The first stop on Parker Griggs’ board is a BBE wah, which is patterned off a vintage Thomas Organ wah from the ’60s. From there, the signal hits a vintage MXR Phase 90, a Dunlop Silicon Fuzz Face Mini, a Cat’s Eye Hybrid Fuzz, a Boss DD-7 Delay, an Ibanez TS808 Tube Screamer (that’s always on,) a Danelectro DE-1 Dan-Echo, a Boss TU-3 Tuner, and a Radial Big Shot Amp Switcher that feeds both amps. A Voodoo Lab Pedal Power 2 supplies the juice.