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Rig Rundown: Radio Moscow

This psych-rock power trio doesn't mind a little 60-cycle hum from their collection of obscure vintage gear from Gibson, Alamo, Danelectro, and more.

The first stop on Parker Griggs’ board is a BBE wah, which is patterned off a vintage Thomas Organ wah from the ’60s. From there, the signal hits a vintage MXR Phase 90, a Dunlop Silicon Fuzz Face Mini, a Cat’s Eye Hybrid Fuzz, a Boss DD-7 Delay, an Ibanez TS808 Tube Screamer (that’s always on,) a Danelectro DE-1 Dan-Echo, a Boss TU-3 Tuner, and a Radial Big Shot Amp Switcher that feeds both amps. A Voodoo Lab Pedal Power 2 supplies the juice.

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Featuring FET instrument inputs, "Enhance" switch, and innovative input stage, this pedal is designed to solve challenges like poor feel, setting levels, and ease of use.

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Ted’s to-go kits: the silver box and the Big Black Bag.

Traveling with a collection of spare essentials—from guitar and mic cables to extension cords, capos, tuners, and maybe even a mini-amp—can be the difference between a show and a night of no-go.

Anyone who’s seen a spy flick or caper movie knows about go bags—the always-packed-and-ready duffles or attachés filled with passports, a few weapons, and cash that’s ready to grab and run with when the hellhounds are on your trail. As guitar players, we also need go bags, but their contents are less dramatic, unless, maybe, you’re playing a Corleone-family wedding.

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Caleb Followill's Kings of Leon Live Rig Explained
Caleb Followill's Kings of Leon Live Rig Explained by Builder Xact Tone Solutions' Barry O'Neal

The Xact Tone Solutions chief pedal puzzle solver Barry O'Neal goes over the gear in Caleb Followill's rack and explains all the ins and outs of its configuration to pull off the Can We Please Have Fun tour hitting U.S. arenas this summer and fall.

Firebirds came stock with a solid G-logo tailpiece, although Bigsby vibratos were often added.

Photo by George Aslaender

The author’s PX-6131 model is an example of vintage-guitar evolution that offers nostalgic appeal in the modern world—and echoes of AC/DC’s Malcolm Young.

An old catchphrase among vintage dealers used to run: “All Gretsches are transition models.” While their near-constant evolution was considered confusing, today their development history is better understood. This guitar however is a true transition model, built just as the Jet line was undergoing major changes in late 1961.

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