
Just take your musical vitamins!
Intermediate
Beginner
•Create a goal-oriented warm-up routine.
• Learn to outline all 12 major scales in a single position.
• Develop an understanding of tremolo picking, quintuplets, and the chromatic scale.
Warm-ups aren’t just about limbering up your fingers. Warming up helps with focus and confidence. It’s difficult to go into a performance cold. Whether it’s a Broadway show, a Carnegie Hall performance, a bar gig, or any formal or informal setting, you need a warm-up routine. Like a runner who needs to stretch before a competition, a musician needs to get their mind and body ready before a performance. Though there is a flood of method books on the market along with YouTube tricks and tips, there is no standard canon of technical exercises available for electric guitar. As a professional guitarist over the years, I’ve seen the need for an effective, comprehensive, yet quick warm-up routine.
The Warm-Up Routine
The following are ten specific exercises, appropriate for both hands with a focus on picking, and when played at tempo should take about five minutes. You’ll be ready to play just about anything and still have your energy to devote to the gig. The idea is to be able to practice technique that surpasses the demand of what you’ll be playing. These are easy to memorize and highly portable, without having to carry books or download an app.
Directions: Use alternate picking for all exercises except for the sweep picking one. Be mindful of the picking as it is important to develop monster technique. Play all notes evenly and cleanly at a slow tempo before gradually speeding it up.
Ex. 1 is probably the exercise I despise the most. It was shown to me by a guitar phenom/colleague in graduate school. He played it fast with no errors, clinks, or hesitations. It sounded angular and I hadn’t heard anything like it before, so it piqued my interest. What makes it difficult is the alternate picking on each string, with only one note per string.
Start with one finger per fret from the 6th to the 3rd strings. Then bring the fingering down to the next four strings starting on the 5th string. Continue to move the shape until you run out of strings. The left-hand pattern will be 1-2-3-4, 1-2-3-4, 1-2-3-4, 1-2-3, 1-2, 1. At this point, move down a fret and invert the shape starting on the 1st string. Keep this up until you reach the 1st fret. It’s challenging to play cleanly, but it sounds cool and is a necessary technique.
Ex. 2 encapsulates the difficulties of guitar playing in a single measure. This one focuses on string crossing and pick direction. Be aware of the extra note added to the pattern. It turns the picking direction around, providing an opportunity to begin a phrase with an upstroke. I find that my picking gets tripped up when the pattern changes, making this a good example to overcome this technical challenge.
The most basic and traditional form of the major scale is shown in Ex. 3. What makes this challenging is a combination of two- and three-notes-per-string shapes while alternate picking. You end up straying from a predictable flow of notes per string. Play this one four times to train your picking hand to accurately get this skill down.
So, you say you know the major scale? This may be one of the more difficult ones. The premise in Ex. 4 is that wherever you are on the neck you have access to all notes and scales without shifting to a more comfortable fingering. When you’re playing over a chord change or an idea, you want to be able to play the next note within reach. The moment you have to shift to play a line, often your thinking stops and creativity is averted.
This may even be more of a mental exercise than physical. It requires keeping track of several items at the same time: moving through all keys in the cycle of fourths, the direction of the scale, and finding the correct note in position, all at a racing pace (eventually).
Play the major scales in one position without shifting positions. The object is to play within a four to five fret span without using open strings. There are four directions for this exercise: up, down, alternating up/down, and alternating down/up.
This is more of a quasi-classical guitar passage where the right-hand fingers do the work (Ex. 5). Specifically, it’s a pedal-point exercise where one note stays the same while other notes are moving. It really works up alternate picking technique with the triplet part.
Ex. 6 is one I would play before a performance. When I started performing on Broadway, I realized the involvement and demand of the right hand. Fast picking is determined by tremolo technique, so I wrote a tremolo part on a G minor arpeggio leading up to a Bach excerpt (1st violin Sonata BWV 1001 Presto).
Ex. 7 is all about pentatonic quintuplets. Notice that for each starting note of the five-note group, the pick direction will be the opposite from the previous one. It sounds amazing when played fast, a la Eric Johnson.
Perhaps the chromatic scale is already everyone’s go-to warm-up. However, Ex. 8 utilizes open strings combined with fretted notes in the first position, which is a challenge. This may be on par with something out of Mel Bay Book 1, but try playing it fast and clean.
To play modern ideas on guitar, you have to know sweep picking. Since sweeping uses different musculature, it will feel odd or different at first. Start off slowly with triplets, then take the same note pattern and play 16th-notes followed by quintuplets. Ex. 9 aids in both picking and rhythmic control.
Ex. 10 breaks out of narrow, scale-step intervals and branches off into wider intervals, like 4ths, 5ths, 6ths, and 7ths. The techniques involve string skipping and a plethora of different shapes. Practicing intervals is an excellent ear training exercise and should be done daily—like taking vitamins.
I hope this warm-up routine brings you a newly heightened technique and much success in your musical performances. Until next time, happy shredding and enjoy the journey!
- Muscle Maintenance for Guitarists ›
- Fretboard Workshop: Expanding Exercises ›
- Book Review: "Guitar Etudes: Warmup Excercises for Guitar" By Pat Metheny ›
Ernie Ball, the world’s leading manufacturer of premium guitar and bass strings, is proud to announce the release of the Pino Palladino Signature Smoothie Flats, the newest innovation in flatwound bass strings.
Developed in collaboration with legendary bassist Pino Palladino, these signature sets are engineered to deliver an ultra-smooth feel and a rich, warm tone that’s as versatile as it is expressive. Available in two gauges—Extra Light (38–98) and Medium (43–108)— Smoothie Flats are crafted with a precision-polished cobalt alloy ribbon for low tension, flexible playability, and deep vintage-inspired sound.
Ernie Ball: Pino Palladino Signature Smoothie Flats Bass Strings
Product Features:
- Precision polished for an ultra-smooth feel
- Cobalt alloy ribbon winding for a rich, deep sound
- Flexible, low-tension design for superior playability
- Trusted by Pino Palladino for studio and live performance
Pino Palladino Signature Smoothie Flats bass strings are available at Ernie Ball dealers worldwide.
A hyper-versatile algorithmic reverb with a new and groundbreaking Ensemble engine for generating orchestral-inspired pads is now available for your DAW.
Strymon Engineering has announced the release of the Cloudburst ambient reverb plugin. A direct code port of their award-winning hardware pedal of the same name, the Cloudburst plugin offers a vast library of reverb sounds and orchestral-inspired synth pads, all easily controlled by a simple and elegant user interface.Initially based around the Cloud algorithm from Strymon’s iconic BigSky, Cloudburst refactors the reverb at every position on the Decay knob, allowing it to be used not only for the other worldly dreamscapes that Cloud is known for, but also for hyper-authentic rooms and halls that complement any recording style or genre of music.Controlled by a single knob, the new Ensemble engine creates synthetic pads by analyzing 48frequency bands in the source audio and then generating corresponding upper harmonic partials of what it finds in each band. The result is harmonically rich and organic synth pads that closely follow the source audio, adding complexity and dimension to any sound it’s applied to.
Cloudburst Plugin Official Sound Samples | Strymon
“One of the fun things about using a plugin version of a hardware product you know very well isthe surprise and delight that come from using it differently in a session for the first time”, saidSean Halley, Strymon’s Head of Marketing and long-time recording professional. “The first timeI tried it on tracks I couldn’t wipe the grin off of my face - I put it on classical violins and guitars, drums, percussion and synths, and in every instance it could stay out of the way and remain infinitely professional, or it could change the genetic makeup of the sounds if I wanted it to.Even though the interface is very clean and simple, there is a virtual sonic universe in there to explore.” Gregg Stock, Strymon co-founder and analog circuit guru said “we couldn’t be happier with how it turned out. We’re hoping that being able to easily run multiple Cloudbursts in a session really changes what users feel is possible, sonically. We’re looking forward to hearing the music!”
The Cloudburst plugin is available now directly from Strymon and from dealers worldwide for $79 US.
From devastation to celebration, Lari Basilio comes out on top with her latest album, Redemption.
The Brazilian guitarist’s soaring new instrumental record chronicles her recent journey from tragedy to triumph.
“The journey of this album actually coincides with my motherhood journey,” says Lari Basilio, speaking about her newest release, Redemption. “When I started writing the songs, I had no idea that I was pregnant. It was always a dream of mine to become a mom.”
However, tragedy struck shortly after Basilio learned of her pregnancy. “A few weeks later, unfortunately, I had to deal with the miscarriage of my very first baby. It was actually one year ago,” recalls Basilio. “It was a very sad time. These songs kind of became the soundtrack for this period of my life. And everything that I lived—the emotions—ended up reflecting on my compositions. Basically, my day-to-day life ended up inspiring me to write my songs.”
The guitar proved to be therapeutic for Basilio. As she learned to cope with the loss, Basilio found solace in her 6-string. Many of the songs on Redemption like the title track, “New Chapter,” “Heartbeat,” and “Forever" have a nostalgic, reflective quality. “Music and the guitar are definitely a place of comfort for me. And I kept working and writing the songs and finishing the album,” she explains. While working on the record, Basilio was met with a surprise. “In the middle of the process, I found out that I was pregnant again! And at the end, we’re here. I’m about to release the new album, and I have my baby with me. It feels like my redemption moment, you know? Everything is summed up in this moment for me”
Basilio gave birth to her first child, Liam, just 20 days before our interview. The past few years leading up to this moment have marked other significant changes in Basilio’s life. Two years ago, she uprooted to Texas to live in a peaceful place where she could raise a family, after a six-year stint in Los Angeles that started in 2017. She had emigrated from São Paolo, Brazil, then to pursue her music career after gaining notoriety through her eponymous debut album and followup release, The Sound of My Room.
For her third album, 2019’s Far More, she recruited an ensemble of A-list session players like drummer Vinnie Colaiuta, bassist Nathan East, and keyboardist Greg Phillinganes. This album also featured Joe Satriani (whom she met after he invited her to be an instructor at his 2019 G4 Experience) as a guest on the track, “Glimpse of Light.” Continuing this trend, Redemption, Basilio’s fifth original release, features a return appearance by Colaiuta, in addition to bassists Leland Sklar and Sean Hurley (both of whom previously recorded on Basilio’s 2022 release, Your Love), and keyboardist Mari Jacintho.
“Everything that I lived—the emotions—ended up reflecting on my compositions.”
Redemption is Basilio’s fifth full-length of original instrumental music, and her third since moving to the United States in 2017.
Lari Basilio’s Gear
Guitars
- Ibanez LB1 Signature with Seymour Duncan Lari Basilio pickups
- Ibanez Prestige AZ24047
Amps
- Laney Lionheart L20T-212
- Laney Cub-Super 12
- Laney Cub-Supertop
- Laney Ironheart IRT-SLS
- Laney Black Country Customs Ironheart IRT60H
Effects
- JHS The Violet Lari Basilio Signature Distortion
- Laney Black Country Customs Secret Path Reverb
- Seymour Duncan Vise Grip Compressor
- GNI Music Delay
- TC Electronic Flashback Delay
Strings and Picks
- D’Addario Regular Light XL Nickel (.009–.046)
- Dunlop Standard Tortex Pick (1.0 mm and 1.14 mm)
While it can be intimidating to be in the studio with such legendary studio musicians, Basilio doesn’t really get nervous around them anymore. “I think I’m more relaxed now because we ended up becoming friends,” says Basilio who spent two days with them in Studio Two at EastWest Studios in Los Angeles, then finished the guitars and postproduction later. “But they never cease to amaze me. Every time I’m in the studio with them I’m absolutely blown away. Every time. So this doesn't change, because they’re amazing musicians—the way they put their emotions and their personality into the songs, into the performances, it’s just brilliant. I give them total freedom to put in their ideas and do anything they want, and they're always so polite, and they ask, ‘Oh, can I do that?’ Or, ‘I hope you don’t mind that I tried that.’ And I would sit there and you know, I just can’t believe that these guys are there playing my songs and we’re having these amazing moments and creating these memories together in the studio. There’s only one Vinnie. There’s only one Leland. I hope that maybe one day I’m gonna be able to do a concert with all of them together.”
Though Basilio maintains her public persona of guitar hero, she is also a lawyer. In fact, she comes from a family of lawyers. Her dad, husband, and two brothers are lawyers, and her mom graduated from law school, although she isn’t a practicing attorney.
Basilio at EastWest with her collaborators, from left to right: Leland Sklar, Vinnie Colaiuta, and Mari Jacintho.
Photo by Eduardo Orelha
Having a background in law, however, doesn’t mean Basilio strictly follows the rules on everything—least of all guitar. She sometimes employs an unorthodox fingerstyle technique where she keeps the pick tucked into her palm by using her right hand’s ring finger, while keeping the thumb, index, and middle finger free to pluck. Basilio says, “I think this is one of the things that came naturally. Every player has to try to find what is natural for them.”
This approach can be heard on tracks like “Seasons,” where Basilio plays percussively with her fingers. “I love playing fingerstyle. I play a lot both with a guitar pick and fingerstyle, and I kind of developed my own way to play fingerstyle out of the necessity of looking for new tones and new dynamics,” she explains. “And I love to incorporate it into my songs, to get those percussive sounds and lots of ghost notes. It’s so much fun.”
Redemption closes with the beautiful “Forever,” which showcases Basilio’s fingerstyle technique. The song also demonstrates her strong background in music theory, which she built thanks to the organ lessons she started at age four before her father, Jesonias, handed her a nylon-string acoustic guitar and showed her open C and D chords when she was around eight years old. “Forever” is Basilio’s first solo unaccompanied guitar recording, though she has performed that style many times in public over the years.
“This is something that I always did for my videos, for my YouTube channel, but I haven’t had a full song written that way,” Basilio explains. “I just sit down and try to play by myself, just me and my guitar. And I think it was about time for me to have a song written that way, and I’m happy I could do it for this album. It’s so much fun to try to develop it because at the end of the day, this songwriting process and style of composition is something that you develop by practicing. Some people might think that you don’t have to practice songwriting and composition, but I think it comes from practice as well.”
Flanked by her trusty Laney amps, Basilio wields her signature Ibanez LB1-BK.
Photo by Eduardo Orelha
YouTube It
Lari Basilio uses her unique fingerstyle approach to perform a delicate and ethereal unaccompanied intro to her composition “Running to the Other Side.” Once the band kicks in, she goes all out from precision picking to right-hand tapping to display her jaw-dropping chops.
Fall Headline Tour Scheduled to Kick Off October 31st with Special Guest Myles Kennedy GRAMMY® Award-nominated songwriter, vocalist, multi-instrumentalist, and producer Wolfgang Van Halen is back with the latest single from the band he masterminds, Mammoth.
Mammoth: The End (Official Video)
“The End” is an adrenaline-driven rocker that kicks off with a signature lead guitar riff that has become a fan-favorite element in Wolfgang’s music. The anthemic build of the intro gives way to the driving verse melody with each part carefully created and performed by Van Halen and his returning collaborator Michael “Elvis” Baskette. The chorus is driven by the unforgettable vocal melody as the message of “Take your hand in mine and watch the end with me.” The song is now available for pre-save via all digital service providers here.
“I’ve had the tapping idea on the intro for ‘The End’ since before Mammoth. I was able to fit it into this world. It’s still over-the-top and shreddy, but it’s also melodic and controlled. Overall, I was doing some different things on the record, and I knew this was going to be a big step. Once we finished ‘The End,’ it felt really special to me,” explains Wolfgang Van Halen.To coincide with the single release, Wolfgang and Mammoth have released a music video for “The End” that is one for the history books and something rarely seen in music videos anymore. Wolfgang teamed up with legendary director Robert Rodriguez to do a modern-day interpretation of Rodriguez’s 1996 hit film, From Dusk Till Dawn. The video tells the story of a rock band that is booked to play a show at a dive bar and given an ominous warning from the club owner portrayed by Danny Trejo. Mammoth decides they know better, and things quickly turn dire for the band before a surprising revelation during the final moments tie the complete video lore from the band together. Friends of Mammoth including Slash, Myles Kennedy and Wolfgang’s mother Valerie Bertinelli all show up throughout the short film. Horror effects icon Greg Nicotero offered his talents to the video to create zombies, werewolves and vampires that all bring a deadly end to the attendees of the show.
With a short run of May dates creating excitement for a Mammoth tour, the band is announcing a Fall headline run. The End Tourkicks off on October 31st and runs for 5 weeks before it wraps up on December 7th. The tour will make stops in Las Vegas, NV (November 1), Atlanta, GA (November 8), Montclair, NJ (November 14), Chicago, IL (November 26) and Tempe, AZ (December 6) to name a few. Longtime friend Myles Kennedy will be the special guest on the run. Tickets will be on sale starting May 5th via artist presale and on sale to the public on Friday, May 9th. More information on all tickets and VIP passes can be found at www.mammoth.band