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Quick Hit: Mesa/Boogie CabClone

Record or gig with your favorite amp—minus the cabinet and mic.

Passive speaker-load boxes let you run your amp into a PA or recording input without miking a cabinet. They’re a great way to capture analog amp sounds without hassle—or broken eardrums.

Mesa Boogie’s new CabClone is a particularly nice load box/compensated D.I. at an equally nice price. It’s solidly built in a tabletop format. You can use it with or without a speaker connected to your amp. A wide-ranging level control provides appropriate output for most recording and PA gear. There are phase and ground-lift toggles, and both XLR and 1/4" output jacks. A specialized EQ stage with three voicing options mimics closed-back, open-back, and vintage-style cabinets. There’s also a headphone out for silent practicing or monitoring.

As with many products in this category, CabClone’s cabinet simulations are more like paintings than hi-res photos. They don’t convey the idiosyncratic resonant peaks and phase-cancelled dips of various miked speakers the way that, say, a good set of speaker impulse responses can. But CabClone’s solid, full-frequency tones work well in many contexts, and they respond well to downstream EQ.

CabClone requires no external power. It comes in 4-, 8-, and 16-ohm models, so be sure to get the one that matches your amp’s speaker-out specs.

Test Gear: ’63 Fender Stratocaster, “parts” guitar with P-90s, Ceriatone blackface Champ clone.


Great connectivity. High-quality build. Nice price.

Speaker emulation not as nuanced as some digital alternatives.


Mesa/Boogie CabClone


Ease of Use: