instrument is mostly driven by the custom neck, which normally takes around six weeks. ODD Guitars range from $3,000 for smaller body guitars to $3,500 for Les Paul-style bodies with a single color paint job, and up to $4,000 for the Americana and its airbrushed paintjob. The pricing includes most customizations.
odd.org.nz
It’s almost over, but there’s still time to win! Enter Stompboxtober Day 30 for your shot at today’s pedal from SoloDallas!
The Schaffer Replica: Storm
The Schaffer Replica Storm is an all-analog combination of Optical Limiter+Harmonic Clipping Circuit+EQ Expansion+Boost+Line Buffer derived from a 70s wireless unit AC/DC and others used as an effect. Over 50 pros use this unique device to achieve percussive attack, copious harmonics and singing sustain.
A 1000-watt speaker cabinet crafted for musicians who demand power and precision. Sunn Amps intends to reinvent the standard 4x12 configuration with the introduction of this new cabinet.
The Sunn Amps DoomBox is built to accommodate both guitar and bass, offering an impressive 1000-watt handling capacity—making it the first commercially available 4x12 cabinet with such high power handling. With four specially designed 12” drivers rated at 250 watts each, this cabinet provides clean, unrestrained sound levels that can maintain power integrity across all frequencies, ideal for high-volume performances.
Inspired and developed using feedback from artists and bands who rely on the depth of lower tunings and high volume genres, the DoomBox was engineered to meet the unique demands of professional musicians looking for a robust, high-efficiency cab that can translate the raw power of their sound without compromise.
Premium Craftsmanship and Materials
The Doom Box cabinet is crafted from solid finger-jointed Baltic Birch plywood, ensuring both durability and tonal clarity. Each cabinet is constructed by hand in the U.S.A. using original 1930s machinery, the DoomBox reflects Sunn’s historic commitment to quality, contrasting with some of the mass-produced, MDF-based cabinets on the market today. The cabinet’s aluminum basket, ferrite magnet, and custom Sunn weave Tolex with a custom grill design complete its professional-grade build.
Technical Specifications:
• Power Handling: 1000W
• Inputs: 1 x ¼”
• Impedance: 8 Ohm
• Drivers: 4 x Sunn 12S250
• Construction: Marine Grade Baltic Birch
• Dimensions: 29.25” X 30” X 14”
• Weight: 107 lbs
• Price: $2399.00
With clear low-end punch, even sound response, and ample air movement, the Doom Box ensures that every note reaches the audience with clarity and power. This cabinet is a game-changer for musicians who need high-performance, road-ready equipment that enhances their unique sound.
Does the guitar’s design encourage sonic exploration more than sight reading?
A popular song between 1910 and 1920 would usually sell millions of copies of sheet music annually. The world population was roughly 25 percent of what it is today, so imagine those sales would be four or five times larger in an alternate-reality 2024. My father is 88, but even with his generation, friends and family would routinely gather around a piano and play and sing their way through a stack of songbooks. (This still happens at my dad’s house every time I’m there.)
Back in their day, recordings of music were a way to promote sheet music. Labels released recordings only after sheet-music sales slowed down on a particular song. That means that until recently, a large section of society not only knew how to read music well, but they did it often—not as often as we stare at our phones, but it was a primary part of home entertainment. By today’s standards, written music feels like a dead language. Music is probably the most common language on Earth, yet I bet it has the highest illiteracy rate.
Developed specifically for Tyler Bryant, the Black Magick Reverb TB is the high-power version of Supro's flagship 1x12 combo amplifier.
At the heart of this all-tube amp is a matched pair of military-grade Sovtek 5881 power tubes configured to deliver 35-Watts of pure Class A power. In addition to the upgraded power section, the Black Magick Reverb TB also features a “bright cap” modification on Channel 1, providing extra sparkle and added versatility when blended with the original Black Magick preamp on Channel 2.
The two complementary channels are summed in parallel and fed into a 2-band EQ followed by tube-driven spring reverb and tremolo effects plus a master volume to tame the output as needed. This unique, signature variant of the Black Magick Reverb is dressed in elegant Black Scandia tolex and comes loaded with a custom-built Supro BD12 speaker made by Celestion.
Price: $1,699.