The progressive metal band’s sultans of shred talk about the gear on The Distance Over Time tour, including John Petrucci’s brand-new Music Man Majesty Series signature models and Myung’s potential 2020 signature bass.

Also new this year—a special limited-edition gremlin green sparkle-finish Majesty made especially for Music Man dealers, via custom order. This one’s basswood with chrome hardware and the other appointments associated with new Majesty models, including the John Petrucci Music Man floating tremolo. “I saw this hanging on the wall at NAMM, and I knew John was going to want one of these,” says Schieferstein.

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Kemper Profiler Stage, Nueral DSP Quad Cortex & Line 6 HX Stomp (clockwise from top)

A deep dive into faux amps, futuristic setups, and how to use modern technology’s powers for good.

The jump between analog and digital gear has never been more manageable. It no longer takes a rack full of outboard gear with a six-figure price tag to help realize not only the tone you have in your head, but the expansive workflows that started to pop up in the early ’80s. We’re now about a decade into the modern era of digital modelers and profilers and it seems like the technology has finally come into its own. “This is really the first time in a while where you can have bar bands playing the exactsame gear as stadium acts,” says Cooper Carter, a Fractal Audio Systems production consultant who has done sound design and rig building for Neal Schon, James Valentine, John Petrucci, and others.

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Master builder Dennis Galuszka recreates the legendary "Chicago" guitarist's legacy with a collectible, limited run guitar.

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