A handcrafted P/J-style bass that nods to both past and present.
Why would a reputable string company like La Bella jump into the crowded sea of bass production? The Mari family has been manufacturing strings for well over 350 years, and they’ve tested their products on a lot of instruments. Their electric bass strings—particularly their flatwounds—are many a player’s partner for P-style instruments.
Enter the new Olinto PJ bass. It represents both La Bella’s familiarity with the Precision and the ingenuity of luthier Mas Hino.
From Leo to Hino
The Olinto PJ is influenced by Fender’s famous 1963 design. The body is alder, and our tester was coated in a dark, Lake Placid blue finish protected by nitrocellulose lacquer. The complex color frames the gold pickguard beautifully. It’s an eye-catching combination.
Traditional P-bass bodies block access to the truss rod, and the neck bolts must be loosened to make adjustments. But here, lifting the pickguard reveals a small body cavity for truss-rod access. This is a thoughtful solution, though you must still remove the pickguard.
The hand-carved, flat-sawn maple neck is coated in nitro lacquer. A Madagascar rosewood fretboard provides classic looks and an environmentally friendly alternative to Brazilian rosewood. The classic motif continues with a C-shaped neck and a period-correct 7.25" radius. Other features include a 1.625" bone nut, 20 vintage-style frets, a Hipshot Vintage bridge, and Hipshot HB3 reverse tuners. The Aguilar AG 4P/J-HC pickups are hum-cancelling. They provide familiar timbres, but are free of 60-cycle hum.
First Go at the Olinto
When I strapped on the Olinto, it delivered instant comfort. The hand-carved body rested nicely above my waist with satisfying weight that didn’t wear on my shoulder or back. P-bass lovers will feel right at home navigating the neck. The width and shape aren’t too chunky, allowing my fretting hand to maintain proper finger curvature. I was able to set the action very low with little to no fretboard buzzing. The Olinto PJ can handle players who like to dig in, and those who fly lightly across the strings. The only possible shortcoming is the neck’s finish. I found it challenging at times to shift on the glossy surface during an outdoor gig in unusually hot and humid weather.
Ratings
Pros:
Versatile. Comfortable. Handcrafted by a master luthier. Great option for classic bass fans.
Cons:
Lacquered neck can feel sticky in hot, humid weather. Not cheap.
Tones:
Playability:
Build/Design:
Value:
Street:
$2,999
La Bella Olinto PJ
labella.com
I consider these Aguilar pickups among the best on the market. While plugged into an Epifani AL 112 combo, the J-style bridge pickup delivered the familiar bark, with the tone control providing the right amount of presence for any situation. Vintage fanatics might not be completely convinced by the P-style pickup’s tone, but it gets pretty damn close to the characteristics of a classic split-coil. Combining both pickups produced a pinched, slightly nasal vibe that harkens back to ’80s bass sounds, and soloing either pickup was completely hum-free. For a passive bass, the Olinto PJ is impressively versatile.
La Bella Live
For an outdoor show supporting an 11-piece horn band, I plugged into a Trickfish Bullhead 1K amp and BM 212 cabinet. The Olinto excelled at supportive tones, from the pumping P-style groove on the Stax classic “I'll Take You There” to soloed bridge-pickup barking on Bowie’s “Let’s Dance.” (This gig was where I encountered the aforementioned neck stickiness, but to be fair, it was unusually hot and humid out there.)
The bass did an excellent job in cooler indoor environments. I’m a fan of La Bella’s Gold White Nylon Tape Wound strings, so I switched out the provided roundwounds with a set. This spectacular combination warmed up the P-style tones for country and blues shows. The strings also added heft when engaging both pickups during an ’80s jam night. Whether it was Duran Duran’s “Rio” or some obscure Missing Persons song, the Olinto’s tones had me covered.
The Verdict
La Bella has produced a bass that reflects the best of both past and present. Handcrafted by one of the best in the business, the Olinto PJ is packed with quality electronics and components. It’s a versatile and comfortable instrument equally suited to stage or studio. If you want to invest in a professional-grade instrument so you can keep your cherished vintage basses safe and sound, the Olinto PJ merits a close look.
Watch the Review Demo:
Metalocalypse creator Brendon Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great.
Slayer guitarists Kerry King and Jeff Hanneman formed the original searing 6-string front line of the most brutal band in the land. Together, they created an aggressive mood of malcontent with high-velocity thrash riffs and screeching solos that’ll slice your speaker cones. The only way to create a band more brutal than Slayer would be to animate them, and that’s exactly what Metalocalypse (and Home Movies) creator Brendon Small did.
From his first listen, Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great. Together, we dissect King and Hanneman’s guitar styles and list their angriest, most brutal songs, as well as those that create a mood of general horribleness.
This episode is sponsored by EMG Pickups.
Use code EMG100 for 15% off at checkout!
Learn more: emgpickups.com
The legendary German hard-rock guitarist deconstructs his expressive playing approach and recounts critical moments from his historic career.
This episode has three main ingredients: Shifty, Schenker, and shredding. What more do you need?
Chris Shiflett sits down with Michael Schenker, the German rock-guitar icon who helped launch his older brother Rudolf Schenker’s now-legendary band, Scorpions. Schenker was just 11 when he played his first gig with the band, and recorded on their debut LP, Lonesome Crow, when he was 16. He’s been playing a Gibson Flying V since those early days, so its only natural that both he and Shifty bust out the Vs for this occasion.
While gigging with Scorpions in Germany, Schenker met and was poached by British rockers UFO, with whom he recorded five studio records and one live release. (Schenker’s new record, released on September 20, celebrates this pivotal era with reworkings of the material from these albums with a cavalcade of high-profile guests like Axl Rose, Slash, Dee Snider, Adrian Vandenberg, and more.) On 1978’s Obsession, his last studio full-length with the band, Schenker cut the solo on “Only You Can Rock Me,” which Shifty thinks carries some of the greatest rock guitar tone of all time. Schenker details his approach to his other solos, but note-for-note recall isn’t always in the cards—he plays from a place of deep expression, which he says makes it difficult to replicate his leads.
Tune in to learn how the Flying V impacted Schenker’s vibrato, the German parallel to Page, Beck, and Clapton, and the twists and turns of his career from Scorpions, UFO, and MSG to brushes with the Rolling Stones.
Credits
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering Support by Matt Tahaney and Matt Beaudion
Video Editor: Addison Sauvan
Graphic Design: Megan Pralle
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Katana-Mini X is designed to deliver acclaimed Katana tones in a fun and inspiring amp for daily practice and jamming.
Evolving on the features of the popular Katana-Mini model, it offers six versatile analog sound options, two simultaneous effects, and a robust cabinet for a bigger and fuller guitar experience. Katana-Mini X also provides many enhancements to energize playing sessions, including an onboard tuner, front-facing panel controls, an internal rechargeable battery, and onboard Bluetooth for streaming music from a smartphone.
While its footprint is small, the Katana-Mini X sound is anything but. The multi-stage analog gain circuit features a sophisticated, detailed design that produces highly expressive tones with immersive depth and dimension, supported by a sturdy wood cabinet and custom 5-inch speaker for a satisfying feel and rich low-end response. The no-compromise BOSS Tube Logic design approach offers full-bodied sounds for every genre, including searing high-gain solo sounds and tight metal rhythm tones dripping with saturation and harmonic complexity.
Katana-Mini X features versatile amp characters derived from the stage-class Katana amp series. Clean, Crunch, and Brown amp types are available, each with a tonal variation accessible with a panel switch. One variation is an uncolored clean sound for using Katana-Mini X with an acoustic-electric guitar or bass. Katana-Mini X comes packed with powerful tools to take music sessions to the next level. The onboard rechargeable battery provides easy mobility, while built-in Bluetooth lets users jam with music from a mobile device and use the amp as a portable speaker for casual music playback.
For quiet playing, it’s possible to plug in headphones and enjoy high-quality tones with built-in cabinet simulation and stereo effects. Katana-Mini X features a traditional analog tone stack for natural sound shaping using familiar bass, mid, and treble controls. MOD/FX and REV/DLY sections are also on hand, each with a diverse range of Boss effects and fast sound tweaks via single-knob controls that adjust multiple parameters at once. Both sections can be used simultaneously, letting players create combinations such as tremolo and spring reverb, phaser and delay, and many others.
Availability & Pricing The new BOSS Katana-Mini X will be available for purchase at authorized U.S. Boss retailers in December for $149.99. For the full press kit, including hi-res images, specs, and more, click here. To learn more about the Katana-Mini X Guitar Amplifier, visit www.boss.info.
Snark releases its most compact model ever: the Crazy Little Thing rechargeable clip-on headstock tuner.
Offering precise tuning accuracy and a super bright display screen, the Crazy Little Thing is approximately the size of your guitar pick – easy to use, unobtrusive and utterly dependable.
Housed in a sturdy shell, the Crazy Little Thing can be rotated for easy viewing from any angle, and its amazingly bright display makes it perfect for the sunniest outdoor stages or the darkest indoor studios. You can clip it to the front of your headstock or on the back of your headstock for extra-discreet usage – and you can easily adjust the display to accommodate your preference.
As the newest addition to Snark’s innovative line of headstock tuners, the Crazy Little Thing is rechargeable (no batteries!) and comes with a USB-C cable/adapter for easy charging. Its display screen includes a battery gauge, so you can easily tell when it’s time to recharge.
The Crazy Little Thing’s highly responsive tuning sensor works great with a broad range of instruments, including electric and acoustic guitar, bass, ukulele, mandolin and more. It also offers adjustable pitch calibration: its default reference pitch is A440, but also offers pitch calibration at 432Hz and 442 Hz.
Snark’s Crazy Little Thing rechargeable headstock tuner carries a street price of $21.99. For more information visit snarktuners.com.