Premier Guitar features affiliate links to help support our content. We may earn a commission on any affiliated purchases.

Rig Rundown: The Tallest Man on Earth

Rig Rundown - The Tallest Man on Earth

Take a look at how Kristian Matsson, one of Sweden’s most enigmatic songwriters, crafts layers of sonic magic with a handful of open tunings and a pile of pedals.

Kristian Matsson, aka The Tallest Man on Earth, met with Premier Guitar’s John Bohlinger after his soundcheck at Nashville’s Ryman Auditorium. As a solo performer, Matsson needs to cover a lot of sonic territory, laying down complex tone beds to accompany his voice. He offered up a step-by-step guide to the ingredients that go into being The Tallest Man on Earth.

Matsson plays a vintage ’50s Harmony Stratotone. The Stratotone remains all stock as far as he knows and in spite of the primitive bridge, the intonation is solid.

The acoustic equivalent of the Stratotone is Matsson’s vintage Kay acoustic from the 1950s. An L.R. Baggs M1 passive soundhole pickup sends the signal to front of house.

For a 12-string vibe, Matsson goes with this 2015 Gretsch Country Gentleman G6122-G212 with TV Jones pickups.

Matsson uses this 1965 Martin D-18 equipped with a an L.R. Baggs M1 pickup for more folk-based tunes. A feedback buster has been trimmed to accommodate the pickup.

This replica of a 1960s T-style was built for Matsson by luthier Kresimir Juricic. It was patterned after Mike Bloomfield’s classic axe and features Fender Custom ’62 pickups.

Matsson’s 2017 Fender Stratocaster has been upgraded with Lindy Fralin pickups.

Matsson’s Epiphone Serenader FT-85 is a late-’60s 12-string that has also been equipped with an L.R. Baggs M1 pickup.

One of the newer guitars in Matsson’s stash is this 2019 Gibson ES-335. It offers that classic humbucker sound combined with the warmth of a semi-hollow.

This 2015 Martin 00L-17 gives Matsson a bit more acoustic tonal variety. Like the others, this acoustic has been equipped with an L.R. Baggs M1.

A pair of Fender Blues Jr IVs serve as Matsson’s backline. Here’s a look at his settings.

Matsson has quite an expansive pedalboard that includes a Strymon blueSky Reverberator, an EarthQuaker Devices Avalanche Run, a Strymon El Capistan dTape Echo, a Strymon Flint, an Industrial Electric RM-1N, an Electro-Harmonix Nano POG, a Cornish Acoustic Preamp/DI, Electro-Harmonix Hum Debugger, a Strymon Deco, a Chase Bliss Tonal Recall, a JHS/Keeley Steak & Eggs, a Fulltone True Path ABY-HT, Korg tuner, and a Gamechanger Audio Plus.

Click to subscribe to our weekly Rig Rundown podcast:

American Stage Cables:https://www.daddario.com/AmericanStageRR



X's Billy Zoom & John Doe Rig Rundown
- YouTube

John Doe and Billy Zoom keep things spare and powerful, with two basses and a single guitar–and 47 years of shared musical history–between them, as founding members of this historic American band.

Read MoreShow less

A dual-channel tube preamp and overdrive pedal inspired by the Top Boost channel of vintage VOX amps.

Read MoreShow less

The compact offspring of the Roland SDE-3000 rack unit is simple, flexible, and capable of a few cool new tricks of its own.

Tonalities bridge analog and digital characteristics. Cool polyrhythmic textures and easy-to-access, more-common echo subdivisions. Useful panning and stereo-routing options.

Interactivity among controls can yield some chaos and difficult-to-duplicate sounds.

$219

Boss SDE-3 Dual Digital Delay
boss.info

4.5
4
4
4

Though my affection for analog echo dwarfs my sentiments for digital delay, I don’t get doctrinaire about it. If the sound works, I’ll use it. Boss digital delays have been instructive in this way to me before: I used a Boss DD-5 in a A/B amp rig with an Echoplex for a long time, blending the slur and stretch of the reverse echo with the hazy, wobbly tape delay. It was delicious, deep, and complex. And the DD-5 still lives here just in case I get the urge to revisit that place.

Read MoreShow less

Reader: T. Moody

Hometown: Myrtle Beach, South Carolina

Guitar: The Green Snake


Reader T. Moody turned this Yamaha Pacifica body into a reptilian rocker.

With a few clicks on Reverb, a reptile-inspired shred machine was born.

With this guitar, I wanted to create a shadowbox-type vibe by adding something you could see inside. I have always loved the Yamaha Pacifica guitars because of the open pickup cavity and the light weight, so I purchased this body off Reverb (I think I am addicted to that website). I also wanted a color that was vivid and bold. The seller had already painted it neon yellow, so when I read in the description, “You can see this body from space,” I immediately clicked the Buy It Now button. I also purchased the neck and pickups off of Reverb.

Read MoreShow less