There’s just something about the grit on those repeats.…
There’s definitely a place for those pristine, perfect digital delay units, but when you need to hear a bit of degradation on the repeats there’s only one way to go. Here’s a look at 10 different analog boxes that range from simple and funky to expansive and weird.
MXR M169 Carbon Copy
The sparkly green time machine is a dead-simple way to get classic bucket-brigade tones. It includes a top-mounted switch for modulation, two internal trim pots, and up to 600 ms of delay time.
$149 street
Maxon AD999
This stereo box ups the ante with eight custom Maxon MC4107D bucket brigade ICs, which equals up to 900 ms of delay. The circuit is designed with a bit of an EQ bump plus dynamic distortion on the repeats for a vintage vibe.
$439 street
Boss DM-2w Waza Craft Delay
A reissued classic that not only faithfully recreates the original version from ’84 but allows you to switch to a custom mode that increases the delay time to 800 ms. Plus, the pedal features both wet and dry outputs and expression pedal input.
$174 street
Way Huge Smalls Aqua Puss MkIII
The latest iteration of Jeorge Tripps’ ubiquitous circuit not only packs analog tones into a smaller enclosure but can rock self-oscillation and tape-style echo. The top-mounted jacks also help on crowded pedalboards.
$149 street
Electro-Harmonix Deluxe Memory Man Nano
For decades the large-format DMM was a staple on pedalboards across the world. This smaller version aims to cop all the vibe and mojo of its ancestor. It not only features the same delay, chorus, and vibrato modes as the original but gives you full control over modulation speed.
$213 street
J. Rockett Audio Designs Clockwork Echo
A collaboration with Howard Davis, who created the Deluxe Memory Man, this fully featured pedal includes an independent boost circuit, dual expression pedal inputs, stereo outputs, and a deep modulation section.
$399 street
Ibanez Analog Delay Mini
Only the essentials are present in this new mini pedal. Along with tiny controls for repeat and blend, the larger knob allows you to control time on the fly. As with most analog outfits, you don’t get a ton of delay time, but up to 600 ms is on tap.
$119 street
Chase Bliss Thermae
As with all of Joel Korte’s creations, the Thermae is way more than a simple analog echo box. It has a wealth of customizable options including a pitch shifter, MIDI, expression pedal support, and synth-like sequencer tones.
$499 street
TC Electronic Echobrain
At only 60 bones, this stripped-down analog delay not only will be easy on your wallet, but also on a cramped pedalboard. It maxes out at 300 ms but has a vintage-style BBD chip and comes in a road-ready chassis.
$59 street
Mythos Oracle
Zach Broyles teamed up with John Snyder of Electronic Audio Experiments to create this fully analog delay that is built around a pair of MN3205 chips and features tap tempo. If you use the time knob, the pedal maxes out at about 600 ms, but the tap tempo allows you to push it a bit more.
$259 street
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Reverend Jetstream 390 Solidbody Electric Guitar - Midnight Black
Jetstream 390 Midnight BlackReverend Contender 290 Solidbody Electric Guitar - Midnight Black
Contender 290, Midnight BlackThe legendary German hard-rock guitarist deconstructs his expressive playing approach and recounts critical moments from his historic career.
This episode has three main ingredients: Shifty, Schenker, and shredding. What more do you need?
Chris Shiflett sits down with Michael Schenker, the German rock-guitar icon who helped launch his older brother Rudolf Schenker’s now-legendary band, Scorpions. Schenker was just 11 when he played his first gig with the band, and recorded on their debut LP, Lonesome Crow, when he was 16. He’s been playing a Gibson Flying V since those early days, so its only natural that both he and Shifty bust out the Vs for this occasion.
While gigging with Scorpions in Germany, Schenker met and was poached by British rockers UFO, with whom he recorded five studio records and one live release. (Schenker’s new record, released on September 20, celebrates this pivotal era with reworkings of the material from these albums with a cavalcade of high-profile guests like Axl Rose, Slash, Dee Snider, Adrian Vandenberg, and more.) On 1978’s Obsession, his last studio full-length with the band, Schenker cut the solo on “Only You Can Rock Me,” which Shifty thinks carries some of the greatest rock guitar tone of all time. Schenker details his approach to his other solos, but note-for-note recall isn’t always in the cards—he plays from a place of deep expression, which he says makes it difficult to replicate his leads.
Tune in to learn how the Flying V impacted Schenker’s vibrato, the German parallel to Page, Beck, and Clapton, and the twists and turns of his career from Scorpions, UFO, and MSG to brushes with the Rolling Stones.
Credits
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering Support by Matt Tahaney and Matt Beaudion
Video Editor: Addison Sauvan
Graphic Design: Megan Pralle
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Katana-Mini X is designed to deliver acclaimed Katana tones in a fun and inspiring amp for daily practice and jamming.
Evolving on the features of the popular Katana-Mini model, it offers six versatile analog sound options, two simultaneous effects, and a robust cabinet for a bigger and fuller guitar experience. Katana-Mini X also provides many enhancements to energize playing sessions, including an onboard tuner, front-facing panel controls, an internal rechargeable battery, and onboard Bluetooth for streaming music from a smartphone.
While its footprint is small, the Katana-Mini X sound is anything but. The multi-stage analog gain circuit features a sophisticated, detailed design that produces highly expressive tones with immersive depth and dimension, supported by a sturdy wood cabinet and custom 5-inch speaker for a satisfying feel and rich low-end response. The no-compromise BOSS Tube Logic design approach offers full-bodied sounds for every genre, including searing high-gain solo sounds and tight metal rhythm tones dripping with saturation and harmonic complexity.
Katana-Mini X features versatile amp characters derived from the stage-class Katana amp series. Clean, Crunch, and Brown amp types are available, each with a tonal variation accessible with a panel switch. One variation is an uncolored clean sound for using Katana-Mini X with an acoustic-electric guitar or bass. Katana-Mini X comes packed with powerful tools to take music sessions to the next level. The onboard rechargeable battery provides easy mobility, while built-in Bluetooth lets users jam with music from a mobile device and use the amp as a portable speaker for casual music playback.
For quiet playing, it’s possible to plug in headphones and enjoy high-quality tones with built-in cabinet simulation and stereo effects. Katana-Mini X features a traditional analog tone stack for natural sound shaping using familiar bass, mid, and treble controls. MOD/FX and REV/DLY sections are also on hand, each with a diverse range of Boss effects and fast sound tweaks via single-knob controls that adjust multiple parameters at once. Both sections can be used simultaneously, letting players create combinations such as tremolo and spring reverb, phaser and delay, and many others.
Availability & Pricing The new BOSS Katana-Mini X will be available for purchase at authorized U.S. Boss retailers in December for $149.99. For the full press kit, including hi-res images, specs, and more, click here. To learn more about the Katana-Mini X Guitar Amplifier, visit www.boss.info.
Snark releases its most compact model ever: the Crazy Little Thing rechargeable clip-on headstock tuner.
Offering precise tuning accuracy and a super bright display screen, the Crazy Little Thing is approximately the size of your guitar pick – easy to use, unobtrusive and utterly dependable.
Housed in a sturdy shell, the Crazy Little Thing can be rotated for easy viewing from any angle, and its amazingly bright display makes it perfect for the sunniest outdoor stages or the darkest indoor studios. You can clip it to the front of your headstock or on the back of your headstock for extra-discreet usage – and you can easily adjust the display to accommodate your preference.
As the newest addition to Snark’s innovative line of headstock tuners, the Crazy Little Thing is rechargeable (no batteries!) and comes with a USB-C cable/adapter for easy charging. Its display screen includes a battery gauge, so you can easily tell when it’s time to recharge.
The Crazy Little Thing’s highly responsive tuning sensor works great with a broad range of instruments, including electric and acoustic guitar, bass, ukulele, mandolin and more. It also offers adjustable pitch calibration: its default reference pitch is A440, but also offers pitch calibration at 432Hz and 442 Hz.
Snark’s Crazy Little Thing rechargeable headstock tuner carries a street price of $21.99. For more information visit snarktuners.com.